Sportscruiser

Tearing up with Margaret, bye.

Tearing up with Margaret, bye.

I’m screaming.

I’m screaming.

I’m screaming.

i never said that! ocean blvd is my friend 

I’m screaming.

Maybe from their seat within the confines of the bathroom stall that's honestly what they heard.

I’m still intrigued by whomever publication that called Candy Necklace roadside glitch-pop. What was up with that?

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

I’m still intrigued by whomever publication that called Candy Necklace roadside glitch-pop. What was up with that?

I’m still intrigued by whomever publication that called Candy Necklace roadside glitch-pop. What was up with that?

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

I’m still intrigued by whomever publication that called Candy Necklace roadside glitch-pop. What was up with that?

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

I’m still intrigued by whomever publication that called Candy Necklace roadside glitch-pop. What was up with that?

It’s my fav Lana song so it’s not like I’ve stopped listening to it but this has always put a dampener on it ever since..
 
basically when I was 16 I got a boyfriend for the first time (via Reddit which makes it worse omfg) and when we met irl it was pouring down with rain and we were sharing some wired earphones and when she sang “kiss me hard in the pouring rain” we kissed and now whenever she sings that I just remember my kinda ugly Reddit boyfriend I had for three weeks..

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.