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IanadeIrey

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    IanadeIrey

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  1. Textless cover idea inspired by the snippet of Henry - and what I feel the mood of the record will be
  2. His online presence signals something very alt-right to me...yes, this increases class consciousness but it's also interesting to see someone as radicalized as him be the messenger. The irony, however, is that he's very pro-Elon. If someone left-leaning did this, I don't think the current reception would be as widespread as it is. My takeaway is that certain conservatives needed someone on the right to be the mouthpiece for what is, frankly, a non-partisan issue (but gets treated as partisan). Hopefully this minimizes the scapegoating that certain conservatives do of BIPOC and trans communities. I imagine it's going to take this for people to realize what the true "enemy" is.
  3. Yessssss Courtney and Lana are back. It’s not like her dig at Lana covering Take Me Home, Country Roads is all that different from what Lana’s own fans say about her country flair sometimes….
  4. Something about this all feels so fever dreamish…real but not at the same time. I love how random she is lol
  5. It’s definitely not the cover. Blue Banisters was an album she herself said was just “there” for people in case they wanted more information, yet it has a “real” cover (one of her best, at that). This next album doesn’t seem to be as deemphasized by Lana as Blue Banisters was, so I’m sure the real thing will be revealed in due time.
  6. This “cover” reminds me a lot of Patent Leather Do-Over. I feel like this album is going to be like Violet in a way - an intimacy in sound, but with a bit more generality in the lyrics given her move away from a “self-revealing” narrative.
  7. She edited the caption and tags to include Zach Dawes…we ALL cheered ❤️
  8. I do love this title though…especially for the first album to follow her marriage .
  9. I’d like to see her do something kind of like what Adele has recently done (which is not necessarily play in venues around the world and sequentially): a few one-off shows in venues that aesthetically resonate with her style, are longer than her typical 70-90 minute set, have a specially curated setlist, and have a strong theme/concept. Something like her shows at the Hollywood Forever Cemetery, but with a completely new and novel setlist that tells a story. A heavily conceptual show has been long overdue for an artist like Lana, and she’s flirted with that a bit over the two last years (outfit changes in the first two shows of 2023 and this year’s Coachella intros and outros). Think something grander and more theatrical, yet even more vocally focused than ever before…
  10. Wembley Stadium!!! Certainly an “I made it” moment
  11. This was her Golden Age. There was so much material and lore behind it all…the world was waiting for her next move and she doubled down on the very thing she is known for and does best…
  12. I loved Brat. And the Girl, so confusing remix with Lorde was definitely monumental.
  13. I get what you feel but I don’t think it was…I think the truth is that the American people voted where their heart’s concern is (the economy) and the Democrats alienated the largest voter base——those who make between 50K and 100K annually. Bernie Sanders said it best: “It should come as no great surprise that a Democratic Party which has abandoned working class people would find that the working class has abandoned them.” I obviously don’t agree with who was elected, but I accept the results. I get why people voted for him and it just goes to show that rhetoric around “fixing the economy” goes a long way. Even in the absence of any such policies!
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