Blue Ink

idk if i'd wanna watch Lana live if i could. i'd probably go anyways but i see too many of her videos barely singing its like you cant hear her at all and she'll even cover the mic sometimes for the effect or something

also i wish she was never so hung up on the image of being mysterious. back in her lizzy grant days she was much more open about what her songs meant 

I noticed Sean liked her bday post and in general likes her pics... why won't he go away

^I’m very perched for it but I think lack of info/snippets makes the wait a little more bearable (because im still telling myself we aren’t getting it when she said, just so I’m not let down).

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

Idk I feel like in a way Lana's albums always have sort of a theme/concept going on.
 
During BTD she was obviously fascinated by Nabokov's Lolita, during UV it was dark stuff like heroin and A Clockwork Orange, after which she was with Francesco (after the turbulent relationship with Barrie) and she was traveling to italy, on private yachts, being a wedding guest & doing family things, very sober and ready to settle and we got an album called Honeymoon with calm and more mature songs... then for LFL she was determined to "become more worldy" and political and finally she really got into poetry and that's how we got a very wordy album with songs like Hope and NFR. 
So she's always interested in something and it usually ends up to be the theme for an album. Not sure if she even does that on purpose all of the time... I don't think so, I think it just happens and that's why her albums usually end up being more of a "watered-down" version of a concept album (?)

It's just clear that they don't get along/aren't close
 
ETA: she seems to not mind that everyone knows, which makes me think she's going to spill in one or both poetry books and possibly on COCC
 
One of those poems from Italian Vogue had stuff about Patty.

if i was patty i would feel so bad omg

This photo seems to be from another recent day (different outfit & nails), but Lana's friend Aleque Reid posted this photo of Lana with a painting she gave her along with a cupcake.

Currently, Lana Del Rey is celebrating her 35th birthday with her friends at her home in Los Angeles, California.
Her friends attending her celebration are Jen Stith, Annie Tomberlin, Val Vogt, Aleque Reid, Jessica Buch, and Jess's boyfriend Kevin & his daughter Valentina.



 
Happy birthday, Lana. Much love from everyone at LanaBoards

The fuck
 
Fake lyricists, do better pls

plz don't put this out in "the ether"

Lust for Life exists unfortunately 
 
Might not be full of commentary songs, but I think that it was Lana's take at that and it was... what it was.

the fake tracklist era has started
https://twitter.com/witchdiamandis/status/1274770543527460867

If that snippet is not followed by a lead a couple of days after, then It’s a hard pass for me. Still not over the overexposure of snippets in the NFR era.

god I hope after the controversy and corona she still debuts with 100,000+ copies   y'all we better pull through with redeeming our digital copies this time around