West Coast

The thing is, this performance was not bad, it gave is MANY iconic moments--I'm still gagging over the intro, like she did that--but the voice/mic issues and the choice of songs, and order, made the whole thing incongruous. I know I won't stay up late next week, but I hope something gets done about at least one of these elements. 

Playing acoustic deepcuts and slower songs back to back really kills the mood 

Aside from the iconic intro and her obviously looking the best she's ever looked, where was this energy?
 

Playing acoustic deepcuts and slower songs back to back really kills the mood 

Playing acoustic deepcuts and slower songs back to back really kills the mood 

It’s so insane when u write this doen
8. ⁠Bartender
9. ⁠Interlude (Burnt Norton)
10. ⁠Chemtrails Over The Country Club
11. ⁠The Grants
12. ⁠Ocean Blvd
13. ⁠Norman Fucking Rockwell
14. ⁠Arcadia
15. ⁠Candy Necklace feat. Jon Batiste
16. ⁠Ocean Eyes feat. Lana Del Rey
17. ⁠Video Games feat. Billie Eilish
18. Hope Is A Dangerous Thing For A Woman Like Me To Have feat. Jack Antonoff (studio version)

Oh the two people here who collect every Lana vinyl variant are gagging

Hey at least she sang them in a different order 

Hey at least she sang them in a different order 

If there is one thing that has stayed consistent throughout the years it's the absolute unfiltered and unadulterated hatred her setlists get. I'm kinda living for the consistency here and also the self-inflicted pain we give ourselves—expecting her to do something, well, not tepid. 

Hey at least she sang them in a different order 

Hey at least she sang them in a different order 

Hey at least she sang them in a different order 

Aside from the iconic intro and her obviously looking the best she's ever looked, where was this energy?
 

So nothing actually happened, and she sang pretty much all of the same songs she sings every time she tours?  I’m going back to bed

If there is one thing that has stayed consistent throughout the years it's the absolute unfiltered and unadulterated hatred her setlists get. I'm kinda living for the consistency here and also the self-inflicted pain we give ourselves—expecting her to do something, well, not tepid. 

If there is one thing that has stayed consistent throughout the years it's the absolute unfiltered and unadulterated hatred her setlists get. I'm kinda living for the consistency here and also the self-inflicted pain we give ourselves—expecting her to do something, well, not tepid. 

If there is one thing that has stayed consistent throughout the years it's the absolute unfiltered and unadulterated hatred her setlists get. I'm kinda living for the consistency here and also the self-inflicted pain we give ourselves—expecting her to do something, well, not tepid. 

If there is one thing that has stayed consistent throughout the years it's the absolute unfiltered and unadulterated hatred her setlists get. I'm kinda living for the consistency here and also the self-inflicted pain we give ourselves—expecting her to do something, well, not tepid. 

If there is one thing that has stayed consistent throughout the years it's the absolute unfiltered and unadulterated hatred her setlists get. I'm kinda living for the consistency here and also the self-inflicted pain we give ourselves—expecting her to do something, well, not tepid. 

Hey at least she showed up on time 

Aside from the iconic intro and her obviously looking the best she's ever looked, where was this energy?
 

Aside from the iconic intro and her obviously looking the best she's ever looked, where was this energy?
 

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.