Blue Banisters - Pre-Pre-Release Thread

[ChaoticLipster 24,612]

59 minutes ago, honeybadger said:

no ben and ed didn't like it but @/tapmusic did. maybe a misguided intern  the delusion in me says they liked it on the formal account cause it's very real and true

She likely got overly excited and her team were like ..’wow ok eerm we can’t actually do that for June you know that Right?’ 

[IanadeIrey 61,991]

I feel like this record will sound like Breaking Up Slowly, especially with that really smoky, dark, bluesy guitar. Since she kind of implied it was born out of having a close circle of country music friends - Nikki Lane being the most notable - I could see her further endeavouring on that bluesy-rock sound with very earnest, narrative-driven lyrics that are typically found within country songs. 

[lannisterpussy 1,873]

imagine if lana went in this direction

manifesting 

[Rust Dress 40,194]

if this album even exists, i really want it to sound like thunder with a mix of i talk to jesus and the good life BUT with dan auerbach influences. or in other words, we're overdue for another uv-sounding album

[BluebirdXO 7,679]

4 minutes ago, lannisterpussy said:

imagine if lana went in this direction

manifesting 

 

Yesss

 

I'm tired of "accessible" Lana. I would sell my soul so that she could go artsy

[expandableclitoris 9,091]

2 hours ago, bel air rose said:

if we’re being realistic she’s most likely working with zach. lana wasn’t even able to finish chemtrails w jack because he lives on the other side of the country, hence why she recorded dealer, summertime, and the covers album with zach 

 

preach ?

[dungdung 485]

hoping she would cover Look What They've Done to My Song, Ma by melanie safka, i mean the  lyrics its literally how she is with the critics and the media plus there's french part just like carmen is

[details 17,154]

i always chuckle whenever i picture the album sounding like this:

 

it would be so funny now i want her to do it 

[Chorli Xbox 8,822]

6 minutes ago, Honeysuckle said:

i always chuckle whenever i picture the album sounding like this:

 

it would be so funny now i want her to do it 

 

I'm sure she would make it sound good too 

[ShadesOfFool 20,117]

47 minutes ago, IanadeIrey said:

I feel like this record will sound like Breaking Up Slowly, especially with that really smoky, dark, bluesy guitar. Since she kind of implied it was born out of having a close circle of country music friends - Nikki Lane being the most notable - I could see her further endeavouring on that bluesy-rock sound with very earnest, narrative-driven lyrics that are typically found within country songs. 

[Jim raised me up 85]

Lana covering this: Rock Candy, hot sweet & sticky

 

[paradisetropico 7,855]

I hope she has somewhat of a "Serene Queen" vibe to this album, I want something real badbitch energy,

or even the vibe in Dance Till We Die where she is kind of screaming/singing "I left SAN FRANCISCO ... I DON'T MIND TAWLKIN SHIT"

[ModernBohemian 176]

She wastes no time stringing us along right away, and I take the bait every time. String us along queen 

[brvvrno 40]

besties  i've made a edit of 'not all who wander are lost' with nomadland
 

<iframe width="683" height="384" src="https://www.youtube.com/embed/AzbETSrStdc" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

 

lol 

 

[honeybadger 40,619]

i can't sleep again and i was thinking about in bed how i said earlier

BTD = NFR because they're iconic, unforgettable, turning points in her career, paradise = COCC because they're beautiful needed interludes, UV = RCS because manifestation

 

but what was most important that i LEFT OUT is that paradise and COCC are maybe equally problematic (but iconic) eras (although problematic in different ways)  and therefore there's more evidence that RCS will be her twist on UV her ultraviolence 2 the reup if you will but perhaps with a folkier twist in the vein of NFR and COCC

[RockCandySweet 147]

28 minutes ago, ModernBohemian said:

She wastes no time stringing us along right away, and I take the bait every time. String us along queen 

and every time I fall deeper in love with her

[White Dress 6,901]

I do feel a bit like COCC is to NFR as Paradise is to BTD

 

COTCC and Paradise feel sonically and thematically located a little farther away from the “city” whether that be New York or LA. They feel like she’s searching for new ground (on Paradise, out in the desert. On COTCC, in the rural Midwest). Also both, projects are shorter than their predecessors but connect with sonic themes from them 

[floridakilosxx 112]

1 hour ago, Honeysuckle said:

i always chuckle whenever i picture the album sounding like this:

 

it would be so funny now i want her to do it 

what is this? it says video unavailable for me 

[past the bushes 30,935]

22 minutes ago, honeybadger said:

i can't sleep again and i was thinking about in bed how i said earlier

BTD = NFR because they're iconic, unforgettable, turning points in her career, paradise = COCC because they're beautiful needed interludes, UV = RCS because manifestation

 

but what was most important that i LEFT OUT is that paradise and COCC are maybe equally problematic (but iconic) eras (although problematic in different ways)  and therefore there's more evidence that RCS will be her twist on UV her ultraviolence 2 the reup if you will but perhaps with a folkier twist in the vein of NFR and COCC

somebody on twitter took a screenshot of your other post...iconic methinks  you're totally right I hope it's true

[IanadeIrey 61,991]

1 hour ago, ShadesOfFool said:

I thought you were the number one Breaking Up Slowly stan, bestie!!