PatentLeatherDoOver

Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
 
The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
 
“In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
 
The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
 
She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 
 
Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
 
The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
 
“In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
 
The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
 
She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 
 
Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

omg wait this is very true….I think we won!!
 
BoZ’s sudden praising of Lana, the new acronyms, Neil telling Lana he’ll see her soon, Ben previously saying the album is nearing completion, confirmation about a FJM collab….it’s all coming together
 
I doubt any announcement will come this year, but I honestly think it’ll happen when we least expect it…

Remember how Lana likes to end her records in a way that segue into the next? (Like, “out of the black, into the blue” -> “You make me blue” etc.)
 
Let’s think about how Lana ended her last album…
 
”Closer to you than your next breath, my dear.” surprise announcement confirmed!

LDR9/X A RETURN TO THE  SPARKLY TRAILER PARK INDEX CONEY ISLAND SURF NOIR DISCO BALL DIVE BAR DARLING TIDAL WAVE TIARA WEARING SUNDRESS SLIPPING SWEET BUTTER SERENADING DINER DAMSEL JESSICA RABBIT ORCHID BOSS QUEEN ETHEREALLAH PUSSY MAGIC MUSIC

So the first week of December it is 
October 10th 

Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
 
The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
 
“In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
 
The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
 
She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 
 
Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

Remember how Lana likes to end her records in a way that segue into the next? (Like, “out of the black, into the blue” -> “You make me blue” etc.)
 
Let’s think about how Lana ended her last album…
 
”Closer to you than your next breath, my dear.” surprise announcement confirmed!

omg wait this is very true….I think we won!!
 
BoZ’s sudden praising of Lana, the new acronyms, Neil telling Lana he’ll see her soon, Ben previously saying the album is nearing completion, confirmation about a FJM collab….it’s all coming together
 
I doubt any announcement will come this year, but I honestly think it’ll happen when we least expect it…

Remember how Lana likes to end her records in a way that segue into the next? (Like, “out of the black, into the blue” -> “You make me blue” etc.)
 
Let’s think about how Lana ended her last album…
 
”Closer to you than your next breath, my dear.” surprise announcement confirmed!

Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
 
The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
 
“In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
 
The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
 
She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 
 
Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
 
The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
 
“In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
 
The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
 
She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 
 
Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

This is more chaotic than the Watercolor Eyes thread prior to its release i fear…
 
manifesting a moon texture vinyl for LDR9 also

Personally, a high-quality, AI-generated album cover would be a neat concept—like one that has careful input/suggestions for the final photo and is influenced by the art of retro-futurism. 
 
LFL’s visuals clearly had some inspiration from retro-futurism (like the photo below), but…
 
I think it would be cool to see a darker perspective on this—bleaker, more apocalyptic, angry, etc.
 
I like the idea of having synths, organs, and “spacey” orchestral pieces over reverb-heavy vocals. Because of this, I am once again manifesting a Hans Zimmer collab

omg she commented on neil’s latest pic on ig & he replied “see you soon” WE WON

Anyone remember one of the insiders post a series of emojis, one of them being a disco ball and fireworks...?

Omg….

don't know how mine ended up like this but i love this idea
 

this was like a couple days ago so it's not fully current but i'm lazy

Nikki made it to the covers record upon LDR9’s double-release where she and Lana cover the Charlie Daniels Band’s The Devil Went Down to Georgia right before Lana’s Dealer-esque cover of Jolene

Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
 
The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
 
“In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
 
The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
 
She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 
 
Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

Nikki made it to the covers record upon LDR9’s double-release where she and Lana cover the Charlie Daniels Band’s The Devil Went Down to Georgia right before Lana’s Dealer-esque cover of Jolene

Does anyone remember how long it’s been since BoZ randomly started praising Lana & mentioned a “masterpiece”?
 
He said it would probably be a couple of months (iirc), and he was probably overshooting the date to be safe if it was about Lana, especially given his past comments about her releases…
 
I feel like we have so many indications something is about to blindside us but also none, and it’s maddening

in case anyone needed an agnostic existentialist anthem / bittersweet love song