rightofjupiter

I always interpreted the “get wild and fucking crazy” part as wildly despairing, angry, or some combination of…just generally out of control

I always interpreted the “get wild and fucking crazy” part as wildly despairing, angry, or some combination of…just generally out of control

I always interpreted the “get wild and fucking crazy” part as wildly despairing, angry, or some combination of…just generally out of control

right. imagine both together
 
edit: its actually kind of iconic her doing a media blackout for her album about destroying media critics but also i'm thirsty as fuck

i've always loved thunder but i really think the new version has blown the unreleased one out of the water. the slow build up makes the song itself really roll in like thunder and it's brilliant. and i'm no music expert so i'm not sure what makes all those cool sounds throughout but it makes the song really beatlesy and i love it. 

don’t say you’re over me…..her tone is so freaking gorgeous. I’m always on the search for artists that have the vocal capabilities of Lana with the same amount of emotion and only a few come closeeee
 
the twangy guitar in the second verse is so gorgeous on this song, I love everything about it 

Has anyone gone off about Nectar of the Gods? Meaning-wise. Bc I initially thought it was a sex song (I get wild on you, fucking crazy... ) and drugs but also sadness of lost time and ppl etc, but like maybe not. Maybe it's way deeper. That song is so beautiful, it's too much for my mind to process.
 
I thought I was being sexy and sent it to a boyfriend when it first leaked (with my sexual interpretation at the time lmao), but then he responded with a highly depressing song and I was like?? 

relatedly, all I want is one singular great interview about the songwriting and album making process 

with you 100%, an absolutely timeless classic

all i want is a photoshoot. just one. i would even take a charlie grant photoshoot

baby remember... I'm not drinking wine

Chemtrails Over The Country Club is one of my favourite albums 

but the cherry coke you serve is fine 

with you 100%, an absolutely timeless classic

Interestinggggg. It actually wasn’t until joining here that I realized people really listen to entire albums in order of the tracklist, and therefore really care for cohesiveness etc. I mean it’s great if it’s nice and cohesive, but I don’t think I’ve ever listened to a whole album in order. For me, I like what I like and I skip what I skip 🥺 I go back and forth, side to side, up and down  I also don’t pay attention to the general album story by listening to tracks in order, I just focus on tracks as individual works. 

'Chemtrails Over the Country Club' is actually an overall better album than 'NFR!'. 
 

Bartender is one of her best songs and yes I will die on that hill.

richness and warmth is a great way to describe all the UV-era songs on the record– NOTG in particular has this atmospheric warmth that makes the song feel so much more richly produced than it is– wondering if there's something about the production of these songs that produces that effect, or if its the specific intonations and tone of her vocals during that time, or something else entirely. one thing that's really consistent on all the tracks, old and new, is that lana is super emotionally present in her vocals, which lends to some of the warmth-creating intimacy.
 
have had CB on repeat in my head for the past 24 hours and damn...i really feel for people who can't get into this one because it goes so fucking hard. totally makes me understand why she didn't want to record older songs– the performances she captured are so stellar.

richness and warmth is a great way to describe all the UV-era songs on the record– NOTG in particular has this atmospheric warmth that makes the song feel so much more richly produced than it is– wondering if there's something about the production of these songs that produces that effect, or if its the specific intonations and tone of her vocals during that time, or something else entirely. one thing that's really consistent on all the tracks, old and new, is that lana is super emotionally present in her vocals, which lends to some of the warmth-creating intimacy.
 
have had CB on repeat in my head for the past 24 hours and damn...i really feel for people who can't get into this one because it goes so fucking hard. totally makes me understand why she didn't want to record older songs– the performances she captured are so stellar.

richness and warmth is a great way to describe all the UV-era songs on the record– NOTG in particular has this atmospheric warmth that makes the song feel so much more richly produced than it is– wondering if there's something about the production of these songs that produces that effect, or if its the specific intonations and tone of her vocals during that time, or something else entirely. one thing that's really consistent on all the tracks, old and new, is that lana is super emotionally present in her vocals, which lends to some of the warmth-creating intimacy.
 
have had CB on repeat in my head for the past 24 hours and damn...i really feel for people who can't get into this one because it goes so fucking hard. totally makes me understand why she didn't want to record older songs– the performances she captured are so stellar.

Who I'll actually turn off if they come on the radio/playlist:
chris brown
ellie goulding
r. kelly
MGK
eminem
 
 
 

richness and warmth is a great way to describe all the UV-era songs on the record– NOTG in particular has this atmospheric warmth that makes the song feel so much more richly produced than it is– wondering if there's something about the production of these songs that produces that effect, or if its the specific intonations and tone of her vocals during that time, or something else entirely. one thing that's really consistent on all the tracks, old and new, is that lana is super emotionally present in her vocals, which lends to some of the warmth-creating intimacy.
 
have had CB on repeat in my head for the past 24 hours and damn...i really feel for people who can't get into this one because it goes so fucking hard. totally makes me understand why she didn't want to record older songs– the performances she captured are so stellar.

richness and warmth is a great way to describe all the UV-era songs on the record– NOTG in particular has this atmospheric warmth that makes the song feel so much more richly produced than it is– wondering if there's something about the production of these songs that produces that effect, or if its the specific intonations and tone of her vocals during that time, or something else entirely. one thing that's really consistent on all the tracks, old and new, is that lana is super emotionally present in her vocals, which lends to some of the warmth-creating intimacy.
 
have had CB on repeat in my head for the past 24 hours and damn...i really feel for people who can't get into this one because it goes so fucking hard. totally makes me understand why she didn't want to record older songs– the performances she captured are so stellar.

fuck the new york post 
 

Who I'll actually turn off if they come on the radio/playlist:
chris brown
ellie goulding
r. kelly
MGK
eminem