wilting daisy

do you guys even like lana? 

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

quick reminder that Zach Dawes gave us masterpieces like Thunder, California, Black Bathing Suit, DYKTTATUOB, and Candy Necklace...

I'm receptive to whatever she wants to create with whoever she wants to create it with. I have learned to appreciate the music and see how that reflects that particular stage of her life. I'm guessing to won't resemble DYKTTATUOB machine terms of theme. I feel like she said what she wanted to say about family and post-quarantine reflections. Excited for what's next 

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

I honestly don’t care what style or what type of song she goes into for the next album. 
 
OB kinda ticked all the boxes : personal singer/songwriter ballads, classic old Hollywood songs, bangers (for Lana at least), prog experimental masterpiece(s). 
 
In Spring, I would have wished for another Jon Batiste collab, but we’ll have it on his album. Pop Lana is something that we haven’t heard in a while, but if an unreleased compilation is really on the way, many of the songs that Interscope would want on it are mostly pop-ish. 
 
which leaves me with no expectations whatsoever, which is always the best way to enter a new Lana era 
Isn’t it White Dress? 

Kind of hilarious that this fandom has reached the stage where we basically get confirmation of upcoming projects by Waffle House employees Lana randomly worked with in Alabama.

i can't stand the producers discussion anymore 

lucky for me i don't really know who mike dean is outside of that song so i had no expectations and was just happy with what we got. but like its so lana for her to get producers that make othwr kinds of music and just have them make piano ballads for her (like with jack)

honestly if the new album had say yes to heaven & fine china and maybe a few other unreleased like i talk to jesus but was mostly newly recorded stuff i wouldn't be mad. but then i'm in the minority who actually enjoyed blue banisters and thought the leaked songs fit into the album nicely. 

lucky for me i don't really know who mike dean is outside of that song so i had no expectations and was just happy with what we got. but like its so lana for her to get producers that make othwr kinds of music and just have them make piano ballads for her (like with jack)

do you guys even like lana? 

do you guys even like lana? 

lucky for me i don't really know who mike dean is outside of that song so i had no expectations and was just happy with what we got. but like its so lana for her to get producers that make othwr kinds of music and just have them make piano ballads for her (like with jack)

do you guys even like lana? 

honestly if the new album had say yes to heaven & fine china and maybe a few other unreleased like i talk to jesus but was mostly newly recorded stuff i wouldn't be mad. but then i'm in the minority who actually enjoyed blue banisters and thought the leaked songs fit into the album nicely. 

Well we know The Grants, DYKTTATUOB, Let The Light In, Peppers, and Taco Truck were (probably) the first ones written, because they were all done with Mike. After that, Lana and Jack (probably) started working together and that's where the other ones came. Candy Necklace and Margaret were two of the final ones written.
 
I honestly have no idea what my expectations for LDRX are. I don't expect she'll venture too far off from her current sound, but some of the songs on Tunnel really shocked me production wise. She made comments that she was happy and excited to see what she wrote next so I'm hoping we get some more light/fun songs. I do hope she uses the production of her recent live shows for this album.

LDR10 is a Hawaiian glam country disco hip hop folk pop rock alternative electronic blues punk jazz industrial ambient orchestral trip hop metal album produced by David Kahne, Rick Nowels, Jack Antonoff, Emile Haynie, Tim Larcombe, Kieron Menzies, Dean Reid, Drew Erickson, Nikki Lane, Rick Rubin, Mark Ronson, Paul Epworth, Jeff Bhasker, Dan Heath, Dan Auerbach, Jon Bastiste, SYML, Riopy, Father John Misty, The Last Shadow Puppets and Darla