Jeanne Dielman

Grandfather, please stand on the shoulders of my father while he's deep sea fishing 

Yes, and BoZ said he almost saw the correct one, it has to be this one. It also was posted yesterday.

I kinda love the deep sea fishing title, you just know it's going to be an emotional stunner  

I can't believe it's gonna be the giant d*ck thing because to me that's the most ridiculous one  

I'm glad the second half seems to be as good as the first half! Most of her albums tend to... have the last tracks not be as astonishing as the first tracks (except for HM/NFR)

Half the album? Iconic 

girl…

Collapse 
 
it seemed like everyone was focusing on the first songs now we have two people saying the second half is the best
 

CUNTSUGI IS HERE 
 

AHHHHHHHHH 
 
I love you king

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

(Last comment on page 89!)
https://atrl.net/forums/topic/422755-lana-del-rey-did-you-know-that-theres-a-tunnel-under-ocean-blvd/page/89/#comments
 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Would you say that tracks 9-12 are the best sequence of tracks on the record? @Kintsugi

We crave for new infos cuntsugi

yeah whatever, you and I have had this argument about the NFR sound time and again. Your blind faith in Jack is cute, yet distressing. Wait until you hear the album before you jump to conclusions.