TheCultureIsLit

She's obsessed with blinds 

Awesome! Thank you for sharing. It's so cool that you made a video too!

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

It's so Lizzy of her to be at Cracker Barrel 

Rip to being able to see Lana & Foo Fighters  why do festivals do this 

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

imo this read to me as women telling each other/witnessing each other’s trauma; Lana has spoken about how me too informed this song and I think that part of the choreo was a beautiful representation of the kind of “whisper networks” that me too engendered/spoke to. 
 
and then, after the women telling each other about their experiences privately, institutions represented by the CIA guys (police etc) responded by threatening them rather than supporting.

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

I'm loving the analyses of the "Hope" performance. Does anyone have further ideas/interpretations regarding the part where the three dancers and Lana are in a line and take turns turning the head of the person in front of them? And then Lana talking to the CIA agents? I did really like the Marilyn interpretation, as I totally believe that Lana could base the performance off of that, but just wanted to welcome any additional ideas. I also noticed she changed lyrics. Not sure if it was intentional or she just semi forgot the words, but I'd lean towards intentional.
 
Live Lyrics:
"There's a new evolution, a quiet revolution that I saw
Born of confusion, and quiet collusion of which nothing I know
I'm a weak constitution, but a modern day woman but I've got
Monsters still under my bed that I could never fight off
I'm like a gatekeeper carelessly keeping my tales with the lights off"
 
Album Lyrics:
"There's a new revolution, a loud evolution that I saw
Born of confusion and quiet collusion of which mostly I've known
A modern day woman with a weak constitution, 'cause I've got
Monsters still under my bed that I could never fight off
A gatekeeper carelessly dropping the keys on my nights off"
 
I'll also note that when she says "Of which nothing I know", it's when it seems like she's giving a statement to the CIA agent. Then they lean forward as if to threaten her, so it makes it seem like she is being intimidated into not speaking about something. This could tie into the Marilyn theory. I don't know much about her story, but in googling, it seems as though there are conspiracies that the CIA killed her for knowing too many secrets, so maybe Lana is being like "nope I don't know anything" as self-preservation.
 
Am I looking too deep? Probably, but it's interesting and the conspiracy theorist in me is coming out. Lol

yes this makes a lot of sense. I saw someone speculating that it could be about marilyn and that makes sense as well

the artistry..... I think this performance simbolizes a lot of things.. the guys reading?cia agents? and then she being carried away by two guys wearing white, and the white flannel they put into her.. i can't decipher it, but I know this has some deep meaning 

pay what you can lottery
 
opens every wednesday or thursday (cant remember which) at 10am online
 
really fucking difficult to get tickets though they only release 20 tickets per show 
 
1. inm,iy
2. no shame
3. sheezus
4. alright, still

Summertime Sadness (The Florida Kilos Version)

SS this version is really nice. I'm liking this  

OKAAAYYY live instrumentals

wait the guitars sound really cute and beachy