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TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

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5 minutes ago, Marius said:

Omg hey legend! Haven’t seen u in a while and u came back with nothing but FACTS. :gurl:

Hi bestie, I saw some bitches calling COCC a flop and I said NOT ON MY WATCH, I’m the only one who can call it that 

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6 minutes ago, archiemm said:

ldr8 vinyl will obviously be black with red splatters because it'll be her edm/heavy rock fusion album

 

noir x boom like that crossover produced by dan auerbach

 

magik.gifmagik.gifmagik.gif

Manifesting this:pray2:

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Can't wait to see you all on LDR8 pre-pre release thread after she announces it on March 19th (produced by Zach Dawes, turquoise vynil, grunge oriented) 

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So... there has to be a demo of White Hot Forever and I won't sleep well till we get to hear it. I mean she wanted to name the whole album after it, it has to be something! It is confirmed it is Tulsa Jesus Freak? 

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1 minute ago, uvbabe said:

So... there has to be a demo of White Hot Forever and I won't sleep well till we get to hear it. I mean she wanted to name the whole album after it, it has to be something! It is confirmed it is Tulsa Jesus Freak? 


Eclipse insinuated it is the same song, though I had thought@Eclipse mentioned only having heard White Dress apart from the singles, so I don’t know if they are 100 percent sure. Would love to be proven wrong thooooo

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u know what. ever since someone confirmed those lyrics to not be LSD it's been slightly annoying but also u know what. normality and how deep it is is also a trip so in essence it's the same just after the rush. the point is. I now have 2 lines to switch around to while getting life drunk d0tiBHE.gif


UV/Honeymoon

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Mojos review: "Superb, Joni-tinged follow up to Norman Fucking Rockwell: 4/5"

 

Spoiler

"The intoxicating strain of California anomie that pervaded 2019's Norman Fucking Rockwell is still, thankfully strong on Del Rey's excellent seventh album. Indeed, Chemtrails over the Country Club initially sounds much like a straightforward equal to that album and its hazy subversions of old Hollywood chic. there is, though, a more explicit autobiographical edge, a preoccupation with notions of authenticity and, as the album progresses, a powerful expansion of Del Rey's folkier inclinations. hence country twangs (on Wild at Heart and Nikki Lane duet Breaking up Slowly) and a tentative reorientation away from manicured lawns towards wilder terrains: Yosemite and the storied canyons of LA. Neat too how she references covering Joni Michell (and Joan Baez, Stevie Nicks and Courtney Love) on the outstanding Dance Till We Die, and then does just that, with a gorgeous version of For Free. The last voice on that track is Weyes Blood, though you would be forgiven for thinking it was Joni herself. 

 

 

AHHHHH

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