hongkongdisco mysterygirl15

We love to see Candy Necklace appreciation in this thread
 

Candy necklace is a perfect example how she can still sing over piano and strings and still make it fresh and interesting if she wants
 
we LIVE for candy necklace

I actually disagree with this take, Candy Necklace is, I think, her most unique panio-driven song. It has that "weird" (I use that term positively) and cinematic vibe that's been absent on her past few albums. I would take more of that energy on future records. 

The Other Woman is top 3 on Ultraviolence. 
 
Maybe not unpopular anymore but I am.. disgusted that it was paid dust and it took TikTok to appreciate her. Her best cover! SO beautiful! And the lipsters failed her 
 
DLMBM is a perfect closer too

You're right a couple songs on Chemtrails do have guitar but it is HEAVILY dominated by piano. Also most of the guitar on it is all played in major key, except for "Yosemite" and "Dark But Just A Game" which happen to be my favourite songs on the album. Major key just isn't to my personal taste, I study music theory and there are a lot of reasons for this and I could bore people to death giving an in depth explanation for it, but for the sake of simplicity I'll just say it always sounds a little too country music-ish to me, since C-Major, F-Major and G-Major are used a LOT in country music. I realize that's a totally subjective thing though and a lot of people love country music, and more power to them. 

yes 
 

i want more jon batiste 

we need ambient sounds back! they create such an immersive atmosphere

I really do not want Jack as the main producer for LDR 10.
 
I LOVE NFR and I think his impact on this great album can't be denied. However, I feel like the reason for this is that that album thrives on the newly discovered chemistry between Jack and Lana, they inspired each other a lot and therefore created something exciting and new (similar to what habend with Dan Auerbach for UV).
 
This spark is however missing from a lot of the stuff they did afterwards. You can still hear it on standout tracks like White Dress or A&W - but both of these were tracks Lana and Jack singled out as exciting collaborations themselves.
 
For most of the rest of their work together, it feels more like Lana had hin since she likes him and feels comfortable working with him. But that also meant he gave the "standard Antonoff treatment" to her demos and - at least in my opinion - that leads to a rather bleak and unexciting output.
 
When Lana worked with  Rick as her "comfort zone producer", it still felt like he was giving the songs a much more unique, Lana-specific sound. Jack on the other hand has a temdency of making everything sound alike, with a kinda vague and non-committing quality. 

Me when an unknown number calls me and I pick it up bc I just know it’s Lana

✨ Lana is gonna take mine of you [steal our data] with herself ✨

*changes names to fake ones*
*sign up email is first and last name*

i signed up with my number and real name so that when Lana calls me () she can say “hello is this psychedelic pussay?”

Me putting my real name bc I don’t care

me, waiting for queen of the gas station (official music video) to pop up in my subscription box 

i love it when she remembers parts of her pre-fame career, like my heart melted when she counted AKA as her first record… 
like obviously she remembers everything then and definitely more than us but i love it when she confirms it, like SPARKLEJUMPROPEQUEEN

ok id love if she just sent us selphies through iMessage instead of posting on insta  that's some real gatekeepy shit and I love it

Carmen's bridge

Omg Lana you can have my IP address IDEC
 
also the use of Sparkle Jump Rope Queen (iconic…) does suggest to me that this may be related to unreleased. but also… Lana is the queen of deceit 

not her using sparkle jump rope queen again LMAOOOO it makes me wonder if she's gonna release music under that as a stage name or something. it'd be pretty iconic. just do all the unreleased on bandcamp or something like that

I JUMPED  LIZZY STANS STAY WINNING

question for the culture
 
now that born to die, paradise, ultraviolence, honeymoon, lust for life, norman fucking rockwell!, chemtrails over the country club, blue banisters, and did you know that there's a tunnel under ocean blvd have all been successful albums loved by fans - can i please go back to singing about living in a trailer park, feeling beautiful by dancing in front of the american flag, draped in tropical flowers, even if the music videos don't look perfect, or singing dance for money, without not being taken seriously, or saying that i was living a traumatic life of poverty by tiktok stans?

The Other Woman is top 3 on Ultraviolence. 
 
Maybe not unpopular anymore but I am.. disgusted that it was paid dust and it took TikTok to appreciate her. Her best cover! SO beautiful! And the lipsters failed her 
 
DLMBM is a perfect closer too

The Other Woman is top 3 on Ultraviolence. 
 
Maybe not unpopular anymore but I am.. disgusted that it was paid dust and it took TikTok to appreciate her. Her best cover! SO beautiful! And the lipsters failed her 
 
DLMBM is a perfect closer too

The Other Woman is top 3 on Ultraviolence. 
 
Maybe not unpopular anymore but I am.. disgusted that it was paid dust and it took TikTok to appreciate her. Her best cover! SO beautiful! And the lipsters failed her 
 
DLMBM is a perfect closer too