Jeanne Dielman

There isn't a single Lana album that I dislike but Tunnel definitely feels more thought out and interesting due to a wider palette of inspirations, sounds and instruments used during the process.
 
 
While I do like most of COCC tracks you can tell they could have done way more with them. White Dress feels like a lot of wasted potential to me because the melodies are glorious.

and by that we mean you too @Xenoblade 3 

All opinions are welcome here, positive or negative because this isn't a cult, but if I was in someone else's shoes and haven't enjoyed an artist's musical output in half a decade, maybe I would find better things to do with my time than trash that artist everywhere I could 

DRAG THEM KINTSUGI!!!!! This is why i have been kintsugi truther since DAY 1 💯💯💯
also @Kintsugi please please tell us something from the GPS acronym i can’t sleep at nights because of it

@Kintsugi while you are here can you give a hint where we should look for the long acronym? 

BoZ said A&W was unprecedented. He’s familiar with Lana’s discography, so I doubt the presence of trap beats alone make A&W experimental. 
 
Also, unless one has heard the album, how can assumptions be made about how they’re woven into the record, much less about why Lana chose to incorporate them?
 
If someone doesn’t like trap beats or the samples she used, that’s fine, but making broad assumptions about unheard tracks and their compositions is nonsensical. 

sportcruiser really prepared the grave for Jared and king kintsugi really buried the bitch 

as usual Kintsugi aka the best insider SPILLED 

and I OOP! King Kintsugi has had ENOUGH

It's astonishing how easy it is for you to tear Lana down without actually hearing anything off of the new record aside from 2 crusty snippets and one single (which has shown a massive upgrade from her latest 2 records already). What you're saying couldn't be more wrong. The samples aren't as obvious as you think they could be, Lana is touching new grounds while delivering something new for her and despite this being her 9th album she's still proving herself to be a true one of a kind visionary. It's funny how you've assumed this bullshit after 2 of my posts which were vague at most on purpose. @Sportscruiser summed it up pretty well so I'm not going to continue but you should be embarrassed.

3 out of 16 tracks 

(Last comment on page 89!)
https://atrl.net/forums/topic/422755-lana-del-rey-did-you-know-that-theres-a-tunnel-under-ocean-blvd/page/89/#comments
 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Get Free is her very best closing track. 

(Last comment on page 89!)
https://atrl.net/forums/topic/422755-lana-del-rey-did-you-know-that-theres-a-tunnel-under-ocean-blvd/page/89/#comments
 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Guess this is safe to say no one on here has guessed the titles

Jared contains multitudes, he simultaneously strokes Jack's artistic dick, while expressing disdain for what Jack is actually known for within Lana's work. 

Not only that, but he's acting like he's heard the song already, which he hasn't, and pretending that it isn't produced by his king Jack 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

BOZ:
 
“You know what Shania Twain did to reveal her album tracklist? She put on her site blank spaces to fill with letters like "_ _ _ _ _" and have the fans guess the titles, if someone did, they would unlock. Sounds like a perfect game for Tunnel considering how random the titles are”

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it. 
 
 

Cuntsugi told us that all of our attempts at deciphering the acronym have been fruitless, so someone who *does* know the title of the track must have posted it somewhere (probably on Twitter, given that BOZ probably searched for it and found it randomly a few days ago).  Ladies, this is our Sherlock Holmes era. We have to investigate.
 
Not surprised by the fact that BOZ adores Side C so much. And I'm so happy that he loves the instrumentation on both interludes. At this point, given how much he's warmed up to Track 5, I guess that the only track that he doesn't like is Track 13 (Bleachers collab). 
 
Anyway, BOZ said that we should press play on the album "with an open mind and without prejudice", and I think that this is the most crucial piece of info we have. Cuntsugi confirming that the album is singular, wild and experimental with a variety of very dark and very fragile songs is quite reassuring, too. This will be her most personal work to date, potentially her defining artistic statement, and I am here for it.