Unidentified Major Tom

Tbh I like their approach right now, like what is she supposed to be saying about the release anyways this week? A&W should speak for itself, I think it's smart after dropping a song like this to stand back and watch it work its magic. For me she's building the best kind of hype  We also have strong reason to believe that we have at least one if not two more magazines coming, and I personally don't want any more music except for at most one more single a week before the album.
 
 

I mean this is a very special interview imo because she quite literally paved the way for Billie (as mentioned by billie herself and many others for years) and I actually did think she asked pretty good questions. And Lana seemed to very comfortable and happy

I liked the interview with Billie. It seemed pretty carefree and Lana did open up and talk about a variety of things..I’d rather have fun interviews like this where you can tell Lana felt more casual and comfortable, than an interview where Lana has to turn her phone on so if her words were twisted she’d have proof of what she really said 

I will not stand for this. FJM’s deep, sexy voice blends far better with Lana’s voice than someone like The Weeknd, and his high pitched, grating voice. I am incredibly excited for Let the Light In. 

I will forever be amazed at how even most fans (let alone haters) misunderstand the genius of what Lana achieved with 'The Other Woman'. From the sound design, which mimics AM radio - a sound so distinctive to those of us of a certain generation, that younger fans may not even have ever heard in their life, through to the way she switches the meaning of the song 180 degrees without changing a word, from the Nina Simone version, simply through her vocal expression. I can't even remember if I've posted this before, but I'll bang away about this until it's recognised (which will probably never happen).

Impossible to write down all of them! There's entire songs that are incredible from start to finish, especially from her Lizzy Grant days up to the masterpieces she wrote in 2013/14.
 
Baby put on heart-shaped sunglasses cause we're gonna take a ride will forever be iconic and it always puts me in a good mood. I still love Diet Mtn Dew (demo 2) so much. 
 
It was the first non-single track of BTD I heard (the 2nd demo on Lana's YT channel) and I was so infatuated with the lyrics and vibes. I only drank Mountain Dew for a while because of that song. It's packed with iconic lines in general. 
 

it seems like arthur lynn must've had an impact on her, it seems like he introduced her to a lot of music which probably influenced her for years to come, i'm pretty certain the whole "hawaiian glam metal" description, as well as the infatuation with "metal" or "boys who like metal" as she said in the trailer park interview came from him, also, his favorite drink was/is? diet mountain dew, he even ran a fan-page for diet mountain dew on myspace (which can be seen on her friends-list in some screenshots) which obviously is the title of one of her born to die songs, also, she says "dizzy from loving you" in WTWWAWWKD, arthur lynn has a song that's very obviously about her titled "dizzy", may just be a coincidence, but you never know  
 
https://web.archive.org/web/*/http://www.angiescreams.com/mp3/dizzy.mp3
 
nitpicking, but i don't believe she was with him when she was 20, which would've been 2005, it seems like their relationship primarily took place in 2007, when she was 22, (which is mentioned in dizzy ) however, this photo of them together seems to be from a later date, maybe 2008? perhaps they got back together for a brief period of time, or just remained friends! honestly, arthur lynn might be my favorite boyfriend of lana's, he just seems really cool and it seems like he only influenced her in positive ways
 

 

Lana Del Rey Wanted to Sing With Joan Baez. But First, She’d Have to Find Her.
The musicians on the audition that changed them both — and the “secret to real success.”

view photoshoot here
 
Joan Baez: In 2019, Lana, whom I’d heard about from my granddaughter, Jasmine, invited me to sing with her in Berkeley. I said, “Why? Your audience could be my great-grandchildren.” And she said, “They don’t deserve you.”
Lana and I are sort of opposites. When I was starting out, I wouldn’t let anyone else onstage. I had two microphones — one for me, one for my guitar — and I stood barefoot, singing sad folk songs. I didn’t even write for the first 10 years, and she’s a songwriter.
I stopped singing three years ago; it was time to move on. After 60 years as a musician, I started painting. An artist friend said I need to loosen up and make mistakes so, if a painting isn’t working out, I dunk it twice in the swimming pool to see if it becomes something interesting. A hose will also do.
If people want to learn from me, I tell them to look beyond the music to my engagement with human and civil rights. My voice was what it was, but the real gift was using it. A documentary has just been made about me [“Joan Baez I Am a Noise,” 2023]. There’s footage of me marching with Dr. Martin Luther King Jr. in Grenada, Miss., in 1966. At another point in the film, I mention in a letter to my parents that I want to save the world. Lana doesn’t make such grand political statements — at Berkeley, she brought me out to do it for her. And yet, amid the colorful chaos and glitter of her show, she was at one point, I believe, barefoot.
 
Lana Del Rey: I was having a show at Berkeley three years ago and wanted Joan to sing “Diamonds & Rust” (1975) with me. She told me she lived an hour south of San Francisco, and that if I could not only find her but also sing the song’s high harmonies on the spot, she’d do it. I was given a vague map to get to a house distinguishable only by its color and the chickens running in the yard. At one point during my audition, she stopped me with a steely look to let me know I didn’t get it right. By the end, she said, “OK, that’s good. I’ll sing with you.”
Midway through the performance, I said to the audience, “I have someone coming onstage who is the most generous-of-spirit singer I know, and the most important female singer of the ’60s and ’70s, and we’re gonna do ‘Diamonds & Rust’ together.” After the show, we went to an Afro-Caribbean two-step club, and she told me not to stop dancing until she did. That’s what my song “Dance Till We Die” (2021) is about. 
I think the secret to real success is to make sure you’re always emotionally intact. I learned that from Joan. I recently said to her, “I just want you to know that I’m keenly aware that, in this lifetime or any other, I have no right to be standing shoulder to shoulder with you.” And she replied, “Oh, shut up.” 
 

I really am getting Laura Palmer vibes from this song. Laura was always writing in her secret diary about her darkest and innermost thoughts, which is exactly the feeling this song and I think the album in general will be giving, matched beautifully with the album art of Lana looking like a girl from the past full of secrets of her own that will start to spill out as her restlessness gets the best of her.
 
The second part is so fascinating because it's like we rewind back to a place where the version of Lana that's singing doesn't see the darkness that we can see, it is all fun and games for her. She does wanna get high with Jimmy over and over, she does think it's funny when his mom calls, she does just wanna vibe without a thought beyond the repetition of an endless good time. But through the questions asked in the first half of the song and the menacing production that follows, we're able to see an outcome that she doesn't see yet. Even Laura Palmer had fun walking with fire until it was too late 

A&W should not have a music video imo. The song is too dark and raw with more than enough to unpack as is. Unless it was a masterpiece directed by David Lynch of course, but a White Dress treatment would just be wrong for this song

It's funny that everyone talks about how fun and boppy the second part is but I also find it very dark and unsettling. Like that party with Jimmy is not good vibes, even though the beat makes us think otherwise. It's like some trippy drugged up loop that we're stuck in where she just repeats the same toxic things about Jimmy over and over, and I think by repeating the lyrics from a song from the 1950s she's also making a statement that people have been living similar experiences to her for a very long time. It's obviously a vibe but there's a lot of darkness beneath the surface in that part too.

OMFGGGGGGGGGGGGGG!!!!!!!!! 
 
I am fucking speechless, this is obviously one of her best songs of all time, an absolute artistic triumph. It's so wild that the insiders really spoiled nothing because this is such an incredible ride that nothing could really take away from it. A David Lynch horror film as a folk/pop masterpiece. Lana really isn't just making music at this point, she's an artist like no other ever imo. 
 
The first half is so completely insane and that final verse before the change is the most revealing and brutal she's ever written, and then the production literally sounds like some kind of frightening rewind to the past, where we end up in this unsettling trap loop that somehow further explains the questions that she's asking in the first half. She's been wondering how she ended up in this place in life, whether she likes or if it's just who she is, and then this jump back to her Lizzy Grant / teenage self shows that she's been like this for a very long time.
 
Dark, unique, thought-provoking, A MASTERPIECE!!!!!!!

On January 11th 2023, Lana Del Rey was photographed by Nadia Lee Cohen for Interview Magazine.
She was styled by Mel Ottenberg with her hair done by Evanie Frausto and makeup by Etienne Ortega. 

 
 
 
Behind the Scenes - Pictures
 
 
 
Behind the Scenes - Videos
 

This song makes me feel like I’m in a David Lynch movie. Dark as fuck

“I think the interesting thing is that it's a 2 part song. I said some time ago it would make more sense if it was called AW&J (cause in fact, it formerly was).
Part 1 - AW, American *****
Part 2 - J, Jimmy
 
There is a shift”
 
BOZ
 
AHHHHHH
 
didnt Kintsugi say the Jimmy part will make us shake our butts  

On Friday, Lana Del Rey stopped to meet a fan while out in Los Angeles, California.

Yes, I plan on staying. I enjoy this community and I'm excited to delve into it more.
I really can't wait to see all your reactions after listening to these masterpieces.

Correct. The credits are 100% real.

Lana you wanna post an official A&W video and single release announcement on the oceanblvd instagram so bad 

Lana Del Rey x David Lynch when 

I really like Don't let me be misunderstood, all versions especially those of Nina Simone, Santa Esmeralda and Lana of course.
I think it fits so well with her and her feelings.
It perfectly ends Honeymoon.

Back cover of Evil Lana's upcoming LP finally revealed, along with the tracklist—