Nevermind

Don't compare queens

All opinions are welcome here, positive or negative because this isn't a cult, but if I was in someone else's shoes and haven't enjoyed an artist's musical output in half a decade, maybe I would find better things to do with my time than trash that artist everywhere I could 

Not priapusgate again 
Since the trap beats are at the end I guess they are the climax of the song 

DRAG THEM KINTSUGI!!!!! This is why i have been kintsugi truther since DAY 1 💯💯💯
also @Kintsugi please please tell us something from the GPS acronym i can’t sleep at nights because of it

Imagine the whole schlong if this is just the tip I need this album immediately 

There's literally no reason to be on this site, or posting in pre-release threads for Lana's music for that matter, if you don't like Lana  This isn't Jackboards 

sportcruiser really prepared the grave for Jared and king kintsugi really buried the bitch 

genuine question why are you here ?   like you obviously don’t even like lana to begin with so why tf are you here ? i may be a bitch and i complain a lot but at least on some occasions i express excitement over her upcoming music/praise it. you on the other hand… jesus jared get a hobby, quick 

anyways i wonder if she's stopped sharing snippets because she doesn't want us to shazam the tracks and possibly figure out the titles... since that's how we got (some) titles for nfr and chemtrails  protecting that tracklist with her life

It's astonishing how easy it is for you to tear Lana down without actually hearing anything off of the new record aside from 2 crusty snippets and one single (which has shown a massive upgrade from her latest 2 records already). What you're saying couldn't be more wrong. The samples aren't as obvious as you think they could be, Lana is touching new grounds while delivering something new for her and despite this being her 9th album she's still proving herself to be a true one of a kind visionary. It's funny how you've assumed this bullshit after 2 of my posts which were vague at most on purpose. @Sportscruiser summed it up pretty well so I'm not going to continue but you should be embarrassed.

I have yet to come across a post in which you're not hating on Lana while crawling up Antonoff's ass who you're actually here for. Why don't you create JackBoards and leave LB alone?  

I guess you are mad cause she is working with great pianists instead of just relying on Jack 

I agree with you. The biggest complaint that grinds my gears is the complaint about how all of her music sounds the same, or at least post LFL sounds the same. Norman is beachy with a sun-kissed poetic punch of nostalgia to it, Chemtrails is folky with an aura of the midwest and getting lost on a road trip, Blue Banisters she takes us more into her home life and becomes much more vulnerable than previous records. Ocean Blvd seems to be taking a stream-of-consciousness approach to music, exploring automated songwriting, lush/grand orchestral instrumentation with a variety of sonic shifts and experimentation in sound and lyricism. None of these records sound the same to me and I always found that to be a very reductive critique of her music

Ok but what about track 15 again? I’m sick I can’t keep track, what did you get sis and did you put ur back in 2 it

Apologies for any eventual mistakes, I’m not a native english speaker. Just wanted to state the obvious because it’s getting increasingly harder for me to deal with spambots who just want to tear Lana down for the sake of it. You want rock music? Ultraviolence is there. You want an incredibly cohesive blending of orchestra, dream pop, trap AND jazz? There’s Honeymoon. Hip-hop? Born To Die. Trap AND new age folk all in one sitting? Lust for Life. The second coming of Joni Mitchell? NFR. Folk and country done in a way that’s not as alienating as those genres can sometimes become? Chemtrails. Oh you’re tired of music and just want to hear someone do spoken word? Violet! I could go on but the work is out there. Respect it.

I want this tattooed on my face 

That’s a bit reductive on a whole and factually wrong on some parts. Let’s start with the latter.
 
Lana has already tapped into rock music with Ultraviolence and folk/country with Chemtrails; indie music as a form of categorization is getting more and more obsolete if you don’t add anything next to the term “indie” so in that sense and if you think about her entire career, she’s done indie music through her entire catalogue. Said catalogue has had an incredible variety of sounds and inspirations, ranging from hip-hop, trip-hop and trap… all the way to rock, jazz, blues, folk, surf rock and Americana. Few artists of her magnitude and fame can brag themselves about doing the same - they don’t have to but if there’s something that’s truly undeniable about Lana is her immense versatility and how she was able to translate that into records who go for different soundscapes but manage to sound inherently like Lana.
 
Which brings me to the other point: your comment is absurdly reductive because it reduces Lana to this automaton who needs to deliver something drastically different - something that’s truly symptomatic about how female musicians are perceived and the immense pressure the industry (and fans) put on them that’s constantly demanding them to reinvent themselves. I’m not saying anything brand new or original here but so aren’t you. This incessant need to criticize and project your own expectations onto an artist who has done enough in her career to provide variety (most of the times going against the mainstream spheres and having her originality being repurposed by other artists who get a lot of cred for doing what she did years before them) is exactly why I’m surprised she’s still doing music at all. Being a filmmaker myself, I can’t imagine what it must be to have to deal constantly with this level of scrutiny and authority, like artists aren’t allowed to do whatever they please anymore.
 
At this point, if her career decisions and artistry aren’t something that cater to your sensibilities or expectations, I suggest you shift gears and invest your time on something other than tearing an artist down for not doing whatever you feel like they should be doing. You’ll see you’ll be spending your time in a more fruitful manner and on the other side of the road, people like us will be spared of offensively reductive opinions by someone who acts like a reddit edgelord without any substance to back up their arguments.

Did you know that wanting what you can't have is the shortest way to unhappiness ? 

Jared contains multitudes, he simultaneously strokes Jack's artistic dick, while expressing disdain for what Jack is actually known for within Lana's work. 

Track 13 "Shania twain"?

BOZ:
 
“You know what Shania Twain did to reveal her album tracklist? She put on her site blank spaces to fill with letters like "_ _ _ _ _" and have the fans guess the titles, if someone did, they would unlock. Sounds like a perfect game for Tunnel considering how random the titles are”

Can Taylor just grab Jack and not let him go anywhere especially near Lana ever again
 
 

Would it be petty? Absolutely. Would I eat it up? 

I know this was discussed a few weeks ago but there is indeed a big date in January that could be it 
 
 
“Last weekend” (I’m assuming) would mean Sean got married the weekend of January 15th-16th. If she continues the Sean drag session this could be the dates for some upcoming news or even the second single

Still so pissed that I never bought the Love vinyl when I had the chance.