Speed Driving Coconuts

I disagree with this. While her main releases date back from 2017, I think she's had a lot of old demos and other music going all the way back from the early 2010s (with the EP One Piece of Tape being one of her very first "official" music releases in 2011). She also wrote some jingles for adverts back in the day. No one in their right mind would stick to making music that long without being passionate for it. I definitely don't question Kim's passion in music but I do question her desperation for success. 
 
I think both her and Slayyyter are very similar but the thing is that Kim chose success as a priority whereas Slayyyter seems to be sticking to her guns and standing firm with her artistic identity. Then again, Slayyyter has no experience dealing with a major label so things might change if she gets signed to one. Kim's outputs before she got into Republic felt cohesive and have a clear vision, so I think signing with a major label had something to do with that. 

ALLEGEDLY No Comma ft Ayesha releasing March 8th.

This discussion about Taylor's lyricism reminds me of a conversation I had with a friend. The appeal of Taylor's lyricisms is not that it's deep or introspective but rather it's something everyone can consume without much resistance. You don't need to think about her lyrics too much, but they're not as overtly vapid as well that it allows people to think they're on to something by figuring out what Taylor meant with her lyrics when in reality someone with at least a 3rd grade education can decipher them no issues. 
 
She's basically the fast food of songwriting - mass produced, appeals to the lowest denominator, inoffensive, and very easy to consume. Nothing wrong with that liking that. I can't be a hypocrite and say that she's not one of my top artists. But I will never once declare her as a genius songwriter by virtue of her creativity. She's a genius songwriter yes, but it's because she's good at making them digestible to everyone, which is perfect for a pop artist. 

war flashbacks 

Her new music can’t come soon enough!!

Do we have any info about her upcoming era yet? She's performing in Rock in Rio this September so I assume she would have released some new material by then. 

Watching her performances during her debut era reminded me why I stanned her in the first place. 

The Swifties couldn’t handle 2019-2021 Lana with White Hot Forever, Chemtrails Over The Country Club, Rock Candy Sweet, Loved You Then And Now, and Blue Banisters 
 
And then rumor she changed it for a 3rd time 😭 

I disagree with this. While her main releases date back from 2017, I think she's had a lot of old demos and other music going all the way back from the early 2010s (with the EP One Piece of Tape being one of her very first "official" music releases in 2011). She also wrote some jingles for adverts back in the day. No one in their right mind would stick to making music that long without being passionate for it. I definitely don't question Kim's passion in music but I do question her desperation for success. 
 
I think both her and Slayyyter are very similar but the thing is that Kim chose success as a priority whereas Slayyyter seems to be sticking to her guns and standing firm with her artistic identity. Then again, Slayyyter has no experience dealing with a major label so things might change if she gets signed to one. Kim's outputs before she got into Republic felt cohesive and have a clear vision, so I think signing with a major label had something to do with that. 

Nothing about this era is sticking for me so far. Some call the past two singles a "grower" but I just think they're generic af. 

Nothing about this era is sticking for me so far. Some call the past two singles a "grower" but I just think they're generic af. 

Nothing about this era is sticking for me so far. Some call the past two singles a "grower" but I just think they're generic af. 

Nothing about this era is sticking for me so far. Some call the past two singles a "grower" but I just think they're generic af. 

I disagree with this. While her main releases date back from 2017, I think she's had a lot of old demos and other music going all the way back from the early 2010s (with the EP One Piece of Tape being one of her very first "official" music releases in 2011). She also wrote some jingles for adverts back in the day. No one in their right mind would stick to making music that long without being passionate for it. I definitely don't question Kim's passion in music but I do question her desperation for success. 
 
I think both her and Slayyyter are very similar but the thing is that Kim chose success as a priority whereas Slayyyter seems to be sticking to her guns and standing firm with her artistic identity. Then again, Slayyyter has no experience dealing with a major label so things might change if she gets signed to one. Kim's outputs before she got into Republic felt cohesive and have a clear vision, so I think signing with a major label had something to do with that. 

Why does the mormon that runs fckyeahcharli act shocked everytime someone mentions doing drugs to charli’s music?

As much as I hate Kim’s latest output… I kinda agree.
 
I think she has a lot of potential and underrated vocals, but she lacks a clear idea of what she wants to put out, unlike Slayyyter who has a clear vision. The mayor label thing doesn’t help either, since they are trying to use her “first trans popstar” persona to get a hit and Miss the mark everytime 

I disagree with this. While her main releases date back from 2017, I think she's had a lot of old demos and other music going all the way back from the early 2010s (with the EP One Piece of Tape being one of her very first "official" music releases in 2011). She also wrote some jingles for adverts back in the day. No one in their right mind would stick to making music that long without being passionate for it. I definitely don't question Kim's passion in music but I do question her desperation for success. 
 
I think both her and Slayyyter are very similar but the thing is that Kim chose success as a priority whereas Slayyyter seems to be sticking to her guns and standing firm with her artistic identity. Then again, Slayyyter has no experience dealing with a major label so things might change if she gets signed to one. Kim's outputs before she got into Republic felt cohesive and have a clear vision, so I think signing with a major label had something to do with that. 

I disagree with this. While her main releases date back from 2017, I think she's had a lot of old demos and other music going all the way back from the early 2010s (with the EP One Piece of Tape being one of her very first "official" music releases in 2011). She also wrote some jingles for adverts back in the day. No one in their right mind would stick to making music that long without being passionate for it. I definitely don't question Kim's passion in music but I do question her desperation for success. 
 
I think both her and Slayyyter are very similar but the thing is that Kim chose success as a priority whereas Slayyyter seems to be sticking to her guns and standing firm with her artistic identity. Then again, Slayyyter has no experience dealing with a major label so things might change if she gets signed to one. Kim's outputs before she got into Republic felt cohesive and have a clear vision, so I think signing with a major label had something to do with that. 

I disagree with this. While her main releases date back from 2017, I think she's had a lot of old demos and other music going all the way back from the early 2010s (with the EP One Piece of Tape being one of her very first "official" music releases in 2011). She also wrote some jingles for adverts back in the day. No one in their right mind would stick to making music that long without being passionate for it. I definitely don't question Kim's passion in music but I do question her desperation for success. 
 
I think both her and Slayyyter are very similar but the thing is that Kim chose success as a priority whereas Slayyyter seems to be sticking to her guns and standing firm with her artistic identity. Then again, Slayyyter has no experience dealing with a major label so things might change if she gets signed to one. Kim's outputs before she got into Republic felt cohesive and have a clear vision, so I think signing with a major label had something to do with that. 

Happy 12 years of the curiosity album not releasing

Ahead of its time 

She probably hand picked fans who are social media savvy but are tech illiterate/soft enough not to dare to leak music. 

angels are too soft nowadays  if this was 2018 we would’ve had 6 songs recorded on an iphone 6 by now

Her “older” fans hacked her music (thank you) she probably holds it against them 

idk why but the tweet saying the only way to describe the album is “cohesive” is taking me out like what 😭😭😭 like i know what they meant but damn that really could mean anything lmaoooo