poetic jess

Hmm, jokes aside, a music video directed by Sofia Coppola for an NFR song would be asthetically pleasing.

The Marie Antoinette soundtrack for the Kirsten Dunst film was pretty amazing  JUST LIKE VENICE BITCH

I'm listening to the Roses Bloom For You snippets and like, this song would fit in perfectly in NFR.
I'm putting the energy out there again that it will be on it xox

was she on it, the tracklist

I love how extra this site can be sometimes 

I had a dream Lana released the album trailer, cover, & tracklist at the exact same time. It was so beautiful! VISUALS WERE SERVED! It was Marie Antoinnette & Alice In Wonderland inspired. She was at a long table & has her hair blonde in a huuuuuuuge beehive & with a corseted dress & started to sing Norman Fucking Rockwell. Honestly, I hope it sounds the same! She hit whistle notes, re-enacted the capture & beheading of Marie, & the song was lowkey a BOP

I’ve been obsessed with “Love on the Brain” by Rihanna lately. Her performance of it came up randomly when I was browsing YT and I can tell the song means a lot to her. Her vocals are getting good; I’ve never really been a fan of her music but I’ve always respected her bc she seems down to earth and I like how honest she is. If she makes more songs like that one, I’ll probably become more of a fan.

Never did I think I'd one day log into LanaBoards and see a huge Wigglytuff with a death stare on the top of a page of a pre-release thread.

Me every morning when I wake up with the snippet and the lyrics in my head. No really, this snippet does something to me that I can't even explain. I need this song in my life

I need Sylvia Plath so much

My dream show from her would be if she sang UV or HM from cover to cover, in a small venue, with a small band, and piano... A bit like what she did at the Apple event in October. 
So, a residency could be cool, but in a few years from now, in California. And I'd love her to do something like I just described. 

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.

This song is so under appreciated.

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.

it was a rebirth and revitalization in aura and essence, we categorize the day as a light rekindling and sparking through the night sky, while it may have dissipated the scars bled photons and electricity through the work it inspired in the forthcoming months from its memory . godbless

Why does LDR scrap the most sound-intriguing songs
 
The depression of it all
 

it's her worst and i'll never back down from that truth

Is this an early draft of Tropico

Miss Salvatore got so pressed he straight up typed a whole new testament 
 

Bold of you to say such disgusting rhetoric to me thinking Yosemite came from Lust for Life's loins, Yosemite was birthed in the genesis of Lust for Life before it was even the Lust for Life you hags overrate today- Yosemite belonged in the paradise of Best American Record, alongside the undeniable gems of Architecture, Tomorrow Never Come, Bladerunner Lust for Life, Malibu- what you disgusting vermin don't seem to realize is the absolute Paradise Lost recreation of LfL as G-sleazy and Lana bit the forbidden fruit of ever coming into a disgusting lowbrow nasty no-good relationship, setting back her artistic values tenfold. Amongst the sins of the great leakage of Love onto Tumblr in January 17'; from the leak came a domino effect launching the destruction of all that is holy, all that is and was and forever be pure, all that was happy- it launched the Best American Record into a downfall onto itself from Lusting for Life to being Lost for Life- the Coachella addition, the breakout, the infestuous spawn of sins amongst the likes of her discography had never seen before- White Mustang tore apart the ground in which vocals lived on, In My Feelings threw wrenches into the atmosphere and lyrical content- plummeting it off the Half Dome cliffs of Yosemite, the political tracks attempting to be anything more than shallow recreations of a white teenage girl's first steps into a government class after reading Rupi Kaur's book of lies, Cherry tried to be a light within the dark yet the marbled and enchanted lamp faltered and flickered until the overbearing and sporadic drum roll spun off into blackened nothingness, A$AP Rocky was the faux-Moses attempting to part the seas to make way for lush inspired production before Carti slammed into the crust in which the Sea shed itself off of through infinity, sending ripples throughout the era rollout and the album- the last goddamn morsel of truth left behind the destruction of what Lust for Life was meant to have been and forever will be in spirit was the 5 minute piano ballad dubbed Change, making amends to the chaos and turmoil into a new era of light and peace hailed in through the wings of psychedelia and Electric guitar-as the dormancy and crucification of Yosemite, Architecture, and the eternal banishment and utter slaughter of Malibu are branded into the backs of my eyes I forever pray and wait for the rebirth of Yosemite to come from the land it owned and cherished into a new world of Lana's discography within Norman Fucking Rockwell; the Lust for Life you hail and attempt to pierce me with is NOTHING like a home or womb for my love and light Yosemite, to even DARE attempt such mockery and blasphemy is disgraceful and horrific- respect your elders and learn YOUR roots and history before committing absolute damnation upon every single word fleshed into holiness, may your soul rest in God and Yosemite's hands for even trying such a quote, praise be Yosemite for she will come and cleanse and save and purify and dominate and rightly sit upon her throne of Magnum Opus through the millennia. you are not the one.

The only correct way to listen to IMF is....not at all

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.

I wouldn’t mind this, but lately while listening to MAC, it feels like it is the continuation of Get Free with the lyrics alone. She’s fulfilling that promise to get out of that dark part of her life. She’s confronting someone who thinks of her simply as the “sad girl” and says upfront she’s much more than that and says she can be the strong person in the relationship. In Get Free we hear sounds of the ocean and in MAC she’s references herself as the water (Catch a wave and take in the sweetness/Think about it, the darkness, the deepness/All the things that make me who I am). I don’t think the beginning of this album has to sound connected to the ending of the last album. I mean Ultraviolence didn’t start sounding like the end of Paradise and both albums are good on their own.