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Blue Banisters - Post-Release Discussion Thread + Poll

Blue Banisters  

889 members have voted

  1. 1. What are your favourite tracks from Blue Banisters?

    • Text Book
      239
    • Blue Banisters
      276
    • Arcadia
      264
    • Interlude - The Trio
      138
    • Black Bathing Suit
      488
    • If You Lie Down With Me
      427
    • Beautiful
      179
    • Violets for Roses
      277
    • Dealer
      465
    • Thunder
      478
    • Wildflower Wildfire
      328
    • Nectar of the Gods
      276
    • Living Legend
      318
    • Cherry Blossom
      227
    • Sweet Carolina
      262


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I really love the whole record. Unfortunately, due to Covid lockdown weirdness, I missed out on buying a LDR record on the moring of release for the first time since I became a fan just before Ulltraviolence, but streaming is serving ...


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Pitchfork's review is actually fantastic. Very thoughtful and detailed. They praise the shit out of Black Bathing Suit and Sweet Carolina and also love Text Book, Dealer and Beautiful. It's a very good score. I mean, we know how stingy they are. But the review reads like a 8.5+ actually. 

 

https://pitchfork.com/reviews/albums/lana-del-rey-blue-banisters/

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Almost done with Blue Banisters (song), really excited to see where the record goes after Arcadia/The Trio. The synths in BB are just stunning.

 

We made it :’)

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If You Lie Down With Me is my favorite for sure. I'm completely in love with it :wub:

 

 

LA LA LA LIE LA LA LA LA LIE 

IF YOU LIE DOWN RIGHT NEXT TO ME

lana-del-rey-lana-del-rey-tour.gif 


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1 minute ago, caughtuboy said:

listing the old versions of thunder, cherry blossom, and living legend as demos :paris:

I never could tell the difference between demo vs final of living legend and cherry blossom. 


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Just now, PatentLeatherDoOver said:

what are your top 5??

 

I'm honestly so hyped I can't decide yet but BBS and dealer are tops for sure


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Yeah pitchfork had some very nice things to say about her using older songs. 
 

Spoiler

Placed among modern transmissions like “Black Bathing Suit,” “Sweet Carolina,” and “Text Book” (“There we were, screaming, ‘Black Lives Matter,’” she reflects) are songs like “Living Legend” and “Cherry Blossom,” titles that have circulated among her fanbase in unofficial form for years. These recordings, which date back as far as the sessions for 2014’s Ultraviolence, constitute about a third of the tracklist, stretching the runtime past an hour and making the whole thing feel slightly unwieldy, off-balance, lacking the cohesion of her best albums.

 

And yet, these qualities also make the record stand out: a survey of Lana’s gifts, stripped of the aesthetic borders she often places around her work. It’s an approach that aligns her with the legacy artists she has always drawn from—Neil Young and Bruce Springsteen, craftsmen constantly digging through the archives to recontextualize their mythology. 

 

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