PatentLeatherDoOver

... LDR9 is COMING 
 
 
 // 

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

My only hope is that the music will be bombastic. I know Jack didn’t tease unused bombastic songs for nothing.
 
And while his production isn’t my favorite I know it’s not solely his fault and he is going the direction Lana wanted. After LFL the songs Rick and Lana worked on together was bartender and happiness is a butterfly (which was piano only before Jack added the guitars) I’m sure that’s what Lana told Rick she wanted. 
 
so instead of hoping for better production from Jack (since he can obviously produce absolutes bangers (melodrama/reputation)) I hope Lana is in the place where she wants to have fun and liven the music up, even just a little. Blue Banisters was a step in the right direction and I want her to keep stepping that way 

here’s to the hot people that don’t care about what producer she’s working with and are living in the moment for upcoming hot people music  

you know that it's bad when @lustforlife is actually being reasonable

lustforlife spilling 

look, it’s okay if you aren’t a fan of jack’s production, however, it’s annoying to constantly have to read people complain & lose their minds at the slightest mention of him, even as a joke, like, it’s 2022 & it’s the third jack-produced album, we get it at this point, we also shouldn’t make too many judgements about what this album will be like, since lana has expressed wanting more interesting & fiery production from jack, & jack mentioning “bombastic” songs, he may have produced some duds such as lmlylaw & love song, but he’s produced some of the best songs of her career, such as venice bitch & white dress, it’s obvious that he’s perfectly capable of making great work, honestly, a lot of the things which are complained about regarding jack are probably a result of lana, blue banisters is more piano-based than nfr/chemtrails & people ate that album up, & jack antonoff had absolutely no credits on that album, if lana wanted more exciting & fiery production from jack, i bet he would deliver, it’s clear that she prefers more mellow & laidback music, but who knows, maybe ldr9 will be different
 
if people want to express their dislike their jack, we should also be able to express why we don’t agree with those opinions
 
this is just a general statement btw & isn’t directed towards anyone

I adore Wildflower Wildfire, but those piano keys sound "flatter" to me than most of NFR. The fact that we as a forum are still fighting about our preferences in production style just shows this comes down to personal, subjective taste 

And if he takes his time too. Didn‘t she say that it was hard to work with him on COCC because he was so busy? He produced for Lana, his band, Lorde, St. Vincent and Clairo in 2021 (and probably some others?). I hope that has changed 

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

Something that excites me for LDR9 is that she seems to be taking her time/refraining from giving out release dates. With COCC, she made remarks about feeling uncertain about its readiness for release, and I’m sure COVID played some part in that as well (I believe the COVID part was mentioned directly by Lana or Jack but someone correct me if wrong). 

Lana recently described NFR as being her best record, and I think she could very easily top it with LDR9 if she takes her time with Jack (assuming he’s the producer based on recent posts). I think she’s grown a lot as an artist since 2019, and I think her recently closing the chapter on getting “revenge” via telling her story on Blue Banisters has paved a really nice path for LDR9. 

I could see the record being relatively fun/lighthearted (almost how NFR and LFL were) and reflect the life she’s shared via her Honeymoon account, but we’ll see!

You don't have to lie to make a point.
 
 
 
 
 
 
 

also I don’t know if the album will be surf inspired but if it is, something like this would be AMAZING. I really implore people that want a surf album to listen to this because it’s one of my favorites! Not on Spotify unfortunately. I fully believe Jack and Lana could do this if they wanted to 
 
 

All I need is some daydreamy psychedelia or dream pop. See:
- Alison by Slowdive
- Milk by Sweet Trip 
- Holy Forest by Pinkshinyultrablast
- All I Wanna Do by The Beach Boys
- Thursday by Asobi Seksu 
- Long Season (live) by Fishmans
- Future Games by Fleetwood Mac 
 
less benzos and more psychedelics pls ms Lana 

I wonder if we're getting a "proper" rollout this time. Chemtrails and BB were weird cause she announced them too early (and with fake dates) so everything she teased/released after that was confusing (up until the preorders of course).
Maybe she's attending the grammy's with Jack and we get a little red carpet interview   

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

“Lana Del Rey’s ninth studio album—perhaps her most puzzling and compelling record to date—captures her listeners and releases them into a California-kissed haze of nihilism and lovesick adoration, wittily and almost sarcastically embracing the early caricatures critics assigned to her. 
 
Del Rey seems to swim between genres as the record progresses, carefully weaving together the very fabric of Del Norte County’s essence: dreamy echoes of surf rock guitar riffs, half-spoken twangs of rockabilly, and bluesy saxes all packaged in something so gorgeously and undeniably Lana.
 
Kali Uchis appears as a feature on Lovesick, and toward the end of the record, Dolly Parton graces her voice on the engaging storytelling of I Wear Your Ring When I’m Lonely—somehow, the two features work. There’s even an eerily bewitching solo cover of Hotel California, and it’s one of Lana’s best.
 
Sonically, the record is a refreshing change of pace for Del Rey, but there are certainly little fragments of its predecessors: the fantastical worldbuilding of Born To Die, the numbed introspection of Honeymoon, the sardonic edge of Ultraviolence, and the catchy, distinctly personal writing of NFR.”
 
(the edible hit earlier & I just realized how much I typed—sorry)

I can’t believe this was over 5 years ago….I hope she does something like this for the next album tbh https://youtu.be/Gb1lte9uljI