Mer

ur right, I'm Darryl Starden 

Gorls what is this website and is it legit omg I think we won
https://tinnitist.com/2023/02/12/next-week-in-music-february-13-19-the-long-list-325-releases-on-the-way/

*Rihanna opens up her fake belly*: 3 dead doves thump to the ground. 
*THE CROWD GOES WILD* 

imagine if said doves were alive and they flew off but they got torched by the pyrotechnics

*Rihanna opens up her fake belly*: 3 dead doves thump to the ground. 
*THE CROWD GOES WILD* 

considering that i think that she should just release a greatest hits album and then dip
anti is a very good last album

*Rihanna opens up her fake belly*: 3 dead doves thump to the ground. 
*THE CROWD GOES WILD* 

Me too I almost cried during the Umbrella bit
Never mind that the doves would've suffocated 
I rly didn't think it through huh

your expectations were so high for a woman who hasn't released an album in almost 7 years 

Pretty boring tbh. Also she didn't look pregnant during her press conference? Why are people saying she's pregnant? 

Pretty boring tbh. Also she didn't look pregnant during her press conference? Why are people saying she's pregnant? 

I agree, and she makes so much from her fashion and beauty companies BILLIONS…music is a small fish in comparison. 

come on girl go give us nothing!!!

I want her to sing some demos/unreleased like she did with the You Thrill Me and Erotica mashup during the Confessions Tour. 

Agreed! Hoping for a mix of both. It will be really jarring for me if A&W is the only track with less than stellar lyricism. 
 
Also, let's not forget that A&W (and the interludes) are the only tracks described by BoZ as "aggressive." I'm hyped!! 

I think it just feels so dry because Lana is barely saying anything about the album herself
 
I am very excited to know her thoughts about the album through these magazine interviews though 

50 hours
 
everyone quick stream venice bitch 300 times

Omg we’re being fed so well this era

Lana Del Rey Wanted to Sing With Joan Baez. But First, She’d Have to Find Her.
The musicians on the audition that changed them both — and the “secret to real success.”

view photoshoot here
 
Joan Baez: In 2019, Lana, whom I’d heard about from my granddaughter, Jasmine, invited me to sing with her in Berkeley. I said, “Why? Your audience could be my great-grandchildren.” And she said, “They don’t deserve you.”
Lana and I are sort of opposites. When I was starting out, I wouldn’t let anyone else onstage. I had two microphones — one for me, one for my guitar — and I stood barefoot, singing sad folk songs. I didn’t even write for the first 10 years, and she’s a songwriter.
I stopped singing three years ago; it was time to move on. After 60 years as a musician, I started painting. An artist friend said I need to loosen up and make mistakes so, if a painting isn’t working out, I dunk it twice in the swimming pool to see if it becomes something interesting. A hose will also do.
If people want to learn from me, I tell them to look beyond the music to my engagement with human and civil rights. My voice was what it was, but the real gift was using it. A documentary has just been made about me [“Joan Baez I Am a Noise,” 2023]. There’s footage of me marching with Dr. Martin Luther King Jr. in Grenada, Miss., in 1966. At another point in the film, I mention in a letter to my parents that I want to save the world. Lana doesn’t make such grand political statements — at Berkeley, she brought me out to do it for her. And yet, amid the colorful chaos and glitter of her show, she was at one point, I believe, barefoot.
 
Lana Del Rey: I was having a show at Berkeley three years ago and wanted Joan to sing “Diamonds & Rust” (1975) with me. She told me she lived an hour south of San Francisco, and that if I could not only find her but also sing the song’s high harmonies on the spot, she’d do it. I was given a vague map to get to a house distinguishable only by its color and the chickens running in the yard. At one point during my audition, she stopped me with a steely look to let me know I didn’t get it right. By the end, she said, “OK, that’s good. I’ll sing with you.”
Midway through the performance, I said to the audience, “I have someone coming onstage who is the most generous-of-spirit singer I know, and the most important female singer of the ’60s and ’70s, and we’re gonna do ‘Diamonds & Rust’ together.” After the show, we went to an Afro-Caribbean two-step club, and she told me not to stop dancing until she did. That’s what my song “Dance Till We Die” (2021) is about. 
I think the secret to real success is to make sure you’re always emotionally intact. I learned that from Joan. I recently said to her, “I just want you to know that I’m keenly aware that, in this lifetime or any other, I have no right to be standing shoulder to shoulder with you.” And she replied, “Oh, shut up.” 
 

Lucky Ones. Suck my dick if you don't get it. 

Lucky Ones. Suck my dick if you don't get it. 

Sounds like sadism and masochism. But I'm not here to judge 

Sounds like sadism and masochism. But I'm not here to judge 

Sounds like sadism and masochism. But I'm not here to judge 

My daddy's in the trunk of his brand new truck, I really want him back, but I'm kinda outta luck