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I don't know if it's just me, but lately I've been kinda let down by Lana's production? More specifically, how some songs are just piano chords and her
 
Now don't get me wrong I love the piano (hell I play it lol) but I feel like Lana's lyrics and voice shine best either with a more orchestral production (Honeymoon, Born To Die) or with a jazzy, psychedelic one (Ultraviolence)
 
Now I do believe in some songs the piano is really effective at conveying a certain atmosphere (with hope is a dangerous thing or Cherry Blossom), but I can't help thinking that a rich sound like in Salvatore, Venice Bitch, West Coast, BB, SoC, Blue Velvet, etc... would really turn the songs around
 
Thoughts? 

TS stans on Twitter getting real brave for willfully misinterpreting lyrics. Do they need random capitalizations in the liner notes to understand what’s going on? 

BTD 10th anniversary re-issue with an extra disc of reworked unreleased tracks incoming

atrl gays logging in to lurk every time team delulu posts

 
 

but you did,
and i want revenge

omg i’m living for the chaotic & excited energy in this thread  
 
the thought of lana releasing or announcing something on the anniversary of qftc would be iconic and honestly i can see it happening, this is really exciting!

Why have I seen two separate gifs of Trisha with banisters in them within the last 12 hours...this woman really does have a video for everything♥️

Leak his gay frat boy  experimentation tapes more like

imma have a PhD by the time she comes out with a new album 

When no one asks him about anything LDR 

Said nobody ever

Spoken word ASMR record, calling it 

Maybe Lana will cosplay Lara for the Cherry Blossom MV!  her polygon tits era!

Can't believe Lana wrote a song for Angelina Jolie. Her Tomb Raider era is cumming
 

ldrakalg might be her best album...  

I mean... Kill Kill, Pawn Shop Blues, For K pt. 2, Queen of the Gas Station, Mermaid Motel, Yayo... that album is full of gems! 

I was trying to fool myself thinking that Lana music would get better after L4L, but I don't see this happening. At least not for my taste. 
 
And honestly, I don't think that it's because of the sound (Jack is not so bad after all), but because of her stillness. I don't know how to translate it into words, but I'll try.
 
Lana always contradicted herself and it showed in her art. It's not a coincidence that many people think that she glamorize abuse. Her old music always had a duality in feelings, thoughts, and intention. This confused a lot of people about her real message. I always loved the way that she told her stories. Ultraviolence (song+mv) for me it's her most artistic piece of work. She used to use the same technique as many writers, movie directors, and painters of putting something pure/holy/good with the evil/unsacrated/wrong.
 
Now her duality is coming from her just watching (the political tracks on L4L), not knowing where to stand (without manifest any conflict of ideas on the songs. We just know that she's confused or unhappy with something, but she doesn't tell us why) and in actions. She says something and do the complete opposite. Like if you hear HBTB, 13 Beaches and the majority of COCC, you would think that she's tired of fame. But we know that she's always working and thinking about new projects, attracting unwanted attention (QFTC, the response for QFTC, "I Want Revenge", her feud with Ann Powers, she's always online...). 
 
There's nothing wrong with being confused or being tired of fame. But it wouldn't be nice hear her singing about what keeps her going? Talking about what's really upsetting her politically? And even talking about life...
 
She's interested in a lot of cool things, but they rarely make it into her latest records. I will always love her, but her music it's not bringing anything worth it for me lately.
 
I would sell my soul for her to write a track like that (she have a degree in philosophy, it's interest in witchcraft, life, meaning behind things. It's not a crazy thing to think about it):
 
 
 

a fandom opinion more than a lana opinion, but i wish people would understand that when some fans talk about wanting a trap or hiphop sound from lana we don't mean an album full of In My Feelings or Summer Bummers.... we mean a trap or hiphop influence mixed with lana's trademark sound 
 
altho Summer Bummer is one of my fav lana songs so sure go ahead and give me an album's worth if you feel like it bestie

first part is true. But if anyone expects Lana to release Levitating 2.0 they should probably touch grass 

Ngl that emoji reads to me more like he is cackling and slamming his hand down like “I can’t believe this bitch is actually doing this lol” more than praising whatever it is
 
either way it certainly means we are in for something interesting
 
maybe a poetry music hybrid?? 
 
 

so disco?
 

okay but seriously, we need a lana del rey album that's heavily inspired by mythology at some point, enigmatic, evocative, naturistic, whimsical, glamorous...

I’m scared.  Feels like she’s just gonna dig deeper into that negative perception. Lana knows by now that people don’t understand irony
 
That being said BOZ teased LMLYLAW as something reminiscent of Fine China which got everybody’s hopes up 

this is my SHIT, forget ambient space rock, i'm manifesting a kitschy mythological mermaid motel MASTERPIECE 

I'm crossing my fingers for ethereal heavy hawaiian glam metal with arabian undertones and roman mythological lyricism yes ma'am