sparklrtrailrheaven

god i wish! need to bump that thread and find those boys 

I deadass think about that footage like every day (':

That's crazy! I was just reading the first page of the minor questions thread and found your post and I wanted to ask you: did you ever found the redneck guys by the cars footage Lana used? It's kind of like a Moby Dick for Lana stans now

I would of course be super happy with anything but I think I would be happier if it was prose poems rather rhyming ones. Which I think it is? She said if I didn't misunderstood "short stories that sometimes end in a rhyme" or something. I write a bunch of poetry, sorry for self-promo, nothing spectacular, but I know the process, and I think it would be sooooo much easier for detractors to bash her head in if it was rhyming poems, it could SO easily sound artsy fartsy or conceited. 
 
I would love this kind of poem structure, kind of like a song, but also not really, with lots of plays on sonorities but not necessarily rhyming. This one is by Patti Smith, already mentioned how Venice Bitch reminds me a lot of Woolgathering in the NFR thread but 
 
 
 
 
Or this one by Bianca Casady from CocoRosie, my fav poet of all time to the point I got her name tattooed on my thigh, I would love this kind of thing but with Lana themes
 
 
 
 
Or this one by me. You get the point poems in prose but with rhythm. But most importantly I want the book to be well designed not just three word pages stappled together and wrote in comic sans 
 


 
Although honestly her poems are probably gonna look like this 

HOLY SHIT. The cover leaked it looks so good I'm dying
 

 
 
And the outtakes :defeated:

The “one Dream one life one lover” melody and shimmering synths....ART
 
How was she producing stink bombs like Coachella and white mustang less than 2 years ago when she can stuff like this

I can't believe I didn't. Perks of becoming a Gaga stan seven years after release

Oh God, want you on my lips.
            (I do, I doooooooooooo!)
             :crying4:

Venice Bitch is a song that I can relate to when I'm happy or when I'm sad wow Lana's mind her only other songs that really make me feel this way are Video Games and Old Money

Still can't get over the quality of these 2 tracks, damn! She did that! Like MAC was amazing, but VB... Blown my mind.

I can already tell that Blake is gonna crush these two songs so hard on the future live performances.

I wonder how many songs she makes or even comes up with but maybe only records little demos in an average month, she seems to constantly be working or trying to come up with new music and writing so I could definitely see 2/3 songs she hasn't even thought about yet making it.

There's gonna be more than 11 tracks. I think it's gonna turn out to be either 13 or 14 like Honeymoon was; we know how much she loves to add new songs last minute

https://twitter.com/yourgirlchuck/status/1042502980191215616

Venice Bitch is so old school lana for me but of course evolved and with different production wise

Unpopular opinion but if Jack were to redo a Lana song I would love him to work on Come When You Call Me America in VB style. Urgh. Jazzy folky my mind would explode. I LOVE CWYCMA but sometimes it sounds just too poppy and upbeat and I wish it had more of a TLY/VB vibe

This picture is SO "into the blue"

I love how powerful Lana is over her own Label! ''The track is 10 minutes, it's called Venice bitch, why do you do this to us'' --Because, I can, simple as that, I'm Lana del fucking Rey and you can't say shit

I've posted this before but trust me... Listen to LFL in this order and it's a much more cohesive album.
 
01. Love
02. Lust For Life
03. Groupie Love
04. Coachella - Woodstock In My Mind
05. When The World Was At War We Kept Dancing
06. Heroin
07. God Bless America
08. Tomorrow Never Came
09. Change
10. Beautiful People Beautiful Problems
11. Get Free
 
I tend to use the other tracks as an EP with BAR
 
01. 13 Beaches
02. Cherry
03. White Mustang
04. Best American Record

Im excited for the cohesion that this gonna have. Rick wishes.

Also I'm 100% here for the album remaining at 11 tracks if they're all amazing. My main issue with LFL was that it was too bloated, it's really hard for me to rate because it has some of her best songs and some of her worst. I'd rather 11 tracks than a longer album with songs I don't like as much - especially if there are some longer tracks on NFR

Really hoping Talking Like An Answering Machine is a song for the record. Where she's being moody about her lover who always sounds bored / distant when he calls.

can't get over this shift. god. in twenty years' time, musicheads will be writing/giving virtual reality TED talks about how del rey's trajectory changed forever with Venice Bitch...   
MAC/VB reminds me of the beatles and their movement from pop/boyband into experimental, daredevil territory. it's probably already been said, but still. 
honestly i could see the bulk of the album going so many different places!! which is so exciting!! VB is spiritual and airy and refreshing as fuck- it's the loosest production than she's done since, like, Disco. i'm not sure i want collabs on the album- the songs she does have with other ppl usually sound better without them.

A radio edit is basically a song that has been shortened or rearranged, this can include intro, verses, or outro) to remove any "fluff" the target audience may not care about (LFL) or find offensive so it is censored (High by the Beach). However not all radio edits are played on the radio (OTTR).
 
A radio mix is a song that has been mixed differently usually containing a whole new instrumental and can contain different vocal delivery (Dark Paradise, West Coast). Extended radio mixes can sometime be made as a result of a radio mix (Summertime Sadness).
 
In most cases, radio edits are in fact produced by the same people since its the same song just structurally altered. While radio mixes, are not always produced by the same people (Dark Paradise).
 
Oops didn't realize americangothic had answered your question as i was in the middle of typing 

Radio edit — is, well, a single edited to be suitable for radio's regulations. It's basically the song shortened (for mainstream/pop radio) when songs are longer than 4:00 minutes. Also, some radio edits sent to certain stations are 'clean versions' that edit 'inappropiate' words that might offend some people, lol. Those are usually referred to as 'clean versions' as well. These ones are produced by the same people who produced the album versions, but edited by the engineers and sometimes even by folks from the radio stations (these ones are usually quite shitty)
 
Radio mix — a different (or slightly different) version of a single. Usually made for songs that might not be exactly 'radio friendly', thus labels sending these mixes — aiming for a broader audience. They're not that common tho, and nowadays they are quite rare, appearing in a few singles cds and/or random countries as bonus tracks.
These ones might or might not be produced by the same original producers. Take "West Coast" album version, produced by Dan Auerbach, while "West Coast (Radio Mix)" is made by Rick Nowels & co.
 
Hope it answered your question! I tried my best to be clear lol.