Future Jazz

I have no words for how much I love the title track. I really have no words

I have no words for how much I love the title track. I really have no words

I have no words for how much I love the title track. I really have no words

I have no words for how much I love the title track. I really have no words

I have no words for how much I love the title track. I really have no words

not a Lana song called Bauhaus

The poetry inside of me is warm like a gun

the gold standard of lana performances for me is her itunes festival show
 
perfection to me
 
 
live string band, gorgeous vocals without backing, great set, cute outfit, no half assed dancing, just her creating ATMOSPHERE

yeah, norman fucking rockwell literally has the same chords for love song, happiness is a butterfly, california… not to mention the lyrics are really not that great in comparison to all that followed and the vocals not that great in comparison to all that came before. to me it’s her most uninspired record even though i still think it’s good because it’s Lana and there are some great songs
chemtrails is a lot more humble and unique in my opinion

there's something in the wind... 

her hair here reminds me a bit of chemtrails mv

The way we had hope for this era

LOL

@oceanblvd on instagram

The Grants is playing in my head non-stop and there is no end in sight
 
Do you think about heaven... 

the part between a&w and kintsugi feels like a bit empty but i still absolutely love this album

yeah, norman fucking rockwell literally has the same chords for love song, happiness is a butterfly, california… not to mention the lyrics are really not that great in comparison to all that followed and the vocals not that great in comparison to all that came before. to me it’s her most uninspired record even though i still think it’s good because it’s Lana and there are some great songs
chemtrails is a lot more humble and unique in my opinion

umm can this even be classified as a song  it’s not even giving instrumental it’s giving nothing

i don't buy into the theory that the final songs on her albums foreshadow the sound of the next one but i do think an album with the fun surfy with beats vibes of peppers and taco truck x vb would be fun. maybe even some mellow surfy songs in the mix too like the instrumentals of quiet waiter blue forever and patent leather do-over. do i personally think that's the sound of the next record? idk its hars to predict with lana. the last song she recorded for the album was margaret so that could be closer to where she is musically, but i also feel like it could just be a one off since she wrote that as a gift to jack & margaret. she seems to really love candy necklace tho which was the last added so i feel like there's a possibility she could be heading in that direction and work more with jon batiste and finally give us her jazz album.

Blue Banisters rn
 

What about Paris? 

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

My thoughts on this are that this album is the rawest, the most sincere, the most personal thing she has ever put out. There’s so much to relate to or to think about, whether it be family themes, trauma, love, loss, friendship, observing the world, evolving, building one’s life. It’s just so heartfelt and this is why the vast majority of us love it. In 2021, literally none of those 80 minutes existed and she managed to craft them all. It’s incredible because of how much emotion there is in every single minute of that record, it’s incredible to think all of this could have never been created and it still was. I think it’s not moving in the exact same way as her older work was, because I think what she used to do was simpler and maybe more directly impactful so it got more to the point: I think the structures were more clearly delineated, the melodies too, the lyrics were less enigmatic, there was definitely more world-building, and I miss this older style too sometimes. It’s hard to explain, but I think we can all agree she doesn’t make songs like Old Money or Dragonslayer anymore, without being able to pin down what it is exactly there used to be and there can’t be anymore. But her new music has a lot of qualities and I think more of us will be glad she took that path when the undeserved Chemtrails / Blue Banisters hate fades away. I personally hope she’s going to continue to explore whatever she feels like exploring because I’ve been satisfied with and deeply moved by all of her albums. I would also love for her to go back to her lower register, to starting electric guitars again, or to do songs that have bridges with a different chord progression than the verses (an element that used to really enrich the songs up until the Honeymoon era), but I think it’s important to realize the worth of what we got and to be thankful for it and for the unique path she has taken. There’s so much we got (including her unreleased work) and so much that we’re going to get and we can not even imagine yet.

yeah, norman fucking rockwell literally has the same chords for love song, happiness is a butterfly, california… not to mention the lyrics are really not that great in comparison to all that followed and the vocals not that great in comparison to all that came before. to me it’s her most uninspired record even though i still think it’s good because it’s Lana and there are some great songs
chemtrails is a lot more humble and unique in my opinion

Festival set lists are mostly greatest hits set lists so I wouldn’t expect her to play more than 1-3 songs from Chemtrails/bb