Jeanne Dielman

BOZ:
 
the track titles are so ugly and make no sense narratively without hearing the songs

yes it's because the ending number is unique too i think
i found it in the code of the apple music album where all the tracks are listed
tho i've never seen someone share these links to the specific tracks. like, could this maybe be helpful in some way or?

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

the only ones that could be that magic moment are tracks 4 (AW), 5 (Pastor), 8, 13 (Bleachers collab) or 16 
no not even another gate 

The only NFR track that could be described as an "absolute fan favourite" is Venice Bitch. Didn't Kintsugi say that Track 16 is major and has an outro for the books? Perhaps the song closes with a psychedelic instrumental that features a sample from Venice Bitch? 

Oh, yikes. I guess this is the title then, lol. It's strange though. Track 12's title seems far longer on that blurry tracklist, and I doubt she's going to add "feat. Father John Misty" based on what BOZ said regarding the album's features yesterday. 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

The backcover mockups weren't ready on the announcement date and she just forgot about it I'm sure 
 
It makes no sense to blank them out on her web but have them show a couple of weeks later in a lq gif if she really wanted to hide them (cause why put the effort in scanning the real back cover even if it was going to be impossible to see properly).
 
I'm sure we'll get it when we get hq previews of everything the vinyl has 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

Antonoff described this song as their "magic moment". I wonder which track it is.
 
 
Track 8 perhaps? At first I thought he was talking about A&W or the closing track (I highly doubt this "magic moment" song would be the Bleacher collab or the pastor interlude or track 14 which has a sample from AK), but it seems that it's another "automatic writing" type of song à la Fingertips, which is track 9. 

The fact that the retirement fear chatter has been going on since she was barely 29. This woman is insane (in a good way) and will be making music until she physically can't. And you can believe THAT! 
 

SAME it's so, so, so, beautiful I never thought she would be able to top the UV album cover until the Blue Banisters standard edition and Ocean Blvd came. NEIL KRUG WE LOVE YOU!!!

when the next single is Fingertips and the music video is in black and white of Lana walking around her bedroom. 

i know we say this about every album cover every time an album comes out (except for cock) but this one might be one of my favorite ones if not my favorite. the intimate vibes the beautiful b&w vintage filter the credits on the side 

(Last comment on page 89!)
https://atrl.net/forums/topic/422755-lana-del-rey-did-you-know-that-theres-a-tunnel-under-ocean-blvd/page/89/#comments
 
 
 

It proves that Kintsugi has the album, otherwise they wouldn't be able to share the link.

If they made her announce the preorder 3 months in advance they will for sure make her release a single before the album. The question is when 
 
She has time to even put out another 2 songs (one now and another leading up to the album release) but maybe since she's probably releasing it without an announcement we'll have to wait until the same day she puts out the single 
 

im a firm AMERICAN WHORE & JAZZ believer

Time will tell 

Yeah, I think it’s part of why people are so agitated, because they’re still operating on the patchy terms of promotion and communication of previous eras despite her undeniable prolificism - it’s a contradictory dynamic to be sure. This straightforward schedule is relatively unknown to us. I also low-key think this might be about it. Maybe we’ll get a music video. Maybe a magazine interview, but realistically what else could she reveal to us through an article that she  won’t (or hasn’t already) musically? All I care about at this point is that she’s well, and listening to this album on repeat for the year.
 
 

when the song sampled is either LA Who Am I To Love You, Salamander or SportCruiser