Jeanne Dielman

i personally think she loved watching our conversation about her feet and foot fetishes and how they might relate to ocean blvd 

I’m actually terrified of Lana telling me to fuck off or that ‘I’m not a fan’ even though those exchanges are Iconic I’d feel devasted and in tears to be on the receiving end given how much I have loved and adored her for a decade.  I seriously hope she doesn’t read Lanaboards cause she’d be deeply offended by some discussions here.   

none

Honestly she shouldn’t have opened her acc that often. For a while after she closed ldr and switched to hm the comment section was beautiful, thoughtful and actually related to the posts and Lana was interacting happily too. I especially loved it when she wrote personal stuff in long paragraphs and fans would read and comprehend and reply, really showed the bonding.

Lana when she drops LDR9 and track 12 is You Know the Addy - Question for the Culture part II

i think the opposite is true, i think she really loves it, but can't seem to get it right production-wise, i mean, wasn't it rumored that she tried again with it for blue banisters? (i don't know what songs were and weren't considered for blue banisters at this point ) if not, we now know she sent the songs to multiple producers for lust for life, i personally don't think it's her most amazing, groundbreaking track, but it's a nice, sweet track, i can totally see why she likes it

I hope one day she says she hates the song so these annoying fcks can finally shut up 
lol help why am I so mad abt this

especially on a post dedicated to the late daniel johnston... i bet she gets annoying ass comments like these all the time because i just have this impression that a lot of her fans, especially on social media, are just very obnoxious

lana removed someone for telling her to release yes to heaven, as she fucking should. it’s one of the top comments with almost 200 likes  she’s doing her own thing and doesn’t need a bunch of tiktok mfs telling her what to release, especially since it’s unrelated to her new album. 


(btw this isn’t fake i checked his following and honeymoon is not on there lol)

I think she is! At the beginning of the BB livestream she said she was listening to "Don't Forget Me" by Harry Nilsson and that would be important later. That was in 2021 and here we are a year and a half later with Tunnel. I wouldn't be surprised at all if she's already working on LDR 10. 

I actually think BTD-UV-HM-LFL are a saga. Then NFR starts a new saga with COCC-BB-DYKTTATUOB.
I also really don’t think the sample will be from AKA. It’s most likely something from NFR (the song) since it’s on the last track of this album. It would kind of tie up the “saga” from NFR-OB.

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

The only NFR track that could be described as an "absolute fan favourite" is Venice Bitch. Didn't Kintsugi say that Track 16 is major and has an outro for the books? Perhaps the song closes with a psychedelic instrumental that features a sample from Venice Bitch? 

Kintsugi: she sampled a fan favorite
 
yall: Brite Lites! ☺️

Kintsugi: no..an asbolute fan favorite
 
yall: oh put me in a movie!! 😍
 
Kintsugi: no please listen to me, an absolute fan favorite !! ABSOLUTE fan favorite! Like the fan favorite of all fan favorites ever !
 
yall: Sounds like pawn shop blues! 🥰
 
kintsugi: I..no...
 
yall: Gramma🙈
 

Yes, they said they were "shocked and surprised" upon hearing it for the first time 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

ive had some thoughts on this too .. like obviously its a cute little double entendre & maybe its rly not that deep but its still interesting to look into A&W itself:
a fast-food chain that started out in California specifically def ties into the Lanasphere - mother is obsessed with anything California-coded & is constantly comparing herself to places in California.. Wikipedia also says its the oldest food chain in America which I think is somewhat worth notinggiven the themes of the title track.. "dont forget me", seemingly a fear of aging etc.
 
I guess besides that, its obv less crass than "American Whore", none of Lanas titles are really straight up crass like that (minus FMWUTTT ...maybe this ruins the theory) even if the lyrics are.. thinking G&M, Cola etc. so maybe that influenced the choice too? ahhh idk, just some random thoughts- but i cant wait to hear this track
 

Yeah if she deliberately chose A&W instead of the full title or a standard AW acronym it has to be in relation to either that chain or the beer (?). I'm not from the US so I'm not familiar with those things but it makes sense for her I guess 
 
It's definitely not for censorship reasons tho since NFR, FMWUTT, VB etc exist and she cares about that stuff less and less with every era so I'm really curious about her real reasoning but your theory makes sense too as a little homage 

I lowkey think she made it a&w to not allow there to be immediate venice bitch comparisons since the titles are very similar 

i usually dont take these kind of things seriously when it comes to lana cause they always end up being strange coincidences but this is too specific to be a coincidence like?? in the only two pics we have from chuck SOMEHOW her hair is IN THE PERFECT POSITION to ONLY SHOW TWO LETTERS that are AW 
 
A&W IS COMING 

I feel like it’s inevitable for her to include the storms occurring across California either in her new music or poetry after TUOB  excited to see it 

More like A&W, aka three letters, aka three days!! 
 
WAIT THAT IS THIS FRIDAY LMAO

this photo being posted yesterday.. AW showing
AW=American Whore
American Whore has 13 letters……. 
ITS COMING THIS FRIDAY THE 13TH CONFIRMED

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

Oh, sorry. It's the February 23 post with the "I just don't careeee" caption!