Venice Peach

A certain leaker or two will be doing that...then gloat like they are on Lana’s team or work for Interscope and have inside knowledge

Theory here:
The first video with the caption TJF: WHF had a Tove Lo song in the background.
The TikTok video has the music of her poem Quiet Waiter.
Each video gets « closer » to her, more personal (someone else’s song, then her poem) and is more and more relevant to WHF?!? So the next one could be a snippet of the actual song?!?

Do you think the fact that instrumental was Quiet Waiter Blue Forever could be significant? I was looking at the titles and realized Quiet Waiter Blue Forever is a very similarly styled title to Tulsa Jesus Freak: White Hot Forever so I wonder if that could be a hint. Both start by signifying a person “Quiet Waiter” “Tulsa Jesus Freak” and the second parts have the obvious colour and forever parallel “Blue Forever” “White Hot Forever”. Idk what could be similar other than their titles but I just thought it was an interesting parallel.

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

Oh my, imagine this:
Back cover is a picture of a table, preferably blue, then some lines of cocaine resembling chemtrails on the sky.
Her hand and nose are also on the pic, tryna snort them 

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

People already said this but when she posted on insta that old photo with "LA who am I to love you" after 10-11 days she announced Violet so maybe is the same with the selfie with TJF: WHF. The date would be the 3rd-4th of August so...

I hope it's a Hotel California duet cover

i really suggest listening to Where Does the Devil Hide? 4/5 tracks are already out. Her last LP was also amazing (but very different sonically)--East of Eden has one of my favourite bridges ever (If I wanted to stay/You don't mind, you're a true believer)

Honestly if there is no pre-order or lead single or cover art or tracklist soon-ish, then I don't believe that it's coming in September.
 
Also if she just does a digital release then she is legitimately unhinged, because she knows we will buy vinyls in 55 different colours if she sells them to us. Plus 7 different CD editions, 12 cassettes, tissue box covers, ice trays that allow you to make cubes shaped like her face, etc ... 

yes to heaven isn’t that great anyway

Typical jared being the pretentious obnoxious snob.
 
Not knowing Fine China.
 
Go suck Jack's dick more noob.
Jack produced what? 2-3 songs on Folklore and they dont stand out much too. August cant compare to Exile.

So I have long believed that Lana is not only the best and most original voice of this generation, but she also possesses a spirit that makes her an incredible channel for the voices of great artists of past generations. Here are my takes about about some of the 60's artists who are sometimes mentioned as Lana's influences, or artists who's voices I feel Lana does or could channel. Also, my Yes/No verdict on whether or not I want Lana to further explore these styles and channel the voices of these artists. BTW I am born in the 90's so please excuse me if there are some gaps in my knowledge from this era! and I would love for someone who was alive through this time to chime in.
 
Nancy Sinatra is a YES for me! Dark and bluesy like Ultraviolence. Noir like Honeymoon. Raw and gritty like Lizzy Grant and May Jailor. Twangy without going full out country. Bad bitch vibes all the way. This is the energy that radiates from Lana's soul.
 
The Shangri-La's is a NO for me. They were super talented and I mean no disrespect to them, but I do not feel the doo-wop/60's girl group style works for Lana. The vocal harmonizing of The Shangri-La's is skillful and beautiful, but I feel it is too cute for Lana's style. I do not like the album version of Lust for Life that Max Martin butchered. It feels like she is trying on the doo-wop genre like someone tries on a costume. The Shangri-la style works a lot better on Get Free, but this still would not make a list of my favorite Lana songs even if the melody wasn't (accidentally I hope) plagiarized from Radiohead.
 
The Beatles are a MAYBE for me. I hear their influence on Tomorrow Never Came, and that is not one of my favorite Lana songs (I mostly hate the Sean Lennon feature). The lyrics of this song are heavy but sonically this style is a little light and breezy for me. It's not heavy enough to pack a punch, and it's not soft enough to be ethereal. The melody is there but something about the production and style of this song is off. It's chill but Lana's voice almost gets lost in it. I also hear The Beatles in Beautiful People demo version. Here she nails the style and hits a home run. If Lana can write another Beatles-esque song and really carry the song, I would be very happy to hear it on an album. However, I do not want to hear another Tomorrow Never Came.
 
The Beach Boys are a NO for me. Another example of a spectacularly talented band that I think doesn't suit Lana's style. Even though they are beachy and Lana is beachy, and Lana mentions them on the Greatest, I don't really hear a lot of Beach Boys influence in Lana's music. Like the Beatles, this music is too light and breezy for Lana. She needs a style with more emotional weight.
 
Joan Boaz is a YES for me! Joan is a queen of ethereal folk beauty! I hear Joan's influence all over post-Ultraviolence music, especially on her acoustic and unreleased tracks like Cherry Blossom. I did not know about Joan until Lana introduced me to her, and I am so glad to discover this talented queen! Her style of singing really is so similar to Lana's. I am grateful for her music and so grateful for the inspiration that she has given to Lana.
 
Etta James is a YES for me. I love jazzy/soulful Lana! Honeymoon is so indebted to black female jazz and soul singers like Etta James, Billie Holliday, Nina Simone and more. This style is so effortless for Lana and suits her voice so well. As Lana gets older, I would love to hear her make more mature jazz records that channel these all time greats.
 
Velvet Underground is a YES for me. I love the grungy and sarcastic hipster poetry of Brooklyn Baby. I love it when she sings with Lou Reed's disaffection in her voice. Lana is a far better vocalist than Lou Reed. She can elevate these types of songs from a cool mood to a beautiful cool mood. 
 
Leonard Cohen is a YES for me. Many of my all time favorite Lana songs is when she is just singing her heavy heart over an acoustic guitar or acoustic piano. Her cover of Cohen's Chelsea Hotel #2 is so achingly beautiful. She is literally the reincarnation of Cohen, she was born to channel his heartbreak poetry.
 
Joni Mitchel is a NO for me but hear me out! This one I feel very conflicted about. Joni Mitchel is one of the most talented songwriters in American history. She is perhaps the artist that influenced the sound of NFR more than any other artist. I feel that Joni's lyricism and melody is very intellectual, but I prefer Lana when she sounds a little more passionate and filled with raw emotion. Also, Lana is not as good at political music or social critique as Joni. I do love NFR so much and am grateful for the inspiration that Joni gave to Lana. I wouldn't change a thing about NFR except for those damn bells on How to Disappear, but I think I have heard enough of the Joni sound for now and would like to hear Lana explore other influences, even if she stays roughly in the beachy folk space. I also think that Fiona Apple is able to channel Joni a little bit more than Lana.
 
Giorgio Moroder is a YES for me! Maybe he is more considered a 70's artist but he was still active through the 60's, so I will include him. My life would be complete if we could get a Lana Del Rey disco album! I am not talking some cheap EDM-pop album, I mean a timeless disco-diva album filled with virtuosic instrumentation, a full orchestra,  and giant choruses that will light up dance floors for decades to come. If not a full disco album, then maybe a fusion that is half disco and half explosive energy jazz and soul songs. I want to hear Lana belting, hitting the highest notes in her vocal range, and showing off the full range of her vocal abilities. I want Giorgio Moroder, I want Donna Summers, and I want ABBA! And I want ultra glam photoshoots and big budget videos one final time before Lana relaxes back into her flannels to sing folk and blues and jazz for the next 50 years. Lana please give us the disco album!!
 
 
 
Here is a playlist of 60's songs that are sort of a mood board for voices and energies that I would like to hear Lana channel:
 
Tommy James & The Shondells - Crimson & Clover (Venice Bitch spiritual successor!) Dick Dale - Miserlou (Hawaiian glam metal teas?) The Band - The Weight (Lana get back together with Dan Auerbach and make a bluesy folk rock album that isn't about abusive relationships challenge!)  Otis Redding - (Sittin' on) the Dock of the Bay (beautiful California singer/songwriter blues vibes. UV meets NFR) Nico - These Days (this song is SO Lana. NFR meets LFL. I would love for Lana to get in the studio with both Jack and Emile for an extended time, and give us something that sounds like this) Nancy Sinatra - Bang Bang (can Lana cover this so that I can add the MP3 into Ultraviolence?) Simon & Garfunkle - The Sound of Silence Nick Drake - River Man (May Jailor teas with better guitar playing) Ben E. King - Stand By Me (Heartwarming and overflowing with positive energy like Lana's Love. Lana's disco album needs a song like this) Lorraine Ellison - Stay With Me (Channeling this energy for a BIG jazz/soul song on Lana's disco album) Frank Sinatra - It Was a Very Good Year (Honeymoon vibes) 

Her songs literally sound like a 16 year old white girls diary entry....