Elsemarie159

golf cart

yea i dont think were getting any visuals with miss rona around
the best thing we coulf hope for are NFR UO cover messes shot by Chuck

Time for Hey Blue come out

Just because a certain person produces an album doesn't mean that they get to make all decisions. NFR sounds the way it does because Jack produced it the way Lana wanted him to produce it. Same with the mostly horrible production choices on LFL – Grampa Nowels isn't really the one to blame for that. And remember when Lana said working with Dan Auerbach on Ultraviolence was difficult for her because they had quite different ideas and expectations that didn't necessarily align; Lana and Dan haven't collaborated again since then, so clearly she wasn't as comfortable with him as she is with Rick and Jack. It's obvious Lana prefers working with producers who let her take the wheel.

Agree to disagree on that one. I am in the “pro-Jack camp” mainly because he won me over with his versatility when Mariners and Venice came out. His main quality is : “You lead the show, I will bring my talent to back it up”. Love that Masseduction (love love) doesn’t sound like NFR or Melodrama (liked) or Taylor’s albums (not a big fan of pure pop).

chemtrails over the country club sounds like the title of a poem, not an album.

https://youtu.be/m197tSzmU04

That “I’m still here and for what” quote is disturbing af.

Holy shit. Devastating and beautiful. I'm worried and blown away.

I’m kinda worried... Diana, Marylin and Sylvia died in the age of 30s, and she says “and here I am at 34 and what for?”

Yeah, I didnt mean it in a bad way. I think she was attracted to that way of living during that time.

I think she lived in the trailer for the AKA Lizzy Grant aesthetic tbh

Seriously? Her dad is a "self-made entrepreneur" after investing in web domains or some shit like that, it's not hard to find this information out. Sure, Lana's been through a lot of things, but having absolutely no money to fall back on is not one of them and there's no need to lie about it either. 

Oh trust me, I was sad as fuck when I realized BTD was esentially an art project created by interscope to market her. That whole glam babydoll shit wasn’t her authentic self. And as the years went on she became more in control of her image and craft. I’ll always miss the BTD era though because that’s when I became a fan. That was her most cohesive, aesthetically and lyrically pleasing era no matter what other people say.

The persona LDR projected in that era was of a strong, masterful individual who was in control of herself and her career, despite the presence of 'sad' songs like the BTD title track and G&M. Even in the BTD title track, she projected strength and confidence, as she did in 'Cola,' 'Ride,' 'Video Games,' 'Summertime Sadness,' 'American,' 'Bel Air' and others. She was capable of writing and delivering witty, 'light' songs like 'Radio' and 'Hollywood's Dead.' 
 
Look at the perhaps tongue-in-cheek 'Paradise' cover art, and all of the publicity photographs of her released then, including the nude British GQ cover, where she was elected 'Woman of the Year.' She was, for 18 months or so, an international style icon. 
 
Perhaps that was all an act, and it does seem from the perspective of 2020 that it was, but it was pretty convincing at the time; it captured the attention of the world. 

Then delete it problem solved

Ultimately no one can take away from the impact she’s had on people’s lives, she’s touched and saved so many of us like no one else. She does represent for us gals and gays who are submissive or quiet yet stubborn and strong creatures. I have many favourite musicians but no one does it like Lana does for me.

this is actually funny tho (and true). "i contain multitudes" realness.
 
 

It never once crossed my mind that Lana would actually be friends with people that leak her shit.

she unfollowed win edwards

I thought the same. I saw her twice during the NFR tour and after I just wasn’t feeling the standom as much as I used to. Love the music, but didn’t agree with her choices and behaviors. The performances was lazy and contrived. Not to mention everyone just licking her ass for a hair flip or a semblance of a high note just didn’t sit right with me. She seemed to revel in the blind worship too. 

why is she talking about books that will never see the light of day...that's NOT what the problem was. HOW DOES THE TITLE EXPLAIN ANYTHING? I'M SO CONFUSED

The way she just casually sprinkled in that bit about her second book, like "Nobody asked for it, but this is the title pre-order now! xxx"
I can't with her sksksksksks.

it sounds like
 
“fuck you all
 
okay my next book is coming on March!
 
fuck you again”

The way she's still trying to act like she didn't come from money