Crimson and Clover

i honestly refuse to listen to the interview 

lana when HMV vinyls outsell the og ones 

reading through this thread without hearing the interview at all is wild ride 

“Special”

lana when HMV vinyls outsell the og ones 

The way Annie is trying to save her career by changing the subject. 

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography. 

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography. 

When I read "I'm literally changing the world..." at the end of that comment, I cackled

only 9 users out of 70 guessed the correct amount
 
ill be drawing the winners tomorrow!

not her including a video with the i wish i was dead already interview and the marilyn manson rape video what is going on with her 

Her post read as “I dated black people so I can’t be racist” like... 

the comment lmfao I’m actually giggling she’s gone insane I’m sorry I’m logging out of twitter for a few days I can’t take this

"my best friends have been rappers my boyfriends have been rappers" - 1. what relevence does that have to the "issue" of lack of POC  2. DOES SHE MEAN G FUCKING EAZYSZYYYZYYXSYCA

yeah im just gonna mentally ignore all this

oh my god the "I have friends of color and have dated rappers" post.... Lana please.......... 

GIRLS SHE WROTE QUESTION FOR THE CULTURE 2.0 IN THE COMMENT FOR THE COVER

LANA’S COMMENT NOOO 

I used to not even listen to it because the lyrics never really grabbed me (from
the first snippet she teased to the full apple performed) and I never paid enough attention to the instrumental because I was so focused on the not liking the lyrics aspect 
But now, since I realized I like the instrumental, I find myself relating to the lyrics more 
 
I agree though! The instrumental we got is ‘trippy’ and I love the key change instrumental break! I love piano so much (I’ve played for almost 15 years now!) but that instrumental break wouldn’t have been a quarter as interesting without all the interesting instrumentals mixing together!

This is a hot take I don’t hear super often!!
 
While I personally prefer the piano version for that specific track because it seemed to pair well with the wistful message, I still think the studio instrumental is really interesting. 
 
The mellotron in the studio version has this very hazy, melting(?) quality that I think would sounds really fucking cool on a “trippy” track, and I wouldn’t mind her exploring this more experimental sound more!

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography. 

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography. 

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography. 

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography. 

I know a lot of people say NFR is her most un-Lana album but honestly the most un-Lana album for me really has to be LFL (and honestly I still love most of it!) I feel like songs like Cherry, WM, and 13 Beaches touch Lana-isms in a more superficial way. Maybe it's the crazy amount of reverb in her voice? The actual lyrics/sounds themselves? Songs like IMF, Coachella, Summer Bummer (even regarding Ridin'), and even Change feel really different from her previous discography for me. While I do feel like NFR does expand on some aspects from LFL, mainly the singer/songwriter aspect of Change/TNC, and is different from her other established works, it honestly does still feel more Lana than LFL for me (but tbh, I feel like most works post-UV depart from what BtD/UV set for her tbh). Even then, I GREATLY appreciate that songs like Get Free and Heroin weren't afraid to break free from this mold and create their own legacies and pathways in her discography.