Jeanne Dielman

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

what i'm most counting on now is the (supposed) message from @lustforlife (or his French Husband?) from behind the grave that the lead single with video is coming in the next weeks (middle-end of January)

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

i honestly don't mind waiting without a second single but could we at least get visuals for the title track 

while not getting another single before the album would be nice in some ways because there will be more material on release day, i’m kind of scared there isn’t going to be one and it really is just going to be a dead and painful wait  iirc lana hasn’t released any singles after a preorder has gone up since HM (but this is also the longest amount of time between preorder and the album coming out so maybeeee we’ll get something else)
 

us trying to keep this thread alive for the next 2 months after we’ve discussed all the new info from @Kintsugi

Perhaps she drags Dua on the Bleachers track and this is why BOZ dislikes it? 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

4:10-8:39. Imagine Lana creating something similar to this...

patty when she hears lana made another song dragging her for filth
 

 
 
also i love how rob is always out fishing but never seems to take patty
 
 

speaking of rob and patty..
 
 
this specific moment lives permanently in my mind curious about what "the grants" will consist of and how her family feels about it 

her father never stepped in when his wife would rage at her so she ended up awkward but sweet 

This is gonna be A&W single cover.

I wouldn't be mad at all. Lana looks amazing and the only letters showing are "AW" 
 
Watch her not use an iPhone picture this time 
 
Edit:  WAIT I missed the 🎥 emoji in the other picture and it's from a week ago this can't be a coincidence.
I thought we were being delusional again but it makes sense this time 

Maybe she was in Hawaii refilming all of those videos that she lost 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

The only NFR track that could be described as an "absolute fan favourite" is Venice Bitch. Didn't Kintsugi say that Track 16 is major and has an outro for the books? Perhaps the song closes with a psychedelic instrumental that features a sample from Venice Bitch? 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

A jumpscare. That's why Kintsugi said we will die at Track 16. Yes, from a deep coma. 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed. 

Here's all that Kintsugi said about track 16 and the snippet:
 
1. When he was asked if we're going to get a song that isn't slow or even mid tempo:
 
So I assume that track 16 isn't mid tempo or a ballad. Or...it could start that way, but it ends up being something entirely different. Don't forget that BOZ told us that multiple songs on the album are unconventionally structured, and track 16 is 6 minutes long.
 
2. Regarding the sample:
 
The sample must be something very distinct and not something random. But being both an absolute fan favourite and something unpredictable/shocking with Jack being the only credited co-writer on Track 16 confuses me a lot, lol. MAC, Venice Bitch, The greatest and Cinnamon Girl are the only NFR tracks I'd describe as "fan favourites". So why would we be so surprised? 
 
3. About the connection between track 16 and the sample:
 
Hmm, the possibilities are endless. Perhaps the track begins with the sample, or it's somehow incorporated within the - supposedly stunning - outro, or the track uses some of the sampled song's lyrics, or the title itself directly hints at it...? 
 
Okay, I'm going to bed.