lili

When the lights turn out and she opens with 
 
Don't you dare say...
that you'll braid my hair, babe...
 

Even better 

I’m getting second hand embarrassment, he’s acting ‘too cool for school’ and his zipper is wide open

loryys__ is live, show hasn’t started yet x

love how everyone is hyped 

7 minutes

And this is total cancer behaviour imo too lol

IM SO HAPPYYY

OH HELL YEAH  IT'S SO OVER FOR YOU BITCHES SHE'S BACK

wait so she came back to @honeymoon basically it's "honeymoon from hell"?
HONEYMOON FROM HELL -  the tenth studio album by Lana Del Rey. Coming early 2024 X

When her next post is an early Valentines Day carousel for 2024 

Manifestingggg 

WAIST DEEP IN ICY WAVES TOUR
2023-2024

He caption will be “oɔʇsoƆ ɐ uı ɹǝɔuɐƆ” 

when it's all belated june birthday posts 

For me, it feels like she is telling someone of more wealth and society than she had to just relax and live a little. To be suburban instead of white collar.  That's how I see it: "have something to drink and be lower class with the rest of us."

Is it me or does the ending (where she's like 'ohhhhhhh you're crazy for me) sound like the aftermath of a sexual climax? The verses, chorus and loud instruments represent the passion of sex, whilst the sudden 'drop' at the end is sort of after the climax.

~~Let the light in, let the light in, it's a cruel world~~

I thought I heard she sang "I like your Whitman" the first time then "women" later after repeated playing. Maybe she is pronouncing it all strangely, dunno.

When you look at the lyrics in a perpective that she's not saying goodbye to a man but she's saying goodbye to her older self, this song hits really different.

100% agree. the lyrics the production and the vocals all perfectly capture her artistry

Literally one of the best songs she’s ever recorded. 

physically kills me that we don't have the 'let the light in, it's a cruel cruel world' studio vocals. ik we have the guitar intro, but it's not the same without the vocals

My absolute favorite Lana song.
 
I like to think she's saying bonny - because she mentions it elsewhere on the album (in "Shades of Cool", if I recall). I do, however, thank it can be taken double - as with most of her lyrics - as a reference to Bonnie and Clyde. It fits with the theme and enriches it. Layers, references. All typical of Lana. 
 
As I said in another thread, I love the David Lynch references. I refuse to accept "fire and he walks with it" isn't a reference to Twin Peaks until otherwise proven. It just seems so fitting with the trumpet in the background - which recalls Mulholland Drive and the scene in the Club Silencio. 
 
Personally I get a lot of imagery from this song. From the start, I envision a very miserable jazz club surrounded by blue flames, with Lana just standing on the stage with mascara running down her face. When the chorus kicks in with "he's got the fiiiiire", I see those flames grow in intensity and turn bright red and orange. 
 
The chorus after the bridge, where the production fades out, genuinely moves me beyond words. I can't describe it. Something about it hits me hard. It seems so raw, so vulnerable, and so lost. So very, very sad - which is fitting to the premise of the song and the overall aesthetic of her work - especially on Ultraviolence. 
 
This is easily one of my favorite songs ever. Certainly one of the most powerful every time I listen to it. 

i keep hearing 
i'm a sad girl
i'm sad girl
i'm a side girl