necessary sacrifice

A triumphant finale in itself! The teaser for the next Euphoria episode had a new Lana Del Rey song. Tell me about that.
That came from our soundtrack partner, Interscope Records, who we’ve been working with to get new unreleased songs for the show, and that was one of them. I sent that over to our editor, like, “We need to find a home for this one.” It’s beautiful. It’s perfect. It’s Euphoria. You’ll see it this week!
 
so it wasnt written for the show dgffdgsgfsgs 💀💀💀
its probably just a random song Lana recorded for her next album and then decided to give away to euphoria

you're obsessed with the version of LDR that's in your head, and being demanding of what she "needs" to do in her carreer isn't going to change the fact that she's more herself than ever – whether you like it or not.

I didn't like the paradise one at first but now it's my favourite because of the level of detail. When you flip it and overlay it over the original it matches up quite well.


Lana fits perfectly inside the beach and the sun's reflection on the water becomes the hair covering the right of her neck. There's the water and the trees referencing the original ofc and the shape of the forest at the bottom becomes the neckline of her swimsuit.

so who's pressing a bunch of bootlegs of the paradise one for all the broke girlies here? 

so who's pressing a bunch of bootlegs of the paradise one for all the broke girlies here? 

so who's pressing a bunch of bootlegs of the paradise one for all the broke girlies here? 

turn it into an nft then get thwir asses 

i guess it doesn't work too well though 

turn it into an nft then get thwir asses 

feeling blessed that God made me a woman so i can't hear any of those super subtle mixing issues but i can see a larger spectrum of colours 

i guess it doesn't work too well though 

The reason her vocals weren't clear was her own decision. For honeymoon they purposely found an older mic to have the right 'grit' and 'dirt', and in LFL she was singing through paper to muffle her voice. I think stylistically they match the vibe of each respective album so I don't have a problem with that but I get what you mean

While drinking coffee this morning I remembered that many countries in the (Western) world use a statue of a man punching a horse in front of their parlaments. Here‘s the one in Vienna:
 


It‘s a reminder to politicians to tame their passion and not let it affect their work. So I guess Lana used it in a similar way where wild horses represent untamed / wild passion and love.
 
 

The guitar screams Yayo 

This song is addicting af. The why you always doin' that part sends me to heaven. I can understand why some people may be underwhelmed but for me this is such a nice surprise. Something about the chord progression/tone of the song, SOMETHING, reminds me of Ultraviolence too.

@yourolllikethunder  I love everything you said

feeling blessed that God made me a woman so i can't hear any of those super subtle mixing issues but i can see a larger spectrum of colours 

feeling blessed that God made me a woman so i can't hear any of those super subtle mixing issues but i can see a larger spectrum of colours 

feeling blessed that God made me a woman so i can't hear any of those super subtle mixing issues but i can see a larger spectrum of colours 

feeling blessed that God made me a woman so i can't hear any of those super subtle mixing issues but i can see a larger spectrum of colours 

Yup. And as someone who hasn't been the biggest fan of her more recent work, I still don’t really blame it on her producers. I get disliking a producer’s quirks, etc but I feel like blaming your dislike mainly on them almost disregards Lana’s artistry? Like she’s the one who green lights these and I’m sure her producers don’t just write a song and expect her to sing it, she’s involved in the creation process as well. Saying LFL is bad because of Rick is as annoying as saying UV is good because of Dan, because their implies that her producers are responsible for the quality of her music. I see people saying there’s clear differences between Blue Bannisters and works like COCC, but I see more people saying they sound basically the same because that’s just her sound now. I also see her music a reflection of her current state, so of course it’ll change as time passes

when Rick comes back, delivers something in the vein Blue Banisters with its same free form style, and people either eat it up or continue to not realize that Lana is mostly in charge of her creative decisions 

Yeah I’m also starting see a trend of toxic stans hating her current/most recent producer, harassing them on social media, and acting surprised when they don’t work with Lana again 

feeling blessed that God made me a woman so i can't hear any of those super subtle mixing issues but i can see a larger spectrum of colours