13beachess

I totally agree with you. I don’t want to start a war with Swifties, to each its own, but I’m taking a fucking break from Taylor after TTPD (and she now is selling digital versions of the album with the phone demos?!? I mean come on, aren’t you rich enough?)
 
anyways, back on track, I’d love for Lana to consider Finneas as a producer at some point: he knows how to do minimalism tracks that feel rich and grand. He could pull off some nice tracks with her, with or without Billie.

I'll be livid if it never happens. 
 
They both love each other, and have similar sensibilities. 
 
Now would also be the perfect time, given how huge they both are, well respected critically, and how they already broke the ice at Coachella.

FINNEAS better produce Lana's next album, the production is so good

HIT ME HARD AND SOFT...TILL I'M BLACK AND BLUE

When she releases the double album hit me harder and softer then what?

Last January I saw a crushed A&W can in a parking lot, and I took a picture of it and took it as a sign it was coming out (it wasn’t announced yet) So I full support this!

Love that she censored shit but didn’t censor fuck

trap country witchy melanie martinez quavo cowboy carter in the same thread... THAT'S CRAZY

I see the campaign for worst taste 2024 is starting early  (its all love)

everything you just said is so wrong. 
 
first, taco truck and peppers are a great character arc for Ob. She starts the album with gospel and purify yourself type shit, takes you on a journey (through the metaphorical tunnel), only to end up as the self-destructive, "fuck it" type of girl we know from before, complete with a reference to her birth town, Lake Placid. If that didn't make it clear, she reverts back to a literal version of her former self (venice bitch).
 
secondly, rarely anyone wants a boring-ass acoustic country album in 2024. Beyonce didn't want it with CC, which is why she featured a range of genres and, like, 4 straight-up rap songs.
 
Thirdly, lana adding trap or hip hop to lasso and potentially turning this into lfl v 2.0. is literally the  best thing that could ever happen on planet Earth, periodt. 
 
and to anyone wanting a slow country record with acoustic guitars, i bet you all are the same
people who rank Chemtrails at the bottom. That album is basically acoustic folk, and none one ever even listens to it. The streaming numbers are pathetic.

Ask yourself if you really think that you'd love a country version of Chemtrails.

Baddisease alt era? /j

This article says a possible Lana x Billie collab might be happening.
 
https://uproxx.com/pop/lana-del-rey-billie-eilish-collaboration-teaser-instagram/
 
Apparently, Lana said to Billie via IG "We had fun in the studio" on May 9th.
 
So, since Billie's album wrapped a while ago and had to be pressed, is it safe to assume that this is for Lasso? Or could Lana have been referring to "having fun in the studio" months ago? Personally, I don't think she'd be writing that comment that late after the supposed collab. Also, LDR isn't present in Billie's tracklist.
 
So, Billie x Lana on Lasso?
 
Sorry if this was discussed/posted ages ago - I just discovered it now.
 
 

I love the theory that the end of a Lana album somewhat predicts what’s to come on the next record whether sonically or the themes she explores in the last few songs. Get Free touches on revealing her true heart and nature which lead us into more diaristic lyrics on Norman and some of her most personal stories ever (not to mention the seagulls and waves which transition perfectly into Norman’s more nautical theme). Norman ends with Hope which I think is her most personal song ever which then transitioned us into COCC where she continued to go deeper and confront her past experiences and trauma that lead her to where she is in her life. Ending with For Free solidified the fact that she does what she does for art’s sake and nothing more. I kind of consider BB a mixtape so I won’t try to bridge the two but ending BB with a song dedicated to her sister and first born niece ties in nicely with exploring her family on Tunnel. I may totally be rambling and making connections where there are none but I would love if Lasso continues the almost patchwork like nature of Peppers and Taco Truck. I’ve had both on repeat the last few days and the two songs blend different samples, sounds and textures (Tommy G sample, the surf rock, VB demo, Trisha monologue) seamlessly. They sort of remind me of songs off Life of Pablo which I’ve always loved for how innovative K*nye weaved so many sounds and switch ups in one song. Plus, they’re just so fun and have this playful energy from Lana I haven’t felt in a while. It seems like she has truly been enjoying herself lately and I think that’s going to be reflective in this album. I think country will be the predominate underlying theme but I could see Lana weaving so many other genres into the album (maybe even multiple genres in one song) to make a really experimental tapestry of an album totally unique to her. 

TLDR I want more songs like Peppers and Taco Truck 
 

Oh we are so back in the happy birthday  era

LFL is a better record than some give it credit for so if this is LFL’s sister, we’re in for a good time.

I’ve wanted LFL’s sister album for so long 

Ever since she started posting about LFL related things, I keep thinking this is going to be a more country version of LFL, more on the lighthearted side 

“How does it feel to be the prettiest girl in country music?”
*insane trap beat starts*
 

So I was thinking, For real this time - Just the black vinyl / Standard Artwork.
 

I have a feeling that Lasso is going to be...
...type of album

Being so delulu rn but imagine the concept of a Quavo x Lana collab album/EP.
Ugh… her wailing over hip hop beats, her in a few other big names as features…. It would eat downnnnnnnnnnn

Thank you Lana for reminding me that i look like a disgusting rat when i sleep.