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TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

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Spoiler

So the budget was too small to include the clarinet at the end of for free I see. It sounds so bad without it. The music just stops and I’m like that’s the end of the album :noparty:

 

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10 minutes ago, Terrence Loves Me said:

manifesting no more folk, no more country, no more hippy love stuff, no more Elizabeth vocals and most importantly NO MORE jack , next album will hopefully be the return of classic cinematic rick knowles produced big bold depressing overdramatic low vocal degrading desperate controversial orchestral strings honeymoon esque MASTERPIECE , i know you're all thinking it :sass: anyway can't wait to listen to this again tomorrow, it needs to grow on me a lot more..

Yes!! I agree with you 100%. Very well said!  Let the manifesting begin! I'm ready for Jack to go back to Taylor Swift and Lorde, and let our Queen get back with Rick Nowels!  I'm still waiting for a slick sexy dirty gritty 90s alt electro grunge-y with a lil dash of trip hop album! She needs to call up Butch Vig, the new Garbage record is finished and I highly doubt they're going to be able to tour anytime soon. Would be great if he could work with Lana on something in the future :flutter:

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8 minutes ago, Contemplating God said:

 

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Weyes sounds just like Joni at the end. It's beyond

 

 

Spoiler

Through some crazy hexing this group made Weyes Blood grow on me via Titanic Rising. So I don’t mind her ending the record but I did think the ending was kind of abrupt. Like, it just kinda stops hahah. Maybe a subtle fade out with some light pads or sound clips could have been nice. :xcry: 

 

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Spoiler

So I caved and this album sounds so mature!!! I don’t understand people saying it’s monotone or boring but wow, this showcases her vocal abilities like I’ve never heard before. I really hope she’s very proud of this music because she should. This expanded the legacy of NFR in such a fresh way. It’s been such a long journey she’s come since BTD and the evolution is so welcome. Back in the day I would always catalogue one album above all others but ever since NFR came out I’ve come to the realization that each album has it’s very unique soundscape and sonic thematic. Each album a whole sentiment of it’s own. She’s up there with artists that have truly shown growth and maturity without the loss of their artistic identity. Just pay attention to the lyrical and thematical flow from BTD - HM where she explores darker themes and her attitude being more playful and that of someone that’s experiencing the rush of youth - naive and sometimes self destructive. Then walking into LFL, SUCH transition where she REALIZES something is wrong, I must say her entering adulthood and really delving deep into her dark aspects to pull out knowledge from that. Then we have the full circle complete with NFR! and COCC -> the former finding herself out of her dark past and kind of having one last look behind and preparing to explore new territories. With COCC, I am AMAZED of how confident she sounds, I mean she’s ALWAYS sounded confident but this leaves the “playing cool” attitude behind, all the masks and all the smoke around and sharing with us the journey she’s taken and where she’s finally gotten to: a peaceful and contemplative state of mind and the way this is portrayed leaves me in awe. Her voice feels so personal, like her voice hugging the listener throughout the album, esp on LMLYLAW which I never understood the hate for. This is what an adult who has learned from her past sounds like, and that folks we rarely get to witness expressed in such a poetic and endearing way. Lana stood the test of time in my heart; an artist I can truly connect to. Whether she decides to make this the last or she continues her journey, I am honored to have peaked inside her world. A truly misunderstood genius. If only people chose to pay attention to what she’s conveyed instead of her rushed and non-proofread posts they’d see she pours her heart out and never intentions to come off as what she’s being portrayed as. 

 


Thank you Lana, and please never let anything tone down that free and lighthearted spirit of yours.

Edited by Elle
spoiler tag added x

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9 hours ago, honeybadger said:
  Hide contents

 

 

look at you being the closest out of all of us :trisha:

 

Spoiler

Omg I am honestly shocked that it's actually business conference lol

 

I feel so smart   :thankyou:

 

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19 minutes ago, Terrence Loves Me said:

manifesting no more folk, no more country, no more hippy love stuff, no more Elizabeth vocals and most importantly NO MORE jack , next album will hopefully be the return of classic cinematic rick knowles produced big bold depressing overdramatic low vocal degrading desperate controversial orchestral strings honeymoon esque MASTERPIECE , i know you're all thinking it :sass: anyway can't wait to listen to this again tomorrow, it needs to grow on me a lot more..

 

still waiting for an evanescence-esque album 

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5 minutes ago, Terrence Loves Me said:

breaking up slowly and for free

 

omg I love you! I needed that laugh! Just add some cheese to that broccoli or whatever the hell that is and it will be fine!  I know you can't pour cheese on the COCC CD ??? seriously though, what are your thoughts on TJF?

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Ok but help plz

 

mod note: user was warned for this post

Edited by admin
Requesting illegal downlink links to leaks of copyrighted content intended for official release through purchase & streaming is not allowed x

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1 minute ago, mypolaroidfrown said:

omg I love you! I needed that laugh! Just add some cheese to that broccoli and it will be fine!  I know you can't pour cheese on the COCC CD ??? seriously though, what are your thoughts on TJF?

Spoiler

honestly i can't even remember, is that the fuck it i love you reject? or was that dark but just a game, one of them sounds like fiily but i cant remember which, i think i liked TJF a little

 


                                                                                            7cf18f916c76496838bb078b36ed9708af32170e

 

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24 minutes ago, Terrence Loves Me said:

manifesting no more folk, no more country, no more hippy love stuff, no more Elizabeth vocals and most importantly NO MORE jack , next album will hopefully be the return of classic cinematic rick knowles produced big bold depressing overdramatic low vocal degrading desperate controversial orchestral strings honeymoon esque MASTERPIECE , i know you're all thinking it :sass: anyway can't wait to listen to this again tomorrow, it needs to grow on me a lot more..

 

I adore folk so much but YES bestie speak the truth

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1 minute ago, soaringHigh said:

OH one more thing!! Is it me? Or do I hear the left side to have the bassy notes more prominent? 


i heard that too! The stereo is kinda off on some songs but that might be the l**k? idk


 

do you ever just... gaze at horizons?

original.gif

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12 minutes ago, soaringHigh said:

So I caved and this album sounds so mature!!! I don’t understand people saying it’s monotone or boring but wow, this showcases her vocal abilities like I’ve never heard before. I really hope she’s very proud of this music because she should. This expanded the legacy of NFR in such a fresh way. It’s been such a long journey she’s come since BTD and the evolution is so welcome. Back in the day I would always catalogue one album above all others but ever since NFR came out I’ve come to the realization that each album has it’s very unique soundscape and sonic thematic. Each album a whole sentiment of it’s own. She’s up there with artists that have truly shown growth and maturity without the loss of their artistic identity. Just pay attention to the lyrical and thematical flow from BTD - HM where she explores darker themes and her attitude being more playful and that of someone that’s experiencing the rush of youth - naive and sometimes self destructive. Then walking into LFL, SUCH transition where she REALIZES something is wrong, I must say her entering adulthood and really delving deep into her dark aspects to pull out knowledge from that. Then we have the full circle complete with NFR! and COCC -> the former finding herself out of her dark past and kind of having one last look behind and preparing to explore new territories. With COCC, I am AMAZED of how confident she sounds, I mean she’s ALWAYS sounded confident but this leaves the “playing cool” attitude behind, all the masks and all the smoke around and sharing with us the journey she’s taken and where she’s finally gotten to: a peaceful and contemplative state of mind and the way this is portrayed leaves me in awe. Her voice feels so personal, like her voice hugging the listener throughout the album, esp on LMLYLAW which I never understood the hate for. This is what an adult who has learned from her past sounds like, and that folks we rarely get to witness expressed in such a poetic and endearing way. Lana stood the test of time in my heart; an artist I can truly connect to. Whether she decides to make this the last or she continues her journey, I am honored to have peaked inside her world. A truly misunderstood genius. If only people chose to pay attention to what she’s conveyed instead of her rushed and non-proofread posts they’d see she pours her heart out and never intentions to come off as what she’s being portrayed as. 


Thank you Lana, and please never let anything tone down that free and lighthearted spirit of yours.

You get it!!! 

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1 minute ago, Terrence Loves Me said:
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honestly i can't even remember, is that the fuck it i love you reject? or was that dark but just a game, one of them sounds like fiily but i cant remember which, i think i liked TJF a little

 

Spoiler

TJF has the white hot forever lyrics in it, I think it was originally white hot forever, but she changed the name to TJF. But I'm not sure. It's the only track I liked off the entire record honestly.

 

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