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americangothic

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    307
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About americangothic

  • Rank
    charlie.
  • Birthday June 29

Profile Information

  • Gender
    Male
  • Pronouns
    He/Him
  • Location
    Chile
  • Interests
    dead authors and writers, victorian aesthetic, astrology and lovecraftian mystical shit. Spring is my favorite season.
  • Fan Since
    2011/2012

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    instagram.com/theamericangothic

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  1. americangothic

    Taylor Swift

    LOVE that Florence is involved in this project, she deserves to shine even brighter. I pray it's less poppier than Midnights.
  2. Dude, I'm on the verge of tears, I know they're snubbing her again and it makes me so sad. She paved the way for people who are winning Grammys before her. It's fucked up.
  3. Love the name. I was manifesting a one world title. "Lasso". A title with one word feels impactful and easy to remember. We haven't had one since "Honeymoon" I think. I hope "Prettiest Girl in Country Music" is included. I love that song. Manifesting a country/americana vibe like Juanita Stein (she sounds a lot like Lana):
  4. It would be such a pivotal, full circle moment for her to perform "Ocean Blvd" title track at the Grammys after years of declining any live performances. Either she wins or loses, her singing in front of the audience would be iconic. Band + backup singers + outro included. Not happening tho, but bro, the power that idea has.
  5. Bro really thinks Kanye decided to release his album the same day of his band only to sabotage him? I wish I had his confidence. Jack keeps dissing Kanye but I don't think Ye has ever aknowledged Jack's existence? It's very one-sided. Yes, Kanye is a horrible person with even worse ideologies, but Jack looks a bit delusional. Regardless, back on topic, what a great lineup of artist he managed to get on board for this project. Looking forward for Lana's cover of "Blue Skies". I love how many "blue" songs she has so far, lol: Blue Jeans Blue Velvet Blue Banisters Blue Skies
  6. Not the discount code resembling an acronym of a song title nn
  7. bro, "Let the Light In" is smashing. I wonder if her team is AWARE. The power that that has, the intelligence that that has, the clearance that that has, the access that that has, the influence that that has, the profile that that has, the international implications that that has.
  8. I loved "Haunted House" and "Moderation". Amazing songs, I'm glad they got a stand along release instead of staying unreleased đŸ–¤
  9. It's so refreshing listening to her on a song that features acoustic guitar instead of piano We need to know what is this, lol. A random stand alone single, a collab, the lead for LDR10?
  10. What if Lana had planned a beautiful collage like video for "The Grants" with that stolen family footage with sweet and personal shots of the whole Grants family (sans Patricia)...
  11. This exact same thing happened to me. I keep coming back to this album. You wouldn't think that, considering the album is long, dense and complex. But the replay value as a listening experience is insane to me.
  12. We should definitely make this canon for the album's anniversary. A whole year later can change our perspective A LOT. Celebrate its anniversary in some way, this album is such a career highlight.
  13. I would love to know what was that writer thinking when they decided to describe "Candy Necklace" as glitch-pop in that review
  14. "Kintsugi" is definitely winning "Best Dance/Electronic Recording". "Sweet" has the "Best Metal Performance" on the bag. Mark my words.
  15. The "FMWUTTT" thing it's kind of messed up, if you think about it. Like, professionally speaking, if you work on a project but then it randomly credits somebody else I think we'd all be like: But in the best of cases it was only a printing error. And Lana definitely had nothing to do with it. Shit happens! And both Emile Haynie and Dan worked again with her so I doubt they're mad (though, I would be a bit pissed off with the person in charge, lol). But it's not like the GP cares enough but us audiofreaks and Lana stans, lol. But for me, at least, it's also wild, like you said. Almost ten years thinking Emile had nothing to do with the "Ultraviolence" album (besides introducing Lana to Dan Auerbach), yet we were wrong (!!!). And about "Living Legend", sure thing! I still haven't answered his message (lmao, not me, a random nobody ghosting Daniel fucking Heath). But I'll answer the message I took a screenshot of and I'll let you know if he answers! [let us cross fingers].
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