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The Right Person Will Stay - Pre-Release Thread (OUT: May 21st, 2025)

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3 hours ago, Americen Whore said:

I hope the songs Jack called “FUCKING BRILLIANT” is still on this album :oprah5:

..that was probably peppers, fishtail and taco flop :brigitte:


                                                                                            7cf18f916c76496838bb078b36ed9708af32170e

 

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17 minutes ago, Veinsineon said:

not laura s*sk  :brigitte:

 

no shade but she cannot mix lana's music for doodee... i used to think it was solely a jack thing, but theyre like an evil package...

I'm listening to OB again and the difference in clarity between Sweet and A&W :puzzled: Mind you, #she is not credited in Sweet. 


...and I'm happy for this day

No matter what you say

I don't have to be sad like you

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Realistically Laura would only be mastering the Jack tracks. That Henry snippet sounds amazingly clear, so I have hope someone from Luke’s team mastered their tracks 


"Don’t forget me"

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2 hours ago, Bonita said:

 

She mentioned wanting to surprise release Chemtrails once (when it was then titled White Hot Forever) but she did give us a date so

she’s like “i’m gonna surprise release The Right Person Will Stay! be ready to be surprised on May 21st”

 

but in fact there’s nothing coming the date she said and that’s the surprise (not so surprising by now)


0YnL0Kf.gif

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Hmm. Don't quite get the Sisk hate. Lana's vocals on NFR (the song) were some of her most crystal ever. Sisk can definitely record vocals well. She's winning awards for her work.

 

Fishtail was clearly a stylistic decision made by Jack/Lana, to give it a muffled, almost underwater sound. It's not like Sisk made a mistake.

 

Also, let's not forget Rick Nowel ruining Lana's vocals with reverb on tracks like Bartender and Tomorrow Never Came. You can hear the exact moment the reverb is switched on with every verse/chorus 🤦🏻‍♂️

 

Also, let's not forget that Lana likes to record her vocals outside the recording studio as of late, sitting on a chair outside. That certainly doesn't help.

 

But yeah, hoping for crystal clear vocals this time around. Henry definitely sounded promising in that sense.

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53 minutes ago, barttttender said:

Hmm. Don't quite get the Sisk hate. Lana's vocals on NFR (the song) were some of her most crystal ever. Sisk can definitely record vocals well. She's winning awards for her work.

 

Fishtail was clearly a stylistic decision made by Jack/Lana, to give it a muffled, almost underwater sound. It's not like Sisk made a mistake.

 

Also, let's not forget Rick Nowel ruining Lana's vocals with reverb on tracks like Bartender and Tomorrow Never Came. You can hear the exact moment the reverb is switched on with every verse/chorus 🤦🏻‍♂️

 

Also, let's not forget that Lana likes to record her vocals outside the recording studio as of late, sitting on a chair outside. That certainly doesn't help.

 

But yeah, hoping for crystal clear vocals this time around. Henry definitely sounded promising in that sense.

Ya people really gotta stop blaming other people for everything. At the end of the day Lana makes the final decision. 


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˖° ⋆.ೃ࿔ this is my idea of fun °⋆.ೃ࿔*:・

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1 hour ago, taco truck said:

Ya people really gotta stop blaming other people for everything. At the end of the day Lana makes the final decision. 

 

100%.

 

It's kinda funny. The woman (Sisk) mixed and engineered two of the most critically acclaimed albums of Lana's career (OB and NFR), and now she's Satan herself just because a few posters don't like Lana's vocals on certain tracks?

 

Like, how are we talking about Sisk and not Dan Reid and co.'s work on Blue Banisters? I've had colleagues at work tell me off for playing Arcadia which to everyone sounded like a cat being beaten through my airpods. The sound recording on most of those tracks is so first-take and unpolished, it's kinda embarassing. Blue Banisters had twenty engineers and mixers, according to Wikipedia, and to me, they still didn't do a good of a job as Sisk, all hands on deck.

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2 hours ago, barttttender said:

Hmm. Don't quite get the Sisk hate.

To me, NFR has some amazing songs that are ruined by Sisk. The album sounds flat from start to finish, nothing like albums beforehand. California should be one of my favourite songs because I’m obsessed with the melody, but it just feels so flat, like it’s been compressed. 


LORN - ANVIL [Official Music Video] GIF | Gfycat 

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1 minute ago, Get Drunk said:

To me, NFR has some amazing songs that are ruined by Sisk. The album sounds flat from start to finish, nothing like albums beforehand. California should be one of my favourite songs because I’m obsessed with the melody, but it just feels so flat, like it’s been compressed. 

 

That's a very bold statement. Out of curiosity, what did you think about BB's mixing and engineering?

 

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