onlygirlonearth

A lot of people who have listened to the leaks today have already pre ordered her album. I don't think it's as harmful to Lana as some stans make it out to be. I'll still be streaming COCC on Spotify regardless of listening to the album early 

i have attendments I must occur throughout the afternoon into the night and as a result I'll be finding my way atop an observatory overlooking the city and will meditate myself in essence of the song....you'll get my doctrines then.

do i start looking at pictures of my ex while i play this? 

i still hope there's a 3rd picture disc and more merch. imagine a picture disc with the LITHO PRINT UGHDSGFJKHdz; i'd 100000)000w3o54390% buy it please take more of my money
 
i can't wait until next friday i'm literally so thrilled 

Please no, we're not too many mods at this website and we can't be online 24/7 to check that no one breaks the guidelines, one thread is enough.

Never got the hate for Let Me Love You. Vibing right now.

I just wish she was as passionate about an album as she was for Ultraviolence. Girlie did not take off that black eyeliner for an entire year.

expectation: washing my hair doing the laundry etc
 
reality:
 

 
what if she also bring this back for white dress music video

the fact that she's going to sing in her higher register on yosemite... and it's a sweet acoustic guitar track about being in love... maybe this era really is the revival of lizzy grant...
 

Am I the only one that finds “ not all who wander are lost” to be such a cringey title. Like I could see that on a canvas on a sorority girls wall ?

AS LONG AS WHITE DRESS HAS AKA INFLUENCE ITS GONNA BE BREATHTAKING 

girl..... Lana really needs to drop white dress so y’all can stop acting like lunatics 

I think LMLYLAW's a beautiful song. it really is more like the second supp part to MAC. and the chorus might sound generic, but ultimately, it's a song that knows how to forgive for someone else and can strangely be self effacing, as the perspective of the song is real versatile. 

let me love you like a woman = in a way you understand 
hold you like a baby = make you feel safest how a child would

(but if you don't/can't,) 
lemme shine like a diamond = let me be my best 
be who I'm meant to be = if you can't appreciate me, I know someone else will, or even I just myself will 

gives patience, and gives chances, even if she already has doubts that she keeps to herself. 

which then spills into last attempts based off attachment n history to an abrupt ending that doesn't show her true pain (as an act of mercy).

it's filled with a lot of care and just needs to be decoded. also, the song can easily be sung thru different perspectives that could conglomerate to multiple and amplified meanings. 
that and it's loose complexity and groovy spacey undertones'll make it a career highlight that mature and more forthcoming fans'll love later on. that's a fact. 

She definitely sounded a little uncertain about it in multiple parts of her Mojo interview. 
 
“She says she finds listening to the new album ‘a fight’, conceding that she’s offering a pre-emptive critique. ‘It wasn’t so much that I though the songs fantastically fit together with like seamless, sun kissed production -- but, you know, there’s a life lived there.”
 
Also the way she spoke about her vocals in White Dress. But, as the magazine stated right after, and Lana agreed with, the ‘not great’ vocals on the chorus absolutely fit the tone and message of the song. 
 
It just seems she’s nervous about the content of the record, and the way it will be received after the widespread success and ease of Norman. It’s her easiest album to get into, and provided a taste of that success and praise she didn’t get before. Though, she said in the interview that she felt people were into the record, not necessarily into her as an artist. The Mojo article gives great insight to the assumed nervousness/paranoia she has after years of being discredited and mocked publicly. Understanding how that’s affected her self-perception (idk if it has, but I think it would) and her art is important to understanding her as an artist and human. I do hope that one day she won’t feel like she has to bring it up during interviews, because to some extent it keeps it alive and fresh into each era, among other things.
 
Based on what we know and what the interviews show us, Chemtrails is going to be an emotional stunner, raw and unexpected, the same way UV was after BTD. Seriously cannot wait!!  March 19th please get here quickly 

where is the love leak energy? i expect to see flyers of white dress scattered around LA in the next 10-15 minutes. 
 

How am I going to listen to Tulsa Jesus Freak without thinking about this 
 

what a great interview!!! it actually sounds like they respected her for fucking once. and she seemed fragile but realistic, but almost uncertain about things. i can't wait for this album to drop so we can see where she'll go afterward. hmm....

I find it interesting how she said listening to the album is a “fight” 
wondering if it’s because it’s a vulnerable masterpiece 

Lana is getting heat for spitting out a take that’s not a typical “I condemn Trump and leave at that” or the more hypocritical “both sides” that Matthew McConaghey, Chris Evans etc were doing. This take isn’t even new from Lana. She talks about it in Violet. 
 
Sociopathy has become a function of American politics. There have been many articles and books written about this angle. 
 

Of course Annie got uncomfortable as it went on, but people are acting like Lana turned to politics completely unprompted while Annie tried to discuss the music. Asking about 2020 is a loaded question, of course she's going to get into politics. She just didn't do it in as streamlined and concise of a manner as people would have liked, but her points were totally valid and she has every right to express them.
 
Complex is too major of a publication for total trash clickbait headlines like that, especially given the long relationship they have with Lana. It was completely disrespectful and tasteless.