takeitdoen

Eviction Night!
 
takeitdoen and Elle face eviction.

They give speeches about why they should stay.

The houseguests vote.
 
Results:
By a vote of 5-3....
 

takeitdoen has been taken doen
 

 
 

Not my ally... @takeitdoen I'm sorry you're gone
 
ANYWAYS, who wanna form a new alliance?

@the ocean this is probably the most complete list so far that you can integrate into yours. Since @Davis hasn't visited since 2012 I will add a final list into the top page for reference. 
 

i do have all of the studio demos and tracks on my computer but i’m missing Falling (Demo) and a version of Ye Old Hope. Both their videos have been taken down from youtube. the rest however are youtube rips, because i cant find the original files anywhere.
 
the only reason i haven’t been able to finish the master post is because i haven’t had time to organise them into albums in itunes but i might do that right now. i’ve just been really stressed because of covid 
 
theres also a handful of Florrible & Misrabella tracks from their Someone Spilled Snakebite On My Espadrille EP that have been lost for years now - The Troublemaker, Bad Diet, Disco Soldiers, Love Rat

he would have if lana wanted him to do it, but she didnt

Yea. They were the OG Lol ... Wish they'd shared links in HQ or something, cuz what we have isn't amazing. Oh well I guess 

Great list - just one change: Honey Like, not Honey  
 
Any chance you or anyone ever found HQ versions of the Florrible & Misrabella songs and/or Throwing Bricks and Tear Out My Tongue? Unfortunately all that exists I believe was the rips
 
Also, who tf was rareFlorence lmao

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

FATM Discography Wikipedia page has them all

Her last 2 albums are really good but I think I like HAH more than HBHBHB.
Tomorrow I will listen to the other 2 albums.

Florence is not even that active on social media but I feel like I always know what's going on with her because she's clear about shit, unlike SOMEONE.
 
"I have a show on [date]. You can buy tickets from [website]."
 
"I will at [place] at [time] [date]."
 
"I am releasing [this] on [date]. It will cost [price]."
 
SOMEONE should follow Florence's example.
 

I love artists who actually release music.

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

I just had a first listen and I immediately love the song. For comparison, when I first heard Hunger (one of my favourite FATM songs of all time) I woke up to listen to it and like "um whatever" and fell back asleep. It grew on me, whereas this really hit me with the impact of hearing album v. Patricia first time. And for reference, I'm firmly in the HBHBHB and HAH being her best and most cohesive albums.
The song feels like a perfect bridging between the discography - it starts with the stripped-back HAH, before moving to HBHBHB grandness and then finally finishing with those delicate guitars and harp that what made FATM's unique sound (I feel like harp is the soul of FATM but I am still recovering for the lack of it on HBHBHB). I love the drum strikes on "KING" and then the bridge the drop has everything going for it. Her vocal delivery is nuanaced and then powerful, and the beat is so fabulously full of tension. 
The lyrics are brilliant too, I haven't had time to properly process them but they seem fiercely self-empowering and also deeply introspective. Two parts jumped out are the sections where she sang about needing to be wearing a costume to feel like someone ("I was never as good as I thought I was"), and then needing props (a bloody sword, golden crown and an empty house for her mythology). It really feels like a reiteration that people can be themselves and have full creative lives without needing to stand behind a man. It ties in really nicely to the video too, especially of the floating musicians - symbolically perhaps of her among the male dominated field which she is taking charge of? 
Now the VIDEO - one of my favourites for sure. It has the mythological vibe, evoking her as Lamiae and devouring foolish men who think they can dominate her. I am loving her collaborations with INCREDIBLE choreographers - Ryan Heffington has done so much iconic work and it's so much better than just flouncing around hoping for the best like other artists sometimes do. When Florence did Lover to Lover it was a huge departure from flashy costumes and faux-drama - comparing this video to Never Let Me Go is like night and day. It feels like 'grown up' Florence, not suffocating under drama but presenting interesting ideas but still with a flair of theatricality. As a side note I dind't really like Autumn de Wilde's work on Emma but I think it's so important that women were in charge of this project, and the collaboration here is outstanding since the results and fucking awesome!!!
I'm so excited for the new album! I don't want to bring Lana into this so I will just say I can't wait to hear Jack return to the kind of flawless work that was Masseduction. 
I AM KING

This is TOO MUCH. I'm also in

This is TOO MUCH. I'm also in

This is TOO MUCH. I'm also in