lili

It doesn’t really matter that her albums do less then peak. She’s a Rite of Passage artist, her catalogue gets millions of streams ( the hits and a lot of the non hit backlog). It doesn’t matter to the label that she makes quieter albums now. They still do well objectively, sell a lot of vinyls, and has an avid fanbase that streams her music constantly. She has made them so much fucking money. She’s in no danger of getting dropped. The label is fine to let her be bc 1) they know she’ll walk if they try to control her 2) all parties are happy with the status quo and they aren’t gonna risk fucking with that.
 
so at the end of the day Lana will release whatever she wants , and any suggestions by management or the label will probably about single choices and promotional things. Strictly the business side. Lana runs the music part eith an iron fist as she should. She has all the power and she knows it.

Shades of Cool, Shades of Cool, Shades of Cool. Everything about it, don’t know even how to express

i mean she’s not stupid she knows that the wall is extremely distorted, idk i have a feeling she made it obvious on purpose

She’s sooo random 
 

I don’t know if she edited them or not and honestly I could’t care less. We are human. We sometimes edit our pictures. 
 
Also, honorary eight-grader forever 

she’s human, when people constantly shame you, even if you love yourself you’re tempted to do this sort of stuff

Shades of Cool, Shades of Cool, Shades of Cool. Everything about it, don’t know even how to express

From Chemtrails: 
-  The outro of Chemtrails, especially the video version with siren vocals
- All the production details in Dark But Just A Game
- The general heavenly ethereal feel of Tulsa Jesus Freak 
- The first chorus of Wild At Heart just sounds so epic and hits so nicely. 
- The beginning piano of White Dress hits really nice too. It's refreshing from the usual piano chords in her ballads.
 
 
From Blue Bannisters: 
- The Trios beginning before the beat drops (even tho I love that too)
- The brass in If You Lie Down With Me
- The whirring strings at the start of Thunder
- The organ at the end of WFWF
- The second verse of Text Book. Production is so good and it makes me think of Nancy Sinatra.
- All of her vocals in Dealer, just done perfectly. And the slow beat too. Miles has really done wonders with their collabs. 
 

From Chemtrails Over The Country Club:

You're in the wind, I'm in the water
Nobody's son, nobody's daughter

The lyrics themselves as well as Lana's delivery are nothing short of incredible. One of my all time favourite musical moments in her discography. 

I still think of the Young and Beautiful "diamonds" note from time to time. The resonance, the ethereal sound of it 

Proof that Kurt Cobain can sing nonsense and it’s still the gospel.
 
Notice how he’s good at pairing spoken sound with music. He hasn’t written the lyrics yet except a few lines, still he knows instinctively what it should sound like, how it should flow… Love him. ♥️
 
 

Stop it with the NIN, I'm dying!!  This is one of the best love songs ever made, I don't even care what anyone says 

Out of respect, she didn't want to make headlines by namedropping dead artists.

She hasn't even put up any poems yet
She won't be able to help herself and will put up 85% of the book on ig before it drops
She's started with the rando pictures, though

mom. Are you dropping this book or NAH?

And Disco!
Trash Magic, Pin Up Galore and Disco (and Yayo) are the essential Lizzy era songs. Along with these looks:
 

I think guitar has a different vibe that just matches her better. I can think of several incredible guitar songs instantly (Yayo AKA, You Mister, Fordham Road, Chelsea Hotel No2, Nectar of the Gods, Living Legend, UFB, Summer Wine, Yosemite, Pawn Shop Blues etc etc) but piano songs on that level? Idk. Most are boring to me. 

i love swan song 

Yes! I love both so much. And the way she manages to make them her own! You can tell the influence quickly, but it's still her. Amazing  

if the delivery and inspiration is on point and the songs are well written, then i believe she can work on whatever genre she likes. but of course i’m here for any insider to challenge me with some tea

imagine a neon mermaid psychedelic vibe for the visuals and the grungey rock sound from the Rich Whores session

thats why im always positive about her, it dont matter what genre she picks, she will do it in her own way, like her covers, they're brilliant!

Yes! I love both so much. And the way she manages to make them her own! You can tell the influence quickly, but it's still her. Amazing