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TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

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2 minutes ago, Poor Stacy said:

 

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I can't wait for the rest of the "I miss Born To Die Lana :poordat:" fans to just... GO. I wonder why they're still holding out. She was cute and did what she had to do, but she's never coming back. 

 

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Spoiler

I totally agree! We know her true roots lie in AKA/COCC bluesy genres. And now that she has the fame and recognition she won’t ever go back to BTD/P sounds. (Btw I’d love and be curious to hear a modern matured BTD sound, but I’m not ever expecting it) 

Spoiler

Or matured UV sound

Spoiler

Or matured HM … you get the drift

 

 

 


By the way, thanks for that, on the way, I'll pray for ya
But you'll need a miracle
America

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the way it's somehow easier to wait for the album now that it has leaked? not that i heard it, but just, before it leaked, we were all tense and there was so much apprehension, and now that it's out it's a bit like it can't change anymore? like either you make the choice to listen or you don't but either way you don't really care if white dress gets released or something

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6 minutes ago, Corona said:
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I absolutely hate seeing Lana get so much shit no matter what she does.

 

When she releases older songs - "She ran out of ideas, she had to add fillers!", but then twitter stans would get mad at her for not releasing older leaked or teased songs:wtf2: 

 

When she teased the hell out of NFR with snippets everyone complained the album had no surprises, now with COCC stans are saying there should have been MORE snippets, the clownery of it all...

 

No matter what anyone says - Lana is an authentic, true artist. She does what she wants the way she wants and we should be appreciative of that. We had a masterpiece album a bit more than a year ago, since then we had a poetry book (+the audiobook version), several droplets (like covers or the Hallucinogenics collab). And some have the audacity to say that she's lazy because the album has only 11 tracks and 3 of them are (supposedly) rejects from older projects. 

 

I know that what I'm writing is basically pointless because that's the way this fanbase has always been, but I just can't understand why y'all are constantly trying to diss Lana instead of enjoying her art if you like it or simply ignoring it if you don't:(

 

Spoiler

Don’t forget how 50% of people complain she never changes her sound/ all her songs sound the same. And the other 50% complain about it not being BTD 2.0

 


By the way, thanks for that, on the way, I'll pray for ya
But you'll need a miracle
America

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I love the way she’s going tbh. I love BTD and UV but I think if she did something like that this days it wouldn’t be genuine because she’s not in that mindset and won’t be there anytime soon or ever again 


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51 minutes ago, Ultraviolencequeen said:

Like also- why aren’t these fans maturing at the same time with her like damn. Time has elapsed. When I was 17 driving around listening to the Lolita songs I was a very different person then I am now. When I listen to BTD era it’s still insanely iconic but it’s a memory of who I was when I was young. Like we all gotta grow up sometimes and our priorities shift and we aren’t trying to only get sugar daddies- We are reflective and want fulfilling lives along side of her!

I wonder if they’re the kids that listened to BTD when they were like 10 and haven’t developed much as a person yet, or if they found her music recently, are still fairly young and just prefer her BTD sound and lyrics...

 

48 minutes ago, LemonadeHeavens said:

...it's also sad that a large portion of the fandom is still stuck in the born to die era... :azealia:

Maybe it would help if Lana played less BTD songs on tours. :hooker:


48K6p1K.gif    70SP18s.png

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2 minutes ago, Dominikx4 said:

a friend just told me she saw a huge COCC billboard in London and it sais "out now" lmao

 

can you ask her where exactly I need to see this shit for myself :ma:

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for those who chose not to listen to the title track and/or LMLYLAW i am so envious of your willpower– i have absolutely no ability to judge them in terms of the rest of the album since i'm automatically more interested in the songs i haven't already heard a bunch. tbh it'll prob be months before i'm able to make a somewhat accurate ranking of the songs– i love both COCC and LMLYLAW but can't see the forest for the trees bc they already feel way more lived in to me than the other songs. i knew this would be the case from past album release experiences but again, i just can't stop myself from listening to new music the second it comes out!


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11 minutes ago, IanadeIrey said:

@Clampigirl that spoiler you added for my post was a line from Violet, not Chemtrails! <3 I haven’t listened to the album, sorry for any confusion! :kiss:

Oh, uh, my mistake, lemme find your post and try to undo it. x) I didn’t read it too carefully since I try to avoid spoilers too. ^^’

 

edit: done! My apologies.


48K6p1K.gif    70SP18s.png

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3 minutes ago, Brooklynbaby said:

Do we think we’re getting an album trailer this era? :mj:

unfortunately no. i assume we would have seen it by now if there was one

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54 minutes ago, Poor Stacy said:

 

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I can't wait for the rest of the "I miss Born To Die Lana :poordat:" fans to just... GO. I wonder why they're still holding out. She was cute and did what she had to do, but she's never coming back. 

 

aOaIzH2.gif

Spoiler

the entire unpopular lana opinions thread is full of these people :bebe: it's getting embarrassing at this point 

 


UguUCJc.gif

leak the barrie-james co-written songs + elvis (2013)

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Listen I get everyone's disdain for the BTD era, but it's still possible for the sound to be there, just minus the problematic Lolita lyricism. It can work. Personally I'd still LOVE for Lana to delve back into the orchestral genre in the future as I genuinely believe that's where her voice shines the most. Even before I was a hardcore stan, one thing that stood out to me about Lana's voice was how much she sounded like a Disney princess alongside those strings.

Also another thing to grasp: orchestral btd sounds doesn't equate to 'twerking pop music'. The reason I believe why BTD did so well was because although it had some hip hop elements, it was still different to anything that had been released during that time period. The strings were a gamechanger and you can't deny that, no matter how much you dislike BTD. If stans want the orchestral sound, how is that bad? String are fucking gorgeous :um: It's the outdated 'daddy please love me' lyrics that warrants judgment, not the sound itself. 

 

With all this being said,

Spoiler

COCC is amazing. Yosemite is beautiful. I like to think of it as Wild on You sister track. NATWWAL is an airy and heart breaking tune, and TJF is a song they should def sing in church :w8ing:

 

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