Jeanne Dielman

honeymouns expose today

Whatever that means
 
What I'll say tho... if you are to manifest some amazing outtakes. Manifest LFL outtakes.

It was properly reworked yes

Wow there is so much disappointed coming for some of you it seems, Dan Auerbach never produced SYTH or Fine China

Wait, a cinematic/psychedelic production? 

I don't know if it's ok to just continue it all in this thread, but I guess everything related to unreleased material from UV does count as "Scrapped 3rd album" discussion.
 
Starting with the name, I personally never heard of "Trans-Am" being referenced, whether as a song title, album title or some project. Maybe it was a code name Lana used, maybe something insignificant. I did however see Tropico being used interchangeably as LP2/Second studio album form late 2012. I suspect that Lana had a visual idea for it from the start and already was in talks to make a movie for it in early stages. Maybe it went as far as her signing some agreements or label scheduling some timelines that had to be met in order to make the visual happen, but when it approached Lana might have decided she is not ready with the record at all and needs more time to finish it so they made ultimate decision to use the visual for Paradise edition instead. Since the name Tropico was more attached to the visual theme than the album she was making, she changed the album name and kept Tropico for the movie

Hi everyone, thank you so much for collective effort to get my account back!
 
Before I answer anything, I just wanted to say that at the end of the day I am not Lana, I am not in her head, I was not in the room when these songs were made and there is always a tiny bit of chance that I am wrong. Everything I'm revealing is based on (sometimes years of researching) things I listened to, read about or heard from people who worked with her directly. I do find timeliness, demos, drafts etc very fascinating as it gives you some additional cool insight of what was happening behind the scenes so I'll happily join the discussions here

Lana on January 7th : Did You Know That There's A Single Out Called Did You Know That There’s A Tunnel Under Ocean Boulevard, Don't Forget Her 

the way she posted only more than an hour later after the single dropped  

i’m trying to restrain myself from listening to ocean blvd too much before the album comes out but i cant help it…. it’s become a top 5 title track from her easily 
i love this energy 

He did! But he also did say that he wanted the album to be called The Grants, so I guess that it must be a pretty major track in Lana's discography. 

I’m still on team ‘not getting another single’. I’m just hoping we get some kind of music video or album trailer

FUCK ME TO DEATH 

 
LOVE ME UNTIL I LOVE MYSELF 

 
 

what we need is a music video for DYKTTATUOB where Lana's dressed as Lara Croft and exploring the tunnel like its a tomb  the gag 

“Happy New Year!!!”


this is just iconic x

I‘m kinda in the mood to not listen to anything (if she drops another single) till the album is out. 

I think this album is gonna be like Honeymoon.
(In terms of the listening experience)
You need to hear it from start to finish to get the vibe.

 

I have really high expectations for A&W and at the same time no idea what to expect 

On Thursday, Lana Del Rey met some fans on a beach in Hawaii. 

I adore the distorted oceanic vibes of Neil's complementary work for the album's artwork. And the fact that he shot these photos last spring means that Lana knew what she wanted in terms of visuals. Doesn't the track with the long title mention something sea-related, as well? 
 
What intrigues me is that BOZ said that the album is fucking wild, and I kinda doubt that his description is solely based on a specific track's soundscape (apparently A&W). Didn't he say that he needed to listen to the Tommy Genesis "feat." (lol) a bit more in order to talk about it? Hopefully this means that it's a strange experimental track...Antonoff was hyping it a lot on Tommy's IG. 

I adore the distorted oceanic vibes of Neil's complementary work for the album's artwork. And the fact that he shot these photos last spring means that Lana knew what she wanted in terms of visuals. Doesn't the track with the long title mention something sea-related, as well? 
 
What intrigues me is that BOZ said that the album is fucking wild, and I kinda doubt that his description is solely based on a specific track's soundscape (apparently A&W). Didn't he say that he needed to listen to the Tommy Genesis "feat." (lol) a bit more in order to talk about it? Hopefully this means that it's a strange experimental track...Antonoff was hyping it a lot on Tommy's IG. 

I adore the distorted oceanic vibes of Neil's complementary work for the album's artwork. And the fact that he shot these photos last spring means that Lana knew what she wanted in terms of visuals. Doesn't the track with the long title mention something sea-related, as well? 
 
What intrigues me is that BOZ said that the album is fucking wild, and I kinda doubt that his description is solely based on a specific track's soundscape (apparently A&W). Didn't he say that he needed to listen to the Tommy Genesis "feat." (lol) a bit more in order to talk about it? Hopefully this means that it's a strange experimental track...Antonoff was hyping it a lot on Tommy's IG. 

He did! But he also did say that he wanted the album to be called The Grants, so I guess that it must be a pretty major track in Lana's discography. 

I adore the distorted oceanic vibes of Neil's complementary work for the album's artwork. And the fact that he shot these photos last spring means that Lana knew what she wanted in terms of visuals. Doesn't the track with the long title mention something sea-related, as well? 
 
What intrigues me is that BOZ said that the album is fucking wild, and I kinda doubt that his description is solely based on a specific track's soundscape (apparently A&W). Didn't he say that he needed to listen to the Tommy Genesis "feat." (lol) a bit more in order to talk about it? Hopefully this means that it's a strange experimental track...Antonoff was hyping it a lot on Tommy's IG. 

I adore the distorted oceanic vibes of Neil's complementary work for the album's artwork. And the fact that he shot these photos last spring means that Lana knew what she wanted in terms of visuals. Doesn't the track with the long title mention something sea-related, as well? 
 
What intrigues me is that BOZ said that the album is fucking wild, and I kinda doubt that his description is solely based on a specific track's soundscape (apparently A&W). Didn't he say that he needed to listen to the Tommy Genesis "feat." (lol) a bit more in order to talk about it? Hopefully this means that it's a strange experimental track...Antonoff was hyping it a lot on Tommy's IG. 

I adore the distorted oceanic vibes of Neil's complementary work for the album's artwork. And the fact that he shot these photos last spring means that Lana knew what she wanted in terms of visuals. Doesn't the track with the long title mention something sea-related, as well? 
 
What intrigues me is that BOZ said that the album is fucking wild, and I kinda doubt that his description is solely based on a specific track's soundscape (apparently A&W). Didn't he say that he needed to listen to the Tommy Genesis "feat." (lol) a bit more in order to talk about it? Hopefully this means that it's a strange experimental track...Antonoff was hyping it a lot on Tommy's IG.