rhubysyrup

the thing is I can easily tell now which songs are produced by jack bc he has started overusing a signature sound. Old money, wfwf, are mostly piano (yes which lana wanted) but I can tell its not jack, his piano sounds much hollower and his instruments have this weird distant twang to them that's now become his signature, with the new St Vincent, Lorde, Bleachers and T.S. stuff I can easily identify its Jack's production. The producers Lana are with now are much more versatile and their stuff sounds solid even if they are going to just use piano, because they're not attached to an uninspired sparse jingly folk vibe. Jack on the other hand is constantly recycling melodies and riffs. Ultimately its his (and Laura Sisk's) procedure for which instrument/microphone to use, audio choices, the arrangements, etc. Lana obviously just gives ideas of what she's feeling.
  Jack has a very recognizable style that's just been getting worse lately no matter who he works with. cmon all these artists cant be asking for this SAME sound

the thing is I can easily tell now which songs are produced by jack bc he has started overusing a signature sound. Old money, wfwf, are mostly piano (yes which lana wanted) but I can tell its not jack, his piano sounds much hollower and his instruments have this weird distant twang to them that's now become his signature, with the new St Vincent, Lorde, Bleachers and T.S. stuff I can easily identify its Jack's production. The producers Lana are with now are much more versatile and their stuff sounds solid even if they are going to just use piano, because they're not attached to an uninspired sparse jingly folk vibe. Jack on the other hand is constantly recycling melodies and riffs. Ultimately its his (and Laura Sisk's) procedure for which instrument/microphone to use, audio choices, the arrangements, etc. Lana obviously just gives ideas of what she's feeling.
  Jack has a very recognizable style that's just been getting worse lately no matter who he works with. cmon all these artists cant be asking for this SAME sound

on repeat. 

I like Olivia Rodrigo but I'm sorry, I find nothing indie or alternative in someone who's music has been 90% crafted in the same vein of Taylor Swift haha

the thing is I can easily tell now which songs are produced by jack bc he has started overusing a signature sound. Old money, wfwf, are mostly piano (yes which lana wanted) but I can tell its not jack, his piano sounds much hollower and his instruments have this weird distant twang to them that's now become his signature, with the new St Vincent, Lorde, Bleachers and T.S. stuff I can easily identify its Jack's production. The producers Lana are with now are much more versatile and their stuff sounds solid even if they are going to just use piano, because they're not attached to an uninspired sparse jingly folk vibe. Jack on the other hand is constantly recycling melodies and riffs. Ultimately its his (and Laura Sisk's) procedure for which instrument/microphone to use, audio choices, the arrangements, etc. Lana obviously just gives ideas of what she's feeling.
  Jack has a very recognizable style that's just been getting worse lately no matter who he works with. cmon all these artists cant be asking for this SAME sound

the thing is I can easily tell now which songs are produced by jack bc he has started overusing a signature sound. Old money, wfwf, are mostly piano (yes which lana wanted) but I can tell its not jack, his piano sounds much hollower and his instruments have this weird distant twang to them that's now become his signature, with the new St Vincent, Lorde, Bleachers and T.S. stuff I can easily identify its Jack's production. The producers Lana are with now are much more versatile and their stuff sounds solid even if they are going to just use piano, because they're not attached to an uninspired sparse jingly folk vibe. Jack on the other hand is constantly recycling melodies and riffs. Ultimately its his (and Laura Sisk's) procedure for which instrument/microphone to use, audio choices, the arrangements, etc. Lana obviously just gives ideas of what she's feeling.
  Jack has a very recognizable style that's just been getting worse lately no matter who he works with. cmon all these artists cant be asking for this SAME sound

the thing is I can easily tell now which songs are produced by jack bc he has started overusing a signature sound. Old money, wfwf, are mostly piano (yes which lana wanted) but I can tell its not jack, his piano sounds much hollower and his instruments have this weird distant twang to them that's now become his signature, with the new St Vincent, Lorde, Bleachers and T.S. stuff I can easily identify its Jack's production. The producers Lana are with now are much more versatile and their stuff sounds solid even if they are going to just use piano, because they're not attached to an uninspired sparse jingly folk vibe. Jack on the other hand is constantly recycling melodies and riffs. Ultimately its his (and Laura Sisk's) procedure for which instrument/microphone to use, audio choices, the arrangements, etc. Lana obviously just gives ideas of what she's feeling.
  Jack has a very recognizable style that's just been getting worse lately no matter who he works with. cmon all these artists cant be asking for this SAME sound

with btd and uv she feared the production was distracting people from what she really wanted to say, hence hm. She's going to be telling the most important parts of her story now so I understand if she wants less bombastic production so people can listen and pay attention to the meaning. also the problem is not slow songs, freak, Brooklyn baby, UV, video games and other cult favorites are all technically "slow" songs. the uv album was supposed to be more stripped and if it was it would not have been so loved.

And im also glad Lana's style is so peculiar she didnt got lost in jack's production... Because this song has nothing saying Lorde to me

with btd and uv she feared the production was distracting people from what she really wanted to say, hence hm. She's going to be telling the most important parts of her story now so I understand if she wants less bombastic production so people can listen and pay attention to the meaning. also the problem is not slow songs, freak, Brooklyn baby, UV, video games and other cult favorites are all technically "slow" songs. the uv album was supposed to be more stripped and if it was it would not have been so loved.

with btd and uv she feared the production was distracting people from what she really wanted to say, hence hm. She's going to be telling the most important parts of her story now so I understand if she wants less bombastic production so people can listen and pay attention to the meaning. also the problem is not slow songs, freak, Brooklyn baby, UV, video games and other cult favorites are all technically "slow" songs. the uv album was supposed to be more stripped and if it was it would not have been so loved.

with btd and uv she feared the production was distracting people from what she really wanted to say, hence hm. She's going to be telling the most important parts of her story now so I understand if she wants less bombastic production so people can listen and pay attention to the meaning. also the problem is not slow songs, freak, Brooklyn baby, UV, video games and other cult favorites are all technically "slow" songs. the uv album was supposed to be more stripped and if it was it would not have been so loved.

Melodrama, Masseduction, NFR and Folklore were the peak of Jerktonoff's production 

I’m very pressed bc I like the lyrics and her voice sounds great but this album feels so soulless to me cause the production is SO unoriginal 
 
I usually like Jack and defend his work as he sort of has signature styles for each artist he works with but this is SOOOOO painfully COCC/NFR-lite it’s sick lol. Wish she would have taken these songs to someone who could have been more creative with them

I cannot believe how much this song sounds like Wild at Heart. JACK!!!!!!

no but the way the chorus has the EXACT SAME melody as WAH's, and the instruments sound like they're the same as wild at heart as well... this fully sounds like a COCC bonus track
 

I think being a representation/symbol of something, or being a metaphor, being like something to someone for example "Baby baby I'm your man" "I'm your little harlot, starlet, Queen of Coney Island"  and also "My body is a map of LA, I stand straight like an angel" etc.  

I think being a representation/symbol of something, or being a metaphor, being like something to someone for example "Baby baby I'm your man" "I'm your little harlot, starlet, Queen of Coney Island"  and also "My body is a map of LA, I stand straight like an angel" etc.  

West Coast & And I love Her (Kurt Cobain version)
Dear Elliot & Into Dust-Mazzy Star

hot guy? no pics? 

wait, then it's all connected omg
The Lanaverse is real

I think being a representation/symbol of something, or being a metaphor, being like something to someone for example "Baby baby I'm your man" "I'm your little harlot, starlet, Queen of Coney Island"  and also "My body is a map of LA, I stand straight like an angel" etc.  

I really don't think this is going to happen. cocc was like a still afterthought of nfr so 11 songs was fine, but even cocc was planned to be longer. and realistically thinking, there won't be any Nikki at all. it feels like she is taking her sweet time with this and adding stuff, which is good, instead of taking away which they did with cocc. the way boz described it it sounds like a longer album. 

The way she sings tOoOyOta levitates my soul