Mer

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

😭 the crop top

And this one

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I always hated these sorts of edits, because they highlight the misunderstanding around Lana’s aesthetic and place in pop-culture—and they reduce her to “ooh pretty, sad girl”, which is a vapid analysis based off of that stupid Summertime Sadness remix. Actually, these edits are the photographic equivalent of that remix. 

I hate this so much

the funniest thing about these kinds of edits is all you have to do is search up “lana del rey pinterest” and you get a plethora of them 

I think they're referring to the OG UO press' grooves looking a bit weird. I think it's to do with how thin the record itself is, or maybe it's just a US vinyl thing? I'm not sure as it's the only record I have from the US.
 
I don't have the new one on me to compare, the closest one I have is the chemtrails blue:
 
UV

 
Chemtrails

 

*Cries in Canadian* no updates, no news of delay or shipment, and our shipment times always take at least 1-2 weeks…

I've gotten no notifs at all since June (when i placed the order) from Lana's Canadian store...

My side a is just plain old uv
They didn’t, the UO exclusive only had the tracks up to the other woman on all pressings but the sound quality and vinyl thickness is much better on the repress 

as someone with the original pressing, these look much better omg now I wish I bought the repress  the original ones are sooo thin and low quality feeling 

Just got mine and she is very pretty!  
The blue vinyl is slightly translucent, but the purple one is completely opaque. I haven't played them yet, postman literally just came 

Why did they email me yesterday about production delays and whether or not I wanted to keep my order – only to ship my order out the next day????

So like were there production delays or not??  

My vinyl just shipped! 

Spinning the 2023 reissue of Pink Friday Roman Reloaded, Never owned the original because Stupid Hoe was censored. But disc 1 is one of the worst warps I own:

like when you stop the turntable, it spins a little still!
somehow played flawlessly, gonna try flattening it with the power of 11 Chemtrails…
 
Couldn’t remember if I posted my new slipmat or not!