Jeanne Dielman

her hyping up the fingertips song in the letter yup yup i know that's right

People comparing this song to LMLYLAW are really lazy.

finally listened to the single....... wow. 

BOZ confirmed the pastor is only on an interlude 

Lana has sung about God since the beginning of her career and it's never been cringe, I'm sure she'll find a way to make the pastor's inclusion tasteful and relevant to the album's story.
 
Also I can't listen to the song until after work because I have way too many distractions to immerse myself but in 5 hours I will be down by the lake ascending and I truly can't wait!!!!!!!!!
 
The album art is fucking STUNNNNNING wowowowoowowooowowowowowowow

That illustration with her titties out is actually gorgeous I wanna get it tattooed 

Good? Babe, it's HEAVENLY. Absolutely stunning, gorgeous, lush, beautiful vocals. I couldn't have asked for anything more than this, it feels like I'm listening to Venice all over again, I'm getting the same feeling as then.

K but the opening piano…the strings…the deep breath
 
I lowkey wish this was the album opener

he should spill the beans on the rest of the tracklist. just tell us titles, bc i wanna know and it's bothering me that we have preorder info without it

God all I can say is that I'm so glad I woke up when I did. My subconscious KNEW  
 

BOZ said 2 interludes

so… is plastic bags the opening line? like I could picture her trying to get P*tty attention…

.
 

lmao I think that "pastor" was code for Father John Misty. 
 
I cannot believe that we're getting 16 new tracks. And she wrote them all in less than a year. And there's rich and grand instrumentation, but variety as well. And it's a top 3 album according to BOZ. She's amazing. 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Omg wait yes. I can actually picture the guy saying something like the beginning of the NFR trailer!

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

I bet the pastor collab is the interlude lol

Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes
 
and interludes.... 

Based on the credits: (also these are songwriting, not production credits I believe)
 
 
1. The grants (Lana & Mike)
2. Title track (Lana & Mike)
3. sweet (Lana & drew)
4. A&w (Lana & Jack)
 
7 or 6 is Rockefeller. 
 
15 is Tommy genesis collab

Album credits: