Theomo

Weren't they third cousins? In that case, it doesn't mean anything to me. 

the ugly Mob under her recent posts is just hilarious.
Lana don't bow down to these freaks stay strong.

this post you made said alot about you, calling people "dumb". i hope you are feeling alot better now

again. which would not be an issue. that's what many people are you know. you know diffrent opinions and such.
i just can't believe how the current climate wants everyone to think the same. it's just worrisome

And we’ll never be royals

 
It don’t run in our blood
That kind of lux just ain’t for us

We crave a different kind of buzz

ok guys, I just wanna share a theory that I got myself thinking yesterday, what if chemtrails wasn't supposed to exist? Like, think about what was the first concept she announced to the next album after norman, she said on an interview that it would be an album with some guitars and would be called ''White Hot Forever'' (title track that we know as Tulsa Jesus Freak). And if you go back to that period she was simultaneously bringing ''Violet Bent Backwards Over Grass'' AND ''Iron Gates'' (I dont fucking remember the name), because you can see that between some videos of poems of violets she showed one of behind the iron gates (I think this is the name tbh idc). And when she talked about the second poetry book, she told that would be addressing less personal subjects (giving the controversial vibes). And if youre traumatized, I think you remember QFTC which wasn't just a random letter, she made it just like, violet poems pages, so maybe it was something that was not only her feelings but something that she wants to communicate with her art. So whats point of that? Maybe Rock Candy Sweet was the next album after norman and thats means that it's the leftovers of the original white hot forever. But why she would do that? I have two ideas to that:
1- it's very cliché, lana always change her mind, like she fucking kept on the vault a whole album with the last shadow puppets (like wtf)
2-Maybe she got it that it wasn't the right time to that after the way that the world reacted to QFTC (but i'm not sooo confident of this idea cause she almost dont give a fuck about anything)
With that, maybe she made a new start (but not that new, and I'll explain why). Maybe she wasn't having a clearly next step at the time (since her first ''next step'' was scrapped after the end of relationship with sean and the situation of QFTC). So, she just got to studio with Jack and tried to creating something, that's why we see song as white dress coming so organic (even though she do this a lot in other albums, like change in lfl) and due to the lack of creativity for a point to start, she brought some unfinished demos that could lead to something. (Let Me Love You Like A Woman, from UV sessions, Wanderlust from NFR Sessions, Yosemite from LFL and Tulsa from WHF sessions)It's important to mention that the ''country vibes'' on chemtrails and maybe in her future album with nikki could've been stimulated at first by Jack! The proof is some songs that she created with him that wasn’t on norman but was showed by lana in the beginning of the era. (Hey Blue Baby & Stupid For Being So Happy). So that would explain why lana started to experimenting country on chemtrails and is still doing that with nikki at the moment, and it would explain why between ''country'' albums would be a rock one. (yes im supposing that rock candy sweet has some rock songs even though we don't have any hint to that right now). So the last question to conclude the theory, so do you think Rock Candy Sweet was all done before Chemtrails? No! Maybe after finishing Chemtrails she decided to turn back and make ''White Hot Forever'' happen, because it wouldn’t be so weird after chemtrails since she added some songs that can relate to a rock-ish album such as Tulsa Jesus Freak, Breaking Up Slowly, Dark But Just A Game ( In MY Opinion) and she still wanted to make her ''vengeance'' and thought that now is safe to do it. And the last proof to support this theory is that Rock Candy Sweet is Done and Jack is the producer (Lana's speech, not mine).
So thats it! Be kind with me, because my only point was trying to guess what are we getting after chemtrails. And if there are any wrong argument, just quote it, i'm free to hear all the your thoughts. AND REMEMBER ITS JUST A THEORY.
also, sorry if something is mispelled of anything like this, english is not my first language!!
 

He also died for these sins

Its okay. People also hated Jesus when he told them the truth❤

lol it would suit for the musical they make for the album 

lol it would suit for the musical they make for the album 

lol it would suit for the musical they make for the album 

lol it would suit for the musical they make for the album 

June 1st 
 

 
 

Is there another show with Nikki tonight? I’m surprised she didn’t want to be home with her siblings for Easter? 

what's the point of insta notifications if i don't even GET them 

She should put Hollywood on the album 

For not having a profile pic. You already have 147 reputation points but still walk around with that silly „T“ 

LEAVE NIKKI LANE ALONE I LOVE HER

Imagine hating on Nikki Lane after the absolute serve she delivered on Breaking Up Slowly? 

if she does a country album i just want her to actually be excited about it. like i just want her to do what she wants 

this may be a really unpopular opinion but i'm totally fine with the idea of lana making a "country" album because i know it's not going to be like modern, mainstream country, it'll probably be more "rural" or "western" like desert rock, similar to guns & roses and queen of the gas station, maybe something bluesy like sad girl, i think it'd be a beautiful sound for her, i think breaking up slowly's biggest issue was nikki lane's feature, but other than that, it was gorgeous

Das Rheingold (The Rhine Gold), opera, WWV 86a
Orchestervorspiel - 10
Scene 1. Weia! Waga! Woge, du Welle - 10
Scene 1. Garstig glatter glitschiger Glimmer! - 10
Scene 1. Wallala! Lalaleia! - 10
Scene 1. Lugt, Schwestern - 10
Scene 1. Der Welt Erbe gewänn ich zu eigen - 10
Scene 1. Orchesterzwischenspiel - 10
Scene 2. Wotan, Gemahl! Erwache! - 10
Scene 2. Nur Wonne schafft dir - 10
Scene 2. Sanft schloß Schlaf dein Auge - 10
Scene 2. Zu mir, Freia! Meide sie Frecher! - 10
Scene 2. Endlich loge! - 10
Scene 2. Immer ist Undank Loge's Lohn! - 10
Scene 2. Taugte wohl des goldnen Tandes - 10
Scene 2. Hör, Wotan, der harrenden Wort - 10
Scene 2. Jetzt fand ich's: hört, was euch fehlt! - 10
Scene 2. Orchester: Abstieg nach Nibelheim - 10
Scene 3. Hehe! Hehe! Hieher! - 10
Scene 3. Wer hälfe mir? - 10
Scene 3. Mit eurem Gefrage wer seid denn ihr Fremde - 10
Scene 3. Was wollt ihr hier? - 10
Scene 3. Habt Acht! - 10
Scene 3. Riesen Wurm winde sich ringelnd! - 10
Scene 3. Orchester: Aufstieg nach Nibelheim - 10
Scene 4. Da, Vetter sitze du fest! - 10
Scene 4. Wohlan, die Niblungen rief ich mir nah - 10
Scene 4. Der Ring? - 10
Scene 4. Bin ich nun frei? - 10
Scene 4. Lauschtest du seinem Liebesgruß? - 10
Scene 4. Halt! Nicht sie berührt! - 10
Scene 4. Nicht so leicht und locker gefügt - 10
Scene 4. Freia, die schöne - 10
Scene 4. Weiche, Wotan, weiche! - 10
Scene 4. Hört ihr Riesen! - 10
Scene 4. Furchtbar erfind' ich des Fluches Kraft! - 10
Scene 4. Schwüles Gedünst schwebt in der Luft - 10
Scene 4. Zu Burg führt die Brücke - 10
Scene 4. Rheingold! Rheingold! - 10
 
Die Walküre (The Valkyrie), opera, WWV 86b
Act 1. Orchestervorspiel - 10
Act 1. Wess' Herd dies auch sei - 10
Act 1. Kühlende Labung gab mir der Quell - 10
Act 1. Müd an Herd fand ich den Mann - 10
Act 1. Friedmund darf ich nicht heißeb - 10
Act 1. Aus dem Wald trieb es mich fort - 10
Act 1. Ich weiß ein wildes Geschlecht - 10
Act 1. Ein Schwert verhieß mir der Vater - 10
Act 1. Der Männer Sippe saß hier im Saal - 10
Act 1. Winterstürme wichen dem Wonnemond - 10
Act 1. Wehwalt heiss'st du fürwahr? - 10
Act 2. Orchestervorspiel - 10
Act 2. Der alte Sturm, die alte Müh'! - 10
Act 2. Heut hast du's erlebt - 10
Act 2. Was verlangst du - 10
Act 2. Schlimm fürcht ich, schloß der Streit - 10
Act 2. Lass' ich's verlauten - 10
Act 2. Ein andres ist's - 10
Act 2. So sah ich Siegvater nie - 10
Act 2. Hinweg! Hinweg! - 10
Act 2. Siegmund! Sieh auf mich! - 10
Act 2. Du sahest der Walküre sehrenden Blick - 10
Act 2. Zauberfest bezähmt ein Schlaf - 10
Act 3. Hojotoho! Heiaha! Wart ihr Kühnen zu zweit? - 10
Act 3. Schützt mich und helft in höchster Not - 10
Act 3. Nicht sehre dich Sorge um mich - 10
Act 3. Hier bin ich, Vater, gebiete die Strafe - 10
Act 3. War es so schmählich, was ich verbrach? - 10
Act 3. Deinen leichten Sinn laß ich dich leiten - 10
Act 3. Du zeugtest ein edles Geschlecht - 10
Act 3. Leb' wohl, du kühnes, herrliches Kind! - 10
Act 3. Loge! Loge! Hieher! - 10
 
Siegfried, opera, WWV 86c
Act 1. Orchestervorspiel - 10
Act 1. Zwangvolle Plage! - 10
Act 1. Nun tobst du wieder wie toll - 10
Act 1. Vieles lehrtest du, Mime - 10
Act 1. Wo hast du nun, Mime, dein minniges Weibchen - 10
Act 1. So starb meine Mutter an mir? - 10
Act 1. Das gab mir deine Mutter - 10
Act 1. Heil dir, weiser Schmied! - 10
Act 1. Hier sitz ich am herd - 10
Act 1. Viel, Wanderer, weißt du mir - 10
Act 1. Was zu wissen dir frommt - 10
Act 1. Nothung heißt ein neidliches Schwert - 10
Act 1. Nach eitlen Fernen forschtest du - 10
Act 1. Verfluchtes Licht! - 10
Act 1. Fühltest du nie im finstren Wald - 10
Act 1. Her mit den Stücken, fort mit dem Stümper - 10
Act 1. Nothung! Nothung! Neidliches Schwert! - 10
Act 1. Hoho! Hoho! Hohei! Hohei! - 10
Act 1. Den der Bruder schuf, den schimmernden Reif! - 10
Act 2. Orchestervorspiel - 10
Act 2. In Wald und Nacht vor Neidhöhl' halt ich Wacht! - 10
Act 2. Durch Vertrages Treue Runen - 10
Act 2. Fafner, Fafner! Erwache, Wurm! - 10
Act 2. Ich lieg' und besitz', lasst mich schlafen - 10
Act 2. Wir sind zur Stelle! - 10
Act 2. He, du Alter! Ist das alles! - 10
Act 2. Daß der mein Vater nicht ist - 10
Act 2. Aber, wie sah meine Mutter wohl aus? - 10
Act 2. Du holdes Vöglein! - 10
Act 2. Es schweigt und lauscht - 10
Act 2. Siegfrieds Hornruf - 10
Act 2. Haha! Da hätte mein Lied mir was Liebes erblasen! - 10
Act 2. Da lieg, neidischer Kerl! - 10
Act 2. Zur Kunde taugt kein Toter! - 10
Act 2. Wohin schleichst du so eilig und schlau? - 10
Act 2. Wilkommen, Siegfried! - 10
Act 2. Das sagt' ich doch nicht? - 10
Act 2. Neides Zoll zahlt Nothung! - 10
Act 2. Hei! Siegfried erschlug nun den schlimmen Zwerg! - 10
Act 3. Orchestervorspiel - 10
Act 3. Wache, Wala! Wala! - 10
Act 3. Stark ruft das Lied - 10
Act 3. Dir Urweisen ruf' ich ins Ohr - 10
Act 3. Dort seh' ich Siegvater nahn - 10
Act 3. Mein Vöglein schwebte mir fort! - 10
Act 3. Kenntest du mich, kühner Sproß? - 10
Act 3. Orchesterzwischenspiel - 10
Act 3. Einleitung - 10
Act 3. Selige Öde auf sonniger Höh'! - 10
Act 3. Das ist kein Mann! - 10
Act 3. Heil dir, Sonne! Heil dir, Licht! - 10
Act 3. O Siegfried! Siegfried! Seliger Held! - 10
Act 3. Dort seh; ich Grane, mein selig Roß - 10
Act 3. Ewig war ich, ewig bin ich - 10
 
Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d
Vorspiel. Welch Licht leuchtet dort? - 10
Vorspiel. Wisset ihr noch, so windet von neuem das Seil - 10
Vorspiel. Orchesterzwischenspiel - 10
Vorspiel. Zu neuen Taten, teurer Helde - 10
Vorspiel. O heilige Götter! Hehre Geschlechter! - 10
Vorspiel. Orchesterzwischenspiel (Siegfrieds Rheinfahrt) - 10
Act 1. Nun hör, Hagen, sage mir Held - 10
Act 1. Brächte Siegfried die Braut dir heim - 10
Act 1. Heil! Siegfried, teurer Held - 10
Act 1. Wilkommen, Gast, in Gibichs Haus - 10
Act 2. Deinem Bruder bot ich mich zum Mann - 10
Act 2. Blühenden Lebens labendes Blut - 10
Act 2. Hier sitz ich zur Wacht - 10
Act 2. Orchesterzwischenspiel - 10
Act 2. Altgewohntes Geräusch raunt meinem Ohr - 10
Act 2. Höre mit Sinn, was ich dir sage - 10
Act 2. Welch banger Träume Mären - 10
Act 2. Brünnhild'! Ein Freier kam - 10
Act 3. Orchestervorspiel - 10
Act 3. Schläfst du, Hagen, mein Sohn? - 10
Act 3. Orchesterzwischenspiel - 10
Act 3. Hoiho, Hagen! Müder Mann! - 10
Act 3. Hoiho! Ihr Gibischsmannen - 10
Act 3. Heil dir, Gunther - 10
Act 3. Brünnhilde, die hehrste Frau - 10
Act 3. Was müht Brünnhildes Blick? - 10
Act 3. Ha! Dieser war es, der mir den Ring entriß - 10
Act 3. Helle Wehr! Heilige Waffe! - 10
Act 3. Welches Unhold List liegt hier verhohlen? - 10
Act 3. Dir hilft kein Hirn, dir hilft keine Hand - 10
Act 3. Frau Sonne sendet lichte Strahlen - 10
Act 3. Siegfried! - 10
Act 3. Ihr listigen Frauen, laßt das sein! - 10
Act 3. Hoiho! - 10
Act 3. Trink, Gunther, trink! - 10
Act 3. Mime hieß ein mürrischer Zwerg - 10
Act 3. Brünnhilde, heilige Braut - 10
Act 3. Trauermarsch - 10
Act 3. Was das sein Horn? - 10
Act 3. Schweigt eures Jammers jauchzenden Schwall - 10
Act 3. Starke Scheite schichtet mir dort - 10
Act 3. Mein Erbe nun nehm' ich zu eigen - 10
Act 3. Grane, mein Roß, sei mir gegrüßt - 10
Act 3. Zurücl vom Ring - 10

Since it’s been a week & a day since Chemtrails was released, I thought I’d finally give my thoughts now that I’ve given the album proper time to settle. I’ve given the album about 30 listens all the way through so far, so I sort of know what my thoughts are.
First off, this just screams ‘end of summer, transitioning into autumn album. The original September release date would have been absolutely perfect, as this album would be a great play from September – November and I really look forward to hearing it then. Last weekend, my friend and I saw another friend for his birthday, and the three of us sat around a bonfire outside while I played Chemtrails and it fit the mood just perfectly. 
In my opinion, this album features some of her, perhaps even her definite, best vocals. Yosemite is just insane all around with her vocals in the very best way. Not All Who Wander Are Lost also features those gorgeous high vocals she does so flawlessly. The singing style on the bridge of Dance Till We Die is one of the best moments of the whole album, and I hope she makes more songs where the entirety is in the style of the bridge.
Dark But Just a Game is a career highlight. Anyone who disagrees with me here is just simply wrong. Immediately, the production on the verses and chorus reminded me of two separate songs, but I couldn’t quite place my finger on it. The verses sort of remind me of Adele’s version of Lovesong, but that’s not exactly what I’m thinking of. It’ll come to me one day in the middle of the night, I’m sure of it. Either way, this was an immediate favourite and I really, really hope she makes more songs in this sort of style.
I’m also glad to see Breaking Up Slowly finally getting some praise here and there, because I really do love this song and I knew I would. I’ve become quite the Nikki Lane fan after seeing her open for Lana in Wichita during the NFR Midwest leg, and I think her harmonies with Lana sound really pretty. I’ve been anticipating this song since the live snippets in October, and it lived up to my expectations.
I’m also glad Zella Day finally got her moment with Lana. I’ve been a huge Zella Day fan for the past 6+ years, so I’m so happy they finally have a song together (I just wish it was an original rather than a cover!)
I haven’t quite decided where Chemtrails lands in my overall album ranking, but it’s somewhere in the middle. I do feel though that with time, this album will crawl its way to an upper spot, especially when autumn hits and it really fits the time of the season.
 
Here’s my track ranking (subject to change over time), with 1 being my favourite:
1.     Dark but Just a Game
2.     Tulsa Jesus Freak
3.     Breaking Up Slowly
4.     Yosemite
5.     Wild at Heart
6.     White Dress
7.     Dance Till We Die
8.     Chemtrails Over the Country Club
9.     Let Me Love You Like a Woman
10.  Not All Who Wander Are Lost
11.  For Free
 
 
Something I will say about this album though is that the track order seems so weird to me. Songs like “Wild at Heart” & “Dark but Just a Game” seem like such obvious closing tracks, so it’s super odd and comes off as out of place to me that they’re both right in the middle. Also, the actual closer “For Free” seems much more like mid-track, like a little interlude. White Dress also just doesn’t seem like a proper opener either. As beautiful as it is, I just feel like it doesn’t set the tone of the album either thematically or sonically. I know it’s one of the more unpopular songs, but out of all the songs on the album, “Let Me Love You Like a Woman” strikes me as the most “opener”-esque. I think that thought is really because of how the song both begins and ends. The ending is so abrupt, that it’s almost like a pre-lude to the story she’s about to tell. Especially if it were to be followed by Chemtrails, I feel like those songs would be really nice back-to-back together to start the album. & that opening line from LMLYLAW, “I come from a small town, how ‘bout you?” really is so fitting for the album and would’ve been a great way to open it.  I reordered the album to what makes more sense to me and have been listening to it in a playlist & have really been enjoying this order, but I'm still experimenting with it:

 
 
 
Overall though, really love this album. I love how all of her albums are distinctly different, she truly is capable of anything. Can't wait to see what's to come  next, and will be happily enjoying this album in the mean time x

Off To The Races - 24
Video Games - 61
Million Dollar Man - 65