coneyisland

can at least fine china og leak to match with your girl og we got for christmas they're sisters they can't be separated 

i'm sure that's the case for that person that was leaking og files lol which nice don't get me wrong but slightly underwhelming for christmas

these bitches will die from climate change with the damn song that no one will listen to instead of just letting us have it and have the legacy of these beauties go on 

promises were made, but will they be accomplished????
 
Currently promised: Paradise, Millionaire, Fine China RN version & Dark City
 
Let the games begin

Can someone please bless us with something? mp3 file wise...

leakers make me cry
leakers make me kill
leakers make me wanna die

i swear to god if we go back to our lq snippets with a whole monologue on top of it era again I'll lose it
 
I miss when people would simply take the file from their computer, and press upload. No distortion, no monologue, just usually edited files

And that’s why you trolled people and said you were doing seven days of honeymoun? Your actions and words aren’t telling the same story 

good god girl
 

 
 

i hope this is a lilacsinmymind vault
 
 

A question i have always had is when ppl describe Tropico i’ve seen them say that demos of Body Electric, Cola and other Paradise tracks would have been on or considered for the Tropico tracklist. If Paradise was already released while she was working on Tropico why would demos of already released songs have been considered?

Terrence Loves You, you can't just erase that song from existence 

wtf

Manifesting Rick

Here we go again 

we need rick back

Did everyone try the chicken? I thought the chicken was lovely? I also think that Honeymoon era and album was lovely too. Very lovely, in fact. 

that era was better than chemtrails, bb and tunnel 

Agree to disagree on that one, but I guess it’s because I’m all about the music when it comes to her (tours aren’t that important to me). HM was released just 15 months after UV, with a short pre-release of four singles. Never thought that the HBTB Mv was all that, but MTWBT’s and Freak’s were very nice. 

I’ve always loved old Hollywood so this album from her was a dream come true to me. 

SO MANY HATERS IN THIS FORUM lol. Not even just this thread 
 
the new version is beautiful. It’s what I imagined the OG was gonna sound like. So glad we finally have this 🩷 I don’t care what part of her voice she is using or not it sounds perfect. 
 

ok...? 
we don't care leak cry kill die

leak dark city

This is a myth busting post. Unfortunately, many of these stemmed from one person in particular, hence the title. I fear the damage they've wreaked in the past 3 months starting with one post may ruin the legitimacy of Lanapedia posts forever but, oh well. Sidenote all of you need stop believing everything an "insider" writes /especially/ if it contradicts what you know Lana herself has said.
 
Myth: Your Girl/Fine China/Say Yes To Heaven demos leaked in 2016 were fake/unapproved by Lana or Rick/produced by Patrick Warren/etc.
Bust: Long version (here). TL/DR - from both a production standpoint and a songwriting standpoint this never made sense, and that fact is only reinforced with leaks from the other versions of the songs now coming out and being largely identical to what was released. Note: the arrangement is the same, most of the stems in each are the same and in the same place, the only changes are those of instrument choice and the stage the song was in (minor lyric changes etc.) Par for the course. Let Me Love You Like A Woman demo and final version drastically different from each other. Same for Lust for Life versions 1-10. All produced by Rick and Lana, none by Patrick Warren (who provided instrumentation, never production, writing, or arrangement). Longer version of this myth bust below!
 
 
Myth: “Melancholia” was an album title for UV.
Bust: This came to be established as fact due to Ultraviolence (the song)’s earliest form, a song called Melancholia, leaking. Lana herself stated: “I knew I wanted a record called Ultraviolence and that song in particular stood out to me, so eventually I reworked a song called Melancholia into Ultraviolence.” No evidence that Melancholia was ever an album title. Direct evidence that Lana wanted a record called UV so bad she was willing to rework the lyrics of an old song she liked to be a title track.
 
Myth: “Tropico” was an album concept.
Bust: This one never made any sense at all, sorry for your notebook pages. Despite the fact that no one knows anything about what Lana was writing on the page or how she organized it, we do have actual facts about Tropico. It was announced as a film as early as 2012 (before the notebook picture, which came in 2013). It was filmed in June of 2013. It was /always/ linked to songs from Paradise (announced as a film with the original Bel Air music video upload.) All the other claims about it were purely speculation (ie BlackOutZone likes attention and made it up.) Further, as late as June 2013 Lana wasn’t “interested in putting out another album”, even though she was writing music. Only in August did she say she was working on a new album, mentioning Black Beauty as being written for it, this album of course being Ultraviolence.
 
Myth: “Ultraviolence tracklist got changed after Dan Auerbach got involved.”
Bust: Dan merely rerecorded demos Lana had already made and was ready to release. Dan has no writing credits on any song from Ultraviolence except for Florida Kilos. Dan: “Her demos were so good, her songs were so strong that I wanted to get my musicians in who I love and get my sound that I get here with her songs and that’s it. I didn’t want to mess it up. She sang live with a seven-piece band. That’s the whole record – a seven-piece band with her singing live. It was crazy.” "After she played him some of the demos she was working on, he became a fan, lobbying to produce her.” Lana said she thought the record was done in December 2013, and announced it. Dan heard the album while they were at The Riviera in Queens (with Emile Haynie) and told her he thought she was almost where she wanted to be with the sound, but that his Nashville band could get her perfectly there.
 
See, BlackOutZone is the king of the “idk tho” He loves to present entirely speculative opinions
“so perhaps her original idea was to release the album in 2013 alongside the visuals”
“personally only treat JFK, I Don't Wanna Go, Starry Eyed as Paradise outtakes, but this all remains debatable.”
“it must have only been”
Which are then ran with by him and y’all as fact simply because recently he’s been able to leak tracklists (actual matters of fact).
Even during Blue Banisters he was walking the middle line by making claims that could be verified (but weren’t) and then retracting them (X song is gonna be on the album…jk she changed her mind).
 
Was BlackOutZone right on some tracklist related things and announcements of recent songs? Definitely, and I’m sure the label connection that traced him to be the source of all these leaks and told him to stop has cut off his access. Does BlackOutZone know literally anything about mixing, mastering, or the way songs got recorded or leaked in 2016, or what the hell Lana was up to in 2013? No, and it’s time for you all to stop pretending he does.

I will defend Sweet to the grave 
 
I think it ties into the first two tracks socially very well. They are a great trio. Sweet is a sassy little track, and talks about her worries but also shows her as confident in who she is. Basically, “I’m a catch!”. I love the high vocal parts too. One of my favorites on the album. 

the fact that TOMORROW I will get to hear FIFTEEN NEW TRACKS IS UNREAL