Vertimus

With Unchained Melody last night, another certified American classic, and now Country Roads, it certainly seems feasible that the covers album, with a country or Americana twist, is finally coming, as well as the recent magazine cover and interview. 
 
 

With Unchained Melody last night, another certified American classic, and now Country Roads, it certainly seems feasible that the covers album, with a country or Americana twist, is finally coming, as well as the recent magazine cover and interview. 
 
 

With Unchained Melody last night, another certified American classic, and now Country Roads, it certainly seems feasible that the covers album, with a country or Americana twist, is finally coming, as well as the recent magazine cover and interview. 
 
 

My thoughts exactly. It can't be a coincidence or accidental. 

Agreed about Ocean Blvd song. It's great song lyrically but never got really into it like I got into other songs on the album

Ugh, so amazing. We stan a queen who goes to Christmas at Graceland and sings a song that is 1) not by Elvis and 2) not a Christmas song, but eats and leaves no crumbs. A living legend. 
 
Also, surely this and Country Roads will be on a covers album soon??? 

lana really does look like priscilla.....

With Unchained Melody last night, another certified American classic, and now Country Roads, it certainly seems feasible that the covers album, with a country or Americana twist, is finally coming, as well as the recent magazine cover and interview. 
 
 

We’re getting double album release this Christmas 

 

If this does turn out to be the first single of the covers album, I kind of wish that she would have waited a little longer to end the ocean Blvd era. At least until after the Grammys. I would have preferred an Ocean Blvd deluxe version over this, but it doesn’t seem like she cares for that anymore. 

why are you reaching 😭 
take me home country roads is a Beyond iconic song, like.. everyone knows this song.. there are people from whole different countries who listen to this song, probably not even knowing where the hell west virginia is 😭 like this song has no real correlation 
 
also when touring, obviously artists are going to play in the most successful/wealthiest cities?? they want to sell tickets girl 

What an announcement to wake up to. This year has been so magical seeing Lana do everything she loves. From the album, the niche tour of the US, to the release of this single you can tell she’s putting all her focus into her true passions. And it’s paying off! 
 
I’m also imaging how shoplanadelrey is going to capitalize on this and take my money 

girl this is a stretch

I also prefer the other version of Thunder, what I call the 50s-style version, but I've just added it to the album in iTunes. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

I agree. The interview was very weak even though we did learn a few things. I wouldn't even call it an interview. The fraud charge will probably live with her forever, as lazy journalists love to pick up an old charge or accusation, especially from the beginning of an artist's career, and repeat it.
 
Poor Marianne Faithfull, now aged, has had to deal with the "voice of an angel with big tits" line that still gets repeated, even on the liner notes of her albums, or the charge that at the Rolling Stones Redlands bust in the second half of the 60s, she was found--get this--"naked, wrapped in a fur rug with a candy bar sticking out of her anus," which one of the Stones, presumably Mick, her boyfriend, was munching on when the police broke in. And we all know the urban legend about Rod Stewart, or Richard Gere and the gerbil. 
 
Very sad. Lana deserves better, but she's so nice, which journalists take as passive, that they keep repeating crap about her. 
Agreed. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles. 

We listen to Lana, we see her, we get her 100% without any effort. It's almost instantaneous. 
 
Her critics look at her, they listen to her, they can't grasp her in the least, and they embarrass themselves attempting to define what they do see. Look at narcissistic, fascist Anne Powers, complaining that Lana didn't carry herself the way Anne Powers believes she should as a female artist in the 21st century, didn't have the right political opinions, didn't have the correct vision and correct attitudes, as if Lana was Anne Powers, and not a completely different individual in her own right. 
 
Lana seems to have an unusually high level of people, especially in the critic class, that don't get her, but everyone who does get her loves her passionately. 
 
And the fact that Lana has a long string of dedicated admirers, some of whom are musical and creative legends—David Lynch, Joan Baez, Bruce Springsteen, Father John Misty, Courtney Love, the Weeknd, John Waters, Stevie Nicks—and they see and hear her, as we do, has to rankle. 
 
Obviously this has been a huge year for Lana; she won the war even if she lost a few battles.