Jeanne Dielman

Candy Necklace, A&W, Fingertips and 3 more!

BOZ said there are 6 songs on the album that are 5+ minutes long.

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

I don't think that BOZ meant that we won't be able to enjoy the tracks as standalone songs - I mean, he's already singled out A&W and the track with the long title as two of her greatest songs -, but that there is a certain thematic/narrative cohesiveness and/or sonic/lyrical progression that makes everything work a lot better in context. 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

There's a message from @lustforlife on debris  It's almost certainly fake (and not from him) but at least something to talk about.
 
 

This is literally the definition of too good to be true lol

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

RIOPY is a French-born and London-based British composer. I wonder if Rob's random travel to London last summer had something to do with the recording of Track 11. 

He clarified that it's just his subjective take on it and that we might actually dig the track. If I remember correctly, he dislikes Bleachers and Antonoff's voice in general, lol! Don't forget that he absolutely hated Dealer and that one turned out to be the fan favourite track (and viral hit!) of Blue Banisters. 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.
 

Lana has the second single snippet in her IG drafts but has to cancel the post every time the scat troll gets executed 

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

RIOPY is a French-born and London-based British composer. I wonder if Rob's random travel to London last summer had something to do with the recording of Track 11. 

Lana do something your community is begging for shit porn again 
 
Although every time it does happen it is literally always followed up by news so....

Sweet is giving orchestral sister of Cherry/White Mustang/Fuck it I love you/Love song/Tulsa Jesus Freak vibes, tbh. It'll probably be a (relatively) short track - definitely under 4 minutes, IMO - and will probably be overshadowed by the lengthier and wordier tracks of Side A, but Lana never puts a filler song near the top of the tracklist, so I think it's going to be nice (BOZ likes it so there's that). 

Yes, BOZ said that, while the title track is a generally good representation of the (orchestral) sound and lyrical content of the album, Lana shouldn't have released any singles, because none of the tracks work as standalone singles. Apparently one should experience the entire album without having being "teased" by a track beforehand. I think that it's a very intriguing observation; I know that BOZ loves cohesive projects, so it's interesting that the album has been described as wild, chaotic, poetic/conversational/wordy and with a lot of sonic variety, but doesn't feel messy. It's the first time I've heard someone describe a Lana album that way - that it works better as an experience -, so I'm very very excited about it.