Pink Flamingo

i think fuck it i love you was sort of a bop, so i still think she can serve them, just not in the full on BTD lolita way

the way she has served more in VBBOTG than in COCC and possibly BB...
 



she still got the visuals, but only when she wants to

I just closed some muzzles on Twitter. 

Stop suffering for a lyrics... There's nothing wrong with it and that's it. 

Stop suffering for a lyrics... There's nothing wrong with it and that's it. 

Stop suffering for a lyrics... There's nothing wrong with it and that's it. 

Stop suffering for a lyrics... There's nothing wrong with it and that's it. 

Lana sounds so vulnerable on those songs. 
I THOUGHT THAT THOSE GLITCHES WERE CUS OF MY EARPHONES DAfsdfsHDDAD I WAS GONNA BUY NEW ONES 

they're getting brave
 

Stop suffering for a lyrics... There's nothing wrong with it and that's it. 

you did not just call magdalene’s artwork a bad cover..

Now that I have listened to the three songs carefully I want to tell you that Lana really excelled with the lyrics of those songs, they are so intimate but strong, vulnerable but powerful.  Lyrically they are very good, and the production is very good too.  Does she come to surpass Norman?

uh he already made a ballad with Lana that surpassed her ballads with Jack

Now that I have listened to the three songs carefully I want to tell you that Lana really excelled with the lyrics of those songs, they are so intimate but strong, vulnerable but powerful.  Lyrically they are very good, and the production is very good too.  Does she come to surpass Norman?

Lana sounds so vulnerable on those songs. 
I THOUGHT THAT THOSE GLITCHES WERE CUS OF MY EARPHONES DAfsdfsHDDAD I WAS GONNA BUY NEW ONES 

u girls better be nice to mike, wildflower wildfire is a masterpiece 

I know I’m always in this thread but I swear - the writing on these songs is just phenomenal. It’s truly lightyears ahead of anything else she’s done; she has always been an amazing, gifted writer, but you can objectively feel the growth in these 3 tracks (as if there was anywhere to go for an artist who is always at her lyrical peak, in all honesty). They’re just so stunning. This record already feels really special in that the writing is confessional, revealing, and poetic at the same time. The words sound so euphonious and her vocals are strong as ever. I love all her records and she’s always been a genuine, true artist, but there’s really a weight of emotion that we’re really lucky to be hearing from Lana this time around. I can’t imagine baring it all to the extent that she did to anyone. 

Lana sounds so vulnerable on those songs. 
I THOUGHT THAT THOSE GLITCHES WERE CUS OF MY EARPHONES DAfsdfsHDDAD I WAS GONNA BUY NEW ONES 

Gorgeous tracks. I think Lana is just gonna get more experimental from here on out. This may not be a callback to the production of B2D, but the intense vulnerability in lyric writing is definitely back.

I don't know if you have ever seen this hateful comment against Lana in which they attacked her saying that all her music sounded the same. That comment always seemed stupid to me because we all know that all Lana albums sound different.
Now I'm afraid that will become a reality because come on, we all noticed that BB snippet sounds something like Chemtrails... And once again all my excitement is gone, I like Chemtrails but I couldn't bear another album like that.

Mike said on his live stream that he has at least ONE SONG on the album. well, it's over. 

I already found the idiots on duty, on twitter there are people saying that the part where Lana mentions BLM is weird or that she is "romanticizing" that ... they don't know what to talk about to attack her

they're getting brave
 

I already found the idiots on duty, on twitter there are people saying that the part where Lana mentions BLM is weird or that she is "romanticizing" that ... they don't know what to talk about to attack her