Bonita

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

only hope keeping me going is that she conceptualized Honeymoon the moment she was done with UV

Some people's ideas are likely more interesting than the album will be 

mermaid motel is the ultimate lizzy grant/surf noir/hawaiian glam metal experience, whether it's the eerie, otherworldy demo version, or the glamorous, technicolor album version, it's her magnum opus  

jesus was in the room when she wrote pawn shop blues 

streets are saying tulsa jesus freak is the next single cuz of playlist additions - and i just wanted to add that chemtrails is such a perfect album 

the collabs are great wym? the great thing about them is that they make sense with the album’s narrative as well

streets are saying tulsa jesus freak is the next single cuz of playlist additions - and i just wanted to add that chemtrails is such a perfect album 

the collabs are great wym? the great thing about them is that they make sense with the album’s narrative as well

i’m terrified about the album’s sound but knowing lana she wouldn’t repeat genres

can’t believe we didn’t get Tulsa video

This album is so nice to listen to front-to-back. 45 minutes, and every track adds something to the experience. Very nice.

We're arleady at the part of the era where fake insiders try to soak up attention with the most vague "iNfOrMaTiOn"?
 
Me, I prefer the wild guesses, the "Regina Sunset"s, the "In the cock in the cock in the cockpit"s. The bold liars who are ready to take a risk.
Not those who try the safe guesses. "She's recording with Nikki. Maybe the album is coming, maybe it's not. There will prolly be CoCc outtakes. Maybe she will still do ANYTHING for CoCc"
Sorry but try again. 

don't forget who produced mariner's, venice bitch, fuck it i love you, the greatest, white dress, tulsa jesus freak, dark but just a game, and dance till we die...  

As for Jack, he produced THE Melodrama and a couple of St. Vincent's albums, among other great things, so it cannot be his fault NFR and COCC sound like they sound. I don't really mind him, although I really wanted her to work with another producer. Third time's a charm y'all, we'll get daddy Nowels for the next one!