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Embach

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  1. Embach liked a post in a topic by sparklrtrailrheaven in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    This makes so much more sense, she still recorded it herself but Zach provided the instrumental
  2. Embach liked a post in a topic by mybluenectarofthegods389 in “Honeymoon” Album Recording/Writing Timeline and Creative Process Discussion   
    I’m currently making a writing/recording timeline for Honeymoon! if anyone comes across any information please let me know.
    This is what I have so far
     
    March 2014 - Sessions for Ultraviolence end
     
     
    May-June, 2014: In an interview for Complex magazine, Lana notes: "I actually started conceptually thinking about having a supplement, an addition to this record ('Ultraviolence') that could come very easily. That hasn't happened in a very long time. Not since I wrote the "Paradise" to "Born to Die" that I really liked". Thus, it is likely that Lana's fourth project originally started as an accompanying ep to "Ultraviolence", which probably would have consisted of "Ultraviolence" outtakes and some new songs that were recorded in June-July 2014. But by September 2014, it was clear that the project would develop more, when the first sessions for "Honeymoon" started.
     
    June 2014 - She records Music To Watch Boys To (Also titled Pink Flamingos)
    Interviewer: Are You Going To Record Something Tonight? Do You Know What It Is, Or? Lana: I do, yes I do, I have an idea for a record called 'Music to Watch Boys To', so, yeah, I'm just thinking about it and what it will mean  
    Lana began writing music for the soundtrack to "Big Eyes," which includes:
    1. An “I Can Fly” rework
    2. “Big Eyes."
    3. “Beautiful People”
    4. “The Good Life” Cover.
     
    June 2014: She records Beautiful People (Demo 1)
     
    July 30, 2014: She records her cover of “The Good Life”

    August 2014 - A demo of Big Eyes is recorded

    September 14, 2014 - Sessions for the album begin
     
    Sep/November: She records Salvatore/Soft Ice Cream and Swan Song? (They were both recorded at Electric Lady Studios and she was seen on New York on those months)
     
    Sep-Dec 2014: Dark City, Crazy For You, California, Black Magic Stars, Honeymoon, 24/24 Hours, Dead To Me, Don’t Let Me Be Misunderstood, Freak/Freak Like Me, The Balckest Day and a reworked version of I Can Fly are recorded
     
    Fun Fact: 24 was originally recorded for the movie Spectre, but was ultimately rejected
     
    Latter half of 2014: A new version of Say Yes To Heaven produced by STINT is made, but was scrapped by being "too overwhelming"
     
     
    Initially, "Honeymoon" developed more as a pop record, with a return to the "Born to Die" sound. This is indicated by several facts, namely the leaked demos of the tracks "The Blackest Day" and "Freak" (made by the same producer, STINT [Ajay Bhattacharyya]), further, in an October interview for "L'Uomo Vogue," Lana expressed her desire to work with producer Giorgio Moroder, who is considered the father of synth disco and electronic dance music, also one of the mixer/engineers said that the "Honeymoon" demos sounded like the 80s. At the same time, Lana was still searching for a sound: "I'm still looking for something different, with majestic choruses, beautiful orchestrations, '50s-inspired with a little touch of soft grunge." And at some point in the making of the album in 2014, Lana told Rick Nowels, one of the album's two producers, that she wanted to make a jazz album. That's how the tracks "Honeymoon" and "Terrence Loves You" came about, which Rick says are not pure jazz, but her "versions" of jazz tracks (the original title of "Terrence Loves You" was "Jazz and Blues ")
     
    She also had this to say on the early process of making the record 
     
    “I wrote the biggest part of the record during fall, winter and spring, and it was a beautiful process because I did it with one of my best friends, Rick. My daily activities consisted on swimming on the beach and writing. The album started very easily and fun with songs like Music to Watch Boys To, Honeymoon and Terrence Loves You, and finally, it went through more modern and sexy songs like Freak and Art Deco. But the line that goes through the record has a lot of jazz influence.”
     
    Early 2015: Demos of “Say Yes To Heaven” produced by Stephen Kozmeniuk and Tom Neville are made for the album because of a potential Hugo Boss campaign.
    Ultimately the song was dropped from Honeymoon because of the campaign and neither version of the song was approved by Hugo Boss.
     
     
    January 6 2015: She says she has written 9 songs, “four of which “the production is perfect; I’m looking for a few more songs to tie everything together” and I’m doing a cover of “Don’t Let Me Be Misunderstood.” She also reveals the tile of the album
     
    January 13, 2015: Lana records Paradise
     
    Jan-Feb 2015: Art Deco, Burnt Norton, Terrence Loves You, Come With Me, If I Die Young, Religion, God Knows I Tried/God Knows are recorded 
     
    January 28: She is seen entering a recording studio with Mr. Brainwash
     
    Jan - February 2015: Lana writes “High By The Beach”, “This was probably one of the last ones on the record”
     
    Sometime in 2015: Lana sends a list of songs that need additional production, they were
    Crazy For You
    Freak
    High By The Beach/Get High
    God Knows I Tried/God Knows
    Honeymoon
    Salvatore/Ice Cream
    Music To Watch Boys To/Pink Flamingos
    Religion
    Say Yes To Heaven
    Swan Song
     
    This means that Crazy For You and Say Yes To Heaven were serious contenders for the album
     
     

    February 16, 2015: Lana says to a fan that she was done with Honeymoon
     
    March 31, 2015: On an interview with Mark Ronson he states “I’m going to do some recording with Lana Del Rey today and tomorrow. I found this cool old studio out here.” “She has some songs and I said I had some demo ideas, and if they are any good, then maybe she’ll like them and we’ll go from there.” Later in a Reddit AMA he said “we did an early version of Terrence Loves You which i still love.”
     
    June 24, 2015 - She posts a photo on honeymoon with the caption “So tired in the studio”
    June 2015: She records Cry Kill Die and all additional songs are completed

    In an interview, Lana revealed that she had written about sixteen songs for "Honeymoon," which turned out to be:
    - "Honeymoon"; 
    - "Music to Watch Boys To"; 
    - "Terrence Loves You."
    - "God Knows I Tried"; 
    - "High by the Beach”
    - "Freak";
    - "Art Deco."
    - "Religion." 
    - "Salvatore." 
    - "The Blackes Day"; 
    - "24";
    - "Sawn Song." 
    - "California"
    - "Crazy for You”
    - "Paradise"
    - "Come with Me"
    - "Dead to Me".
    - "If I Die Young"
    - “Cry Kill Die”
    - “Black Magic Stars”

    September 2015: She records the first demo of “Lust For Life”
     
    September 18, 2015: Honeymoon comes out
     
    Somewhere in 2015: She records Gucci
  3. Embach liked a post in a topic by Pico Ocean Boulevard in “Honeymoon” Album Recording/Writing Timeline and Creative Process Discussion   
    The way she  & Rick created such an amazing body of work,  a literal masterpiece with perfect production in such a short amount of time is insane 
    Omg and thank you so much for doing this timeline 
  4. Embach liked a post in a topic by 111 in Random Lana Discussion Thread   
    G.B.A (God Bless America)
    The Best of Lana Del Rey
    The Revenge of Lana Del Rey
    The World is Ours
    Do U Luv Me Yet?
    Born 2 Die
    The Next Best American Record
  5. mlittle11 liked a post in a topic by Embach in Random Lana Discussion Thread   
    I think that the lyric from Crazy For You - "Well, I've been dreaming about you but I've been singing with him, I feel bad about it" - sums that situation perfectly up
  6. never2heaven liked a post in a topic by Embach in Scariest Lana song?   
    Lana songs aren't really that scary for me but if there's a song (and video) that has creepy vibes then it's probably the 2007 live version of Brite Lites. The loud horror-like guitar and the red low quality video makes it look like it's from the dark web which went viral in the late 2000s and people started making creepypastas of it.
    Not gonna lie, I love it actually, even if the guitar sounds weird 
     
  7. That Venice Bitch liked a post in a topic by Embach in LDR Album Process Discussion   
    Hey @Unknown 
     
    You're always welcomed here and you can always come here to talk more about the outtakes and recording process from different eras! 🪐
  8. Sunnies liked a post in a topic by Embach in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Also, I know it's some kind of a sensitive topic she touched in Fingertips and The Grants but
     
  9. plastiscguy liked a post in a topic by Embach in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Didn't Jack Antonoff also mention that those bombastic NFR outtakes are girl-group tracks like The Shangri-Las?
  10. Sunnies liked a post in a topic by Embach in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Also, people tend to forget that the version of TNBAR that was in NFR was already intended to be on the final version of LFL because in an interview in 2017, Lana said that TNBAR is about Topanga and such.
  11. LilyBrik liked a post in a topic by Embach in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Also, I know it's some kind of a sensitive topic she touched in Fingertips and The Grants but
     
  12. plastiscguy liked a post in a topic by Embach in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Lately I had a theory, that between August 2015-March 2016, Lana wanted to do a deluxe or some kind of a special version (similar to Paradise) for Honeymoon. I know that Honeymoon was a vanity project but that kind of explains why she was making random songs during Summer/Autumn 2015 like Serene Queen or Cry Kill Die. She wanted to do a special version for Ultraviolence too and it later was formed as Honeymoon. I think Lust For Life album we know as today was formed after the end of her Festival Tour in August 2016/September 2016. Because I remember something that she recorded LFL with Abel in September 2016 (because he had a new haircut or something + they had recorded Stargirl and Party Monster in 2016 too).
  13. taco truck liked a post in a topic by Embach in Random Lana Discussion Thread   
    I think that the lyric from Crazy For You - "Well, I've been dreaming about you but I've been singing with him, I feel bad about it" - sums that situation perfectly up
  14. ShadesOfFool liked a post in a topic by Embach in Random Lana Discussion Thread   
    I think that the lyric from Crazy For You - "Well, I've been dreaming about you but I've been singing with him, I feel bad about it" - sums that situation perfectly up
  15. mlittle11 liked a post in a topic by Embach in Random Lana Discussion Thread   
    Late June 2014 (on 24th if I'm not wrong) Lana said to the media that they have broken up and that way Barrie found out that they had broken up 💀
  16. Embach liked a post in a topic by ShadesOfFool in Random Lana Discussion Thread   
    Mhm yup cause Francesco was already around at that point, lana you dirty girl 
  17. drugsdesire liked a post in a topic by Embach in Random Lana Discussion Thread   
    Late June 2014 (on 24th if I'm not wrong) Lana said to the media that they have broken up and that way Barrie found out that they had broken up 💀
  18. Embach liked a post in a topic by Cherry Blossom in Random Lana Discussion Thread   
    i’m a lana and jack truther
  19. The Siren liked a post in a topic by Embach in LDR Album Process Discussion   
    Hey @Unknown 
     
    You're always welcomed here and you can always come here to talk more about the outtakes and recording process from different eras! 🪐
  20. marinasrep liked a post in a topic by Embach in LDR Album Process Discussion   
    Hey @Unknown 
     
    You're always welcomed here and you can always come here to talk more about the outtakes and recording process from different eras! 🪐
  21. Unknown liked a post in a topic by Embach in LDR Album Process Discussion   
    Hey @Unknown 
     
    You're always welcomed here and you can always come here to talk more about the outtakes and recording process from different eras! 🪐
  22. Dark Angel liked a post in a topic by Embach in LDR Album Process Discussion   
    Hey @Unknown 
     
    You're always welcomed here and you can always come here to talk more about the outtakes and recording process from different eras! 🪐
  23. shadesofloveduthenandnow liked a post in a topic by Embach in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Ok, let me handle it.
     
    I'm certain that my following unoopular opinion/theory is (very) controversial AND LONG! 
     
    The so-called "witchy dreamy spacey cosmic folky psychedelic ambient" original concept is a myth. I don't think that the "witchiness" was even the goal for the album. I have also thought that Lana wasn't really certain either what she wanted for the album. Once in 2015 she talked about her thoughts on the new album "like a New York record, less dreamy and more upbeat". Then in 2016 (at the Pre-Grammy Gala?) she said that the upcoming album will have a similar aesthetic with Honeymoon, although in February 2017 Insta livestream she said that LFL will have a retro-futuristic aesthetic. But the album has also Woodstock/1960s-70s hippie aesthetics which are also seen on the album cover which was shot already in June/July 2016 (the hippie-peace inspired looks were also seen in the Festival Tour 2016). Also at first she made some Shangri-Las inspired songs, then after Donald Trump's victory in November 2016, she started to make more politically oriented songs. Also to think that in 2016 she made electro-pop version of Say Yes To Heaven. Then she also was in relationship with G-Eazy in Spring 2017 which in result she started to make more songs. In an interview with a radio in early 2017, she (and later in an another interview Rick Nowels) also said that the album will be mix of everything, that will have different genres. It's either two options:
     
    • she was unsure what to do with the album
    • it was intentional and I believe this theory more, because you can see that the album's sound has mix from the sound of her old eras (baroque pop, dream pop, hip-hop, trap, trip hop) and the sound of her upcoming/newer sound (folk, acoustic ballads, folktronica, Americana) which are seen in NFR, COTCC and so on. The collaborations were 100% intentional because Abel and Rocky were important people in the start of her breakthrough and Nicks/Lennon are kind of her idols, so she wanted to show people where is she heading to. That's why she later dedicated to the fans because she was saying goodbye to her "old-self", her old sound. I feel like that was kind of her point the whole time.
  24. Embach liked a post in a topic by Unknown in "Lust for Life" Album Recording/Writing Timeline and Creative Process Discussion   
    Slay but Cry Kill Die and If I Die Young are Honeymoon outtakes not LFL 
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